| | Beijing Dreams CD - Import
Beijing Dreams Review
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Purchase Beijing Dreams CD To buy, Click on price to add to cart | Nini Rosso Il Silenzio CD (2007) (Import)
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| | Blue Notes CD (2005)
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The Blue Notes is set up with the classic "Organ Trio" instrumentation: Hammond Organ, guitar and drums. Of course with this line up you'll hear jazz and blues in the style of the great organ trios (Jimmy Smith, Jack McDuff, etc.), but you'll also be treated with Brazilian, funk, hip-hop and other more modern styles in the mix. Add in the bonus of an exciting female vocalist and you have the recipe for music that's good enough to eat. And you won't leave the table hungry!The personnel on this CD:McDonald Cary, the heart and soul of the group, has delighted audiences of all ages with his mastery of the Hammond Organ. ...
| | Fovea Hex Neither Speak Nor Remain Silent CD (2007) (Import)
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| | Chip White More Dedications CD (2009)
Beijing Dreams songs
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This recording is essentially Volume II and (or) the extension my previous CD, "Double Dedication" with my compositions for nine more jazz artists who inspired me, and a corresponding poem on the second disc."More Dedications" is a two-disc set. The music is on disc 1 (tracks 1-9 on this page) and the poems, with the music in the background, are on disc 2 (tracks 10-18 on this page).Dedication – BagsHe often came to see us with Houston Person and Etta Jones, whose singing he loved dearly. He saw and bought a copy of my book, I’m Just the Drummer in the Band, and asked me to autograph it. I felt like I was heading in the right direction.Dedication –TonyHe was one of my biggest influences on percussion, along with Max Roach, Art Blakey, Philly Joe Jones, and Elvin Jones.Dedication – Vanessa D.She was the vocalist in the original Chip White Ensemble, and I just loved her sound.Chip WhiteChip White began studying percussion with his father at the age of nine, and moved on to music theory and harmony with Vincent Corozine in high school. He studied with Alan Dawson, Charlie Mariano, Herb Pomeroy, and Freddie Buda of the Boston Symphony at the Berklee School of Music. He later studied orchestration and arranging with Frank Foster.Chip has performed and/or recorded with a variety of artists, including Carman McCrae, Jaki Byard, the Jazzmobile CETA Big Band, Candido, John Abercrombie, ...
| | Julian Trio Lighthouse On A Cliff CD (2008)
Beijing Dreams album
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In 2006, when Julian was nine years old, Julian and his father Brad made their first CD, \"Father and Son.\" Following in 2007, \"Lighthouse on a Cliff\" was written and recorded when Julian was ten years old. Julian has a wonderful knack for melody and harmony. With his father\'s lifelong interest in lyrics and rhythm, Julian and his father have created a joy-filled match. In addition to Julian\'s primary instument, the fiddle, Julian has started to play additional insturments including the piano, the mandolin, the penny whistle, the vihuela, and the guitar. In \"Lighthouse on a Cliff,\" The Julian Trio is completed with the cittern playing of Michael Charnes. Michael has brought positive energy and nuanced ideas to their ever evolving music. With all these Celtic musically influenced flavors they hope they have brought a moving multi-textured listening experience. Julian incarnated with music in his soul. Thanks to his mother Mary\'s tireless reading and the Richard Scary books, Julian knew as a toddler all the names of the musical instruments before he knew his colors. When his father used to go to the Celtic old time jam with Lang Russell at the Willits (Northern California) Environmental Center, Julian would play fiddle on chopsticks. At the age of two, Julian begged for a violin. After a powerful dream, his father woke up and made Julian one from an old wooden tea box, a stick, and a guitar string. Julian played the teabox violin like a Stradivarius, at least in his mind. At three he got his first real violin, a 1/32 he named \"Potato.\" With the patient help of his first teacher, Andi Skelton, he was on his way. Julian\'s father has loved this journey from pretending to playing music, to playing music, to co-writing songs. Now, at the age of 12, after transitioning from a 1/16th, 1/8th, 1/4, 1/2, 3/4 size violin, Julian has ...
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