| | Johann Fux: Orchestral Works / Freiburger Baroque Orchestra CD Der Goltz / Freiburger Barockorchester / Fux Discography of CDs
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Purchase Johann Fux: Orchestral Works / Freiburger Baroque Orchestra CD To buy, Click on price to add to cart | Christmas Festival With Arthur Fiedler & The Boston Pops CD (1994)
Johann Fux: Orchestral Works / Freiburger Baroque Orchestra album
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an ...
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Johann Fux: Orchestral Works / Freiburger Baroque Orchestra songs
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Johann Fux: Orchestral Works / Freiburger Baroque Orchestra album
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| | Sarah Brightman Eden CD (1998)
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With EDEN, Broadway diva Sarah Brightman ("Requiem," "Cats") stretches beyond the constraints of what's ...
| | Eric Bibb Good Stuff (1997) (Import) Super Audio CD; Sweden
Johann Fux: Orchestral Works / Freiburger Baroque Orchestra music CDs
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$12.95 | | Burial Untrue CD (2007)
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If most musical projects aim for at least a measure of popular notoriety, the clandestine U.K. producer known as Burial seems to thrive on self-imposed anonymity. In interviews, the London-based dubstep artist explains his willful obscurity as an effort to draw a formal boundary between underground and pop--to effectively become "untrackable, unreadable, just a distant light." Whether this is pure hype-sheet driven strategy or a bona fide lob at the music business's cult of personality makes little difference; the immersive, emotive music found on his second album, UNTRUE, evinces a true perfectionist's touch. Drawing upon the euphoric "feminine pressure" vocals of 2-step garage and the malevolent bass rumble of darkside drum & bass, UNTRUE both elaborates upon and conflates genre clichés with a mix of irreverent deconstruction and reverential homage.
As in his eponymous debut, UNTRUE is daubed in a grainy, lo-fi ambience that casts a sinister fog over the rhythmic foreground. Ominous creaks, pops, and drizzles lurch furtively from some void, creating crackly accents or yawning, metallic squeaks. On "Ghost Hardware" the staccato syncopations of garage are either distended into growling bass undertow, or crumpled into shards of asymmetrical flourish. Against the metronomic clack of a woodblock-like ...
| | Excellent Sides Of Swamp Dogg Vol. 4 CD (2007)
Johann Fux: Orchestral Works / Freiburger Baroque Orchestra album
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Jerry Williams reissues two long out-of-print albums from the back catalog of his not-so-secret identity Swamp Dogg in the fourth volume of the Excellent Sides of Swamp Dogg series. This set manages a .500 batting average, pairing one fine album with another that's one of Swamp Dogg's least interesting efforts. Swamp Dogg's Greatest Hits? was a 1976 release so obscure it doesn't even appear in many of Williams' discographies, in which he re-recorded a handful of obscure Swamp Dogg tunes, none of which were hits in this or any alternate universe. They may not have sold, but tunes like "I've Never Been to Africa," "Buzzard Luck," and "Call Me Nigger" capture the eccentric fervor of Williams' philosophical style as well as anything he's ever recorded, and "Or Forever Hold Your Peace," "I'm Still In Love with You," and "Don't You Try to Be My Man" are fine examples of his own distinct brand of Southern soul. 1977's Finally Caught Up with Myself, however, is nothing much to write home about; the backing band, credited as "Riders of the New Funk," sounds meek and anemic where Swamp Dogg's sessions are usually cooking with potent funk, and with a few exceptions Williams wasn't faring much better as a songwriter. There are a few bright spots, but outside of "If You Gotta Do Wrong (Do It Right)," "Trash," and "Understanding California Women," this is Swamp Dogg's most disposable album of the '70s. It doesn't help that on this reissue, Finally Caught Up with Myself sounds ...
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Johann Fux: Orchestral Works / Freiburger Baroque Orchestra CD music
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$15.89 | | Kimiko-Piano CD (2008)
Johann Fux: Orchestral Works / Freiburger Baroque Orchestra songs
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