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Bobby Solo Magic Moments CD - Import

 Bobby Solo Discography of CDs

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Magic Moments Music


Detailed Magic Moments Music Information



List Price $10.98 (You save $0.19)
Category Rock/Pop Albums
Label Zyx
CD Universe Part number 7544935
Discs 1
Release Date Oct 10, 2007
Additional Info Import
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The second Glee soundtrack throws a bone to the show's supporting characters, with Jenna Ushkowitz (the faux-stuttering Tina) singing her first solo and Amber Riley (Mercedes) receiving a larger chunk of airtime. Lea Michele and Matthew Morrison continue to steal the show, though; Morrison delivers one of the album's most inventive songs with a mash-up of "Don't Stand So Close to Me" and "Young Girl," while Michele sings the absolute pants off of everything the producers give her. The album sometimes strays away from choral arrangements and focuses on individual actors, but it's hard ...
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GREEN LIGHT, the 14 track album from Cliff Richard, features "Count Me Out" and "Ease Along." Green Light is one of those "lost" late-'70s Cliff Richard albums, dating from the period in which he'd finally made his sound contemporary but no one was paying too much attention. Everything here is a dead match for "Devil Woman," every bit as appealing and memorable and even better produced, with rippling lead guitars, crisp acoustic rhythm guitars, ...
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Nick Lowe's first album threw down the gauntlet in grand form--a baker's dozen of "pure pop for now people" (which is, in fact, what a nervous Columbia Records retitled the album for its stateside release). Lowe was charting regularly in his English homeland, and though he didn't reach the same heights of chart success in America, several songs have become familiar late '70s/early '80s reference points, particularly "I Love The Sound Of Breaking Glass" and "So It Goes." At the time of this album's release Lowe was also the house producer for Stiff Records (Britain's first independent record company) and Elvis Costello, producing his first handful of albums, as well as touring regularly with Rockpile. This is an auspicious debut, made good upon thereafter by a continuingly engaging career. On the cover of his solo debut album Jesus of Cool, Nick Lowe is pictured in six rock & roll get-ups -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years rolled on the band got loose, as did Lowe's writing, which got catchier and funnier on the group's last two albums, Nervous on the Road and New Favourites of Brinsley Schwarz. In retrospect, it's possible to hear him inch toward the powerful pop of Jesus of Cool on the Dave Edmunds-produced New Favourites, plus the handful of singles the group cut toward the end of their career -- it's not far cry from the Brinsleys' stomping ...
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