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Jonah Matranga And CD - Import

 Jonah Matranga Discography of CDs

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List Price $23.99 (You save $1.64)
Category Rock/Pop Albums
Label Phantom
CD Universe Part number 7545963
Catalog number 746133
Discs 1
Release Date Nov 13, 2007
Jonah Matranga And Songs


Jonah Matranga And Album Track Listing



1.So Long
2.Get It Right
3.I Want You to Be My Witness
4.Every Mistake
5.I Can't Read Yr Mind
6.You Always Said You Hated San Francisco
7.Waving or Drowning?
8.Not About a Girl or a Place
9.Fathers & Daughters
10.Lost, Then Found
11.Definitely, Definitely, Definitely [*]
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MY KIND OF CHRISTMAS includes a variety of holiday favorites performed in Dean Martin's inimitable easygoing style. Among the 14 cuts are "Blue Christmas," "Rudolph the Red-Nosed Reindeer," "Let It Snow! Let It Snow! Let It Snow!," and "Baby, It's Cold Outside." Those who appreciate Dino's smooth voice should find this budget-priced disc a welcome addition to their holiday music collections.
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Very few Led Zeppelin performances were caught on camera during the band's life-span, but the footage that has been preserved for posterity is collected on this release. With a running time of over five-and-a-half hours, this is the definitive word on Zep's global stage-straddling performances. The footage is taken from London's Royal Albert Hall in January 1970, London's Earls Court in May 1975, Knebworth in August 1979, and Madison Square Garden in July 1973. Guitarist Jimmy Page has taken great care to restore, remix, and remaster the sound from these shows, providing a visual and sonic assault that offers indisputable proof of Led Zeppelin's reputation as a rock & roll behemoth. Additional footage comes in the shape of several television interviews, a bootleg shot of the band performing "Heartbreaker," behind the scenes footage from Knebworth, and a whole lot more. This 2-DVD boxed set features a variety of live+ programming. Disc 1 includes Live at the Royal Albert hall, 1969, also Danish TV 1969, French TV 1969, Super Show 1969, a promo clip, some bootleg; disc 2 features Splodge Edit live 1972, Madison Square Garden 1973, Earls Court 1975, Knebworth 1979, Australian TV, interviews, promos.
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jones falls began with songwriting revivals in the basement bedrooms of a burned out motel building. The fire damaged, drug addled fixture of north west baltimore became home to the band through it's live in caretaker, security guard, maintenance man, and drummer, Rick Bonds. Bonds had worked at the motel on and off since his adolesence in the 70s. When the 3 building motel had a courtyard swimming pool and was often booked to capacity with celebrities attending horse races at the famous nearby Pimlico Racetrack. By the year 2000, the third building was last to fill with guests, and the band was allowed free reign of the 20 basement rooms as long as no guests were renting upstairs. A fire in 2001 made the upstairs of builting 3 uninhabitable, leaving the basement open to full time playing and recording. The motel, however, became more dispreputable and dangerous unitl it ceased operation, and the band moved out in 2002. beneath the stray-bullet landscape of imploded housing projects and motel fire catacombs, please uncover the compressed remains of recording and performance techniques made obsolete. Thinking that the suffocating ghosts of urban childhood had been cleanly removed to the safety of oblivion, we are surprised to find that they now return loudly from exile, arriving in long yellow vehicles to inconvenience our perverse progress. The memory of safety tape buried under the debris of a collapsed technological tele-visual high-rise culture now leaks from our voices. Lacking time and resources to achieve polish, the fantasy of imaginary audiences lingers as a stale background of bar-smoke and white-noise in the ear-ringing denial of the next morning. It may be necessary to overcome urges to compare in order to achieve objectivity. Operating under the assumption of an imperfect representational sonic delivery system may prolong clarity of altered perception. Please accept this low fidelity artifact as a token of alternative sincerity.
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The Banana Convention is a "Rust Belt BubbleGum" band based out of Saginaw, Michigan. Fronted by the beautiful and talented Double Bubble Girls, Sweet Mama NuJahn and The Mighty AfroDytee, The BC bring to the stage a cavalcade of music and fun everytime they perform.

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THE TRIUMPHS & TRAVAILS OF ORPHAN MAE begins with a rollicking banjo number, "Jailhouse Fire," and things head on down the road from there. Seattle singer-songwriter Veirs goes through a series of original folk blues and murder ballads, inhabiting each song completely. The songs are unhurried and beautifully orchestrated, and for all their traditional elements, they display a definite contemporary sensibility. This is Laura's second album, and first of four (so far) with producer Tucker Martine. This album was first self-released by Laura in 2001 and later re-released in the UK in 2005 by Bella Union.
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Mike Borgia Blood And Moonlight CD  (2003)

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BiographyMike Borgia Singer/ songwriter from New York, NYWith the energy of an excited puppy, and the vocal ability and range reminiscent of Chris Cornell ( Soundgarden ) and legendary rock crooner Jeff Buckley, Mike Borgia sings the songs he writes, rocks hard live and has a solid musical background. His groups TREAD and VENEAR played big shows like MTV campus Invasion 2001 and CMJ Marathons 2001 & 2002. Borgia has shared the stage with such acts as Saliva and American Hi-fi. His music is also featured on numerous mp3 college radio stations, along side the top bands of today. Mike's extraordinary musicality and gorgeous definitive songwriting are what we are left with, including the current Nashville radio hit he co-wrote entitled "Hold Me Tonight".

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Last Dayz
Last Dayz CD  (2003)

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Last Dayz is a Christian Rock band from South Orange County, CA. Their debut CD release, "Last Dayz" features a diverse mix of high energy rock music with a pinch of old school and lots of soulful rhythms and grooves. Their music features lots of tasty lead guitar solos and powerful lead vocals. At times their music may hint of Nine Inch Nails, George Lynch, Rage Against The Machine and others but their lyrics are definitely of a spiritual content. Their music is heavy rock but with a very commercial approach. This CD features a slow melodic ballad as well as various tempo changes from song to song. All of the songs are very groove oriented. If you like rock music with a strong beat, you will like this CD. Their music has a lot of dynamics and the hooks are very catchy, while at the same time not too commercial sounding or overproduced. Don't get me wrong, their music is not for the mellow quiet type, it hits like a ton of dirty bricks with tasty leads and heavy grindy grooves.

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Taro Sound
Quasar Wut-Wut Taro Sound CD  (2004)

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After four years of gigging and untold hours of knob twiddling, Quasar Wut-Wut has produced an ambitious album that's challengingly experimental yet ultimately accessible. Lyrically dark but sonically thrilling, TARO SOUND doesn't fit neatly into any single sub-genre of indie rock. It is the painstaking result of a thinking band's toil, a teeming cityscape of upside-down pop houses and tangent-taking breezeways echoing with the poetry of Cohen, Newman, and Ono Band Lennon. Imagine Frank Zappa hosting an episode of the Muppet Show if Animal was a klezmer drummer. TARO SOUND is a dense, frantic soundtrack-and it's Quasar Wut-Wut's calling card to the world. Relocating from Detroit to Chicago in 1999, Quasar Wut-Wut took aim at Chicago's club scene scoring gigs with national acts such as Pedal Steel Transmission, Apples In Stereo, the Lucksmiths, Local H, and the Waxwings; the hipsters responded with moving feet and scratching chins. "What was this Quasar Wut-Wut? We like it, but what is it?" On stage, frenetic guitar lines give way to swells of odd grandeur; the sarcasms of milkmen long dead meet inspired playing, finding manic grace inside folds of loose-limbed indie pop. When the Quasars play, you can imagine Edward Gorey picking up a Stratocaster and crosshatching the Pixies. TARO SOUND may sound like nothing you've heard before, but that's why it deserves a listen. Approximating the spontaneous combustion of a lost gypsy caravan blasting the White Album and Rain Dogs, Quasar Wut-Wut has an indescribably unique sound. TARO SOUND has been road-tested all over Chicago and Detroit, including high-profile shows at the Metro, Double Door, the Empty Bottle, Alvin's, the Magic Bag, and the Gold Dollar.

Press on Quasar Wut-Wut "Sheer manic energy... Uses instrumental virtuosity to spit on the relevance of instrumental virtuosity." - Chicago Reader "As enigmatic as the band's name: jazzy, polyrhythmic, lush, herky-jerky, electronic..." - Illinois Entertainer "A nice combination of fuzzed-out, plunking twin-guitar volleys and an oft-countrified rhythm section" - The Current "Fun, tight, and rule-breaking" - Jam Rag "Their quirky, comical, spunky sounds radiate from the stage and hype up the audience." - Columbia Chronicle "A tantalizing, uppity groove, not unlike the kind you'd hear at a carnival" - The State News "Strong local band" - Chicago Sun-Times "Vaudevillian insanity goodness" - The Gold Dollar "You're not going get many dates by having this record in your collection, but so what?" - The Current

Astralasia
Astralasia CD  (1990)

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CD $15.19  Audio Samples
Programmer: Gary Moonboot. Astralasia: Kim Oz (vocals); Gary Moonboot (guitar, keyboards); Ed Genis (guitars); David Jackson (saxophone).
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Cogs New Primitive CD  (2008)

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CD $8.55
The long awaited follow up to 2005's 'Laughter and Footsteps' compilation which first introduced the Cogs project to the wider public and became something of a small cult in the process. 'New Primitive' leaves behind the lo-fi/no-fi sound of 'Laughter and Footsteps' replacing the tape hiss and clunky pause tape endings with a well produced studio album.

Starting with the vicious funk of the opening track 'Running Out of Ideas' to the nihilistic rage of 'Car' and 'Stuck in a Room'.

This album is indebted to post punk, No Wave and early industrial music with its spiky hooks and metal percussion. The album features a hand made sleeve, each disc is individually stamped with pullout lyric sheet.

Sorry, there is no artwork available at this time
Locomotiv GT 424-Es/1 Mozdonyopera CD  (1997)

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