| | Musik In Deutschland 1950-2000 Vol. 45 CD Musik In Deutschland 1950-2000 Vol. 45 CDS
Musik In Deutschland 1950-2000 Vol. 45 Music | List Price | $7.98 (You save $1.73) | | Label | Rca Victor Europe | | Orig Year | 11/4/2002 | | CD Universe Part number | 7546380 | | Catalog number | 173545 | | Discs | 1 | | Release Date | Nov 04, 2002 |
Musik In Deutschland 1950-2000 Vol. 45 Review
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Purchase Musik In Deutschland 1950-2000 Vol. 45 To buy, Click on price to add to cart | Cecilia Bartoli Sacrificium CDs (2009) With Book; Deluxe Edition
Musik In Deutschland 1950-2000 Vol. 45
 $21.49  
2009 debut album from the Canadian singer / songwriter. 10 tracks.
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This is a Super Audio CD playable only on Super Audio CD players.
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Personnel: André Rieu (violin).
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Clara Haskil,Piano
| | Romantics Vol 3 - Schubert, Schumann / Van Egmond, Et Al CDs (2002)
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Unlike Die schöne Müllerin and Winterreise, Schubert's Schwanengesang is not a song cycle, but a collection of fourteen songs compiled by the publisher, Tobias Haslinger, with the help of the composer's brother, Ferdinand, after the composer's untimely death in 1828. Schumann's Dichterliebe, composed in 1842, sets sixteen poems from Heinrich Heine's Buch der Lieder (1827). In these memorable performances, celebrated Dutch baritone, Max van Egmond and fortepianist Kenneth Slowik fully reveal the richness and variety of each of these great song collections.Max van Egmond-one of the greatest singers of our time,was born on February 1st, 1936 in Semarang, Java, (Indonesia - then the Dutch East Indies),He studied voice principally with Dutch pedagogue, Tine van Willingen. He completed his schooling and musical education in Holland after the war, becoming a member of the Nederlandse Bach Vereniging (Dutch Bach Society) at the age of eighteen. In 1959 (three years after his friend and compatriot, Elly Ameling) he became a the prizewinner at the 's-Hertogenbosch International Vocal Competition. He was also awarded competition prizes in Brussels (1959) and Munich (1964).These public successes marked the beginning of a distinguished career in the fields of oratorio, Lieder and baroque opera. Max van Egmond has achieved his greatest fame as an interpreter of J. S. Bach's cantatas, masses and passions and, from 1965, participated in complete recordings and performances of these masterpieces with conductors Gustav Leonhardt, Jaap Schröder, Nikolaus Harnoncourt and Frans Brüggen. (Teldec, Deutsche Harmonia Mundi, Seon). One of Holland's most beloved artists, he has received numerous awards and honours including a special decoration from Queen Beatrix of the Netherlands for his decades of service to Dutch musical life. His forty-year career has taken him throughout Europe, Canada, the USA, Israel, Australia and Asia.For many years a professor at Amsterdam's Sweelinck Conservatory, Max van Egmond continues to give master classes throughout the world, and returns every year to Mateus, Portugal, and to the Baroque Performance Institute at Oberlin College Conservatory, Ohio. His performances with the Belgian-based Ricercar Consort have explored the extensive seventeenth-century German cantata repertory, documented in a highly successful series of recordings (Deutsche Barock Kantaten) for the Ricercar label. Over the last 15 years, Max van Egmond has concentrated on performing Lieder and French art songs, and has already produced highly acclaimed recordings (with the Belgian pianist, Jos van Immerseel) of Schubert's Winterreise as well as chansons of Gabriel Fauré (Channel Classics). For MUSICA OMNIA, Max van Egmond has recorded Schubert's Schwanengesang and Schumann's Dichterliebe (with pianist Kenneth Slowik) as well as the cycles Die schöne Müllerin and Winterreise (with Penelope Crawford). Max van Egmond's concerts, recordings and master classes all provide eloquent testimony not only to his expertise in all areas of the vocal repertoire, but also to his great kindness and humanity in the service of music.The distinguished American musican Kenneth Slowik, cellist, player of various historical keyboard instruments and conductor is director of the chamber music program at the Smithsonian Institution in Washington. He is also artistic director of the Baroque Performance Institute at Oberlin Conservatory.
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Eugene Marlow (composer/arranger) has composed classical and jazz pieces for solo instruments, chamber ensembles, and jazz big band. His jazz pieces have been performed by the BMI Jazz Composers Workshop Big Band, the Primary Colors Trio, the SYOTOS Latin/Jazz Band with Chris Washburne, The Numinous Orchestra, The Andy LaVerne Trio, and the Trevor Day Big Band. His classical solo and chamber works have been performed by the Kandinsky and Corigliano String Quartets, the Circadia Woodwind Quintet, the Alaria Chamber Ensemble, and virtuoso pianist Nada Loutfi. He is a member of the BMI Jazz Composers Workshop, the International Association for Jazz Education, the Jazz Journalists Association, and the New York Composers Circle. Marlow is also senior co-chair of the Milt Hinton Jazz Perspectives concert series at Baruch College (The City University of New York). In addition to two other CD projects, Marlow is currently researching a book on jazz in China.
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Track Listing of songs: Estrangement; Breaking The Mould; At Jordan's; Communion With Nature;
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