| | Pedrinha De Aruanda/Bethania Bem De Perto DVD
Pedrinha De Aruanda/Bethania Bem De Perto | List Price | $48.99 (You save $8.24) | | Studio | Phantom | | All Time Sales Rank |  109360  | | CD Universe Part number | 7548071 | | Catalog number | 747157 | | Discs | 1 | | Release Date | Oct 23, 2007 |
Pedrinha De Aruanda/Bethania Bem De Perto Review
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Guitarist Lee Ritenour has long been associated with Brazilian styles (especially after playing with Sergio Mendes's Brasil '77 in the '70s), and 2005's WORLD OF BRAZIL continues that association to excellent effect. Ritenour's smooth, soulful style lends itself perfectly to bossa nova and samba grooves on this mix of originals and covers (including, not surprisingly, several tunes by the genre's greatest composer, Antonio Carlos Jobim).
But one of the things that makes WORLD OF BRAZIL such a treat is the host of guest stars, which includes keyboardists Herbie Hancock and Dave Grusin, bassist John Pattitucci, singer El Debarge, and percussionist Carlinhos Brown. No less a luminary than Tropicalia pioneer Caetano Veloso appears on his own "Linda," and his sultry tenor sounds as alluring as ever. With its mix of smooth jazz and Brazilian flavors, the overall vibe of this disc is relaxed, sophisticated, and cool.
Arranger: Lee Ritenour .
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This Verve collection represents the diversity of Veloso's music, perhaps more so than the Tropicalia-heavy compilation A ARTE DE CAETANO VELOSO. Some of the late '60s classics such as "Soy Loco Por Ti, America" and "Superbacana" are included, as is material from the late '70s and early '80s.
This CD travels from psychedelia-tinged samba to bossa nova to Brazilian new wave. The unifying element in all this diversity is the tranquil, conversational style of Caetano Veloso's excellent vocals, which owe a lot to Joao Gilberto. While some the synth-pop material featured here might raise an eyebrow, ...
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Songs such as the hushed, "Minhas Lagrimas" and the sophisticated, jazzy "Porque" are the exception here, with the singer exploring a more rock & roll direction on the aptly-named "Rocks," while similarly appropriately blending Caribbean and Brazilian rhythms on "Musa Hybrida." Veloso's lyrics, too, have lost none of their eccentric sting over the years, with "Odeio" and "Um Sonho" both displaying an edgy eroticism, and "Outro" bristling with anger.
If Caetano Veloso's 2004 album A FOREIGN SOUND was a smoothly accomplished salute to his influences in the popular music of the northern hemisphere, his 2007 release, CE, is proof that he hasn't lost his cutting edge. Its skeletal sound, co-produced with his ...
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With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level.
Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects ...
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Starring: Ray Corrigan;
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