| | Pedro Vargas El Cantor De America CD - Import Pedro Vargas Discography of CDs
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El Cantor De America Music El Cantor De America Review
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Purchase El Cantor De America CD To buy, Click on price to add to cart | B-Tribe Fiesta Fatal! CD (1994)
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| | High Kings CD (2008) Digipak
El Cantor De America CD music
$14.89
The debut album by the High Kings was issued by the same folks who had a hand in Celtic Woman and Riverdance, and consists of easy listening and buffed-and-polished Irish folk music of appeal to an audience that is comparatively massive for the world music fringe: this album made the lower levels of the Billboard Top 200 album chart. The High Kings is glossy and polite -- targeted perhaps toward listeners who enjoyed the pennywhistle on Celine Dion's "My Heart Will Go On" -- even on tunes that strive to be upbeat and frolicsome. ~ Stewart Mason
The debut album by the High Kings, brought to you by the same folks who had a hand in faux-Celtic abominations like Celtic Woman and Riverdance, brings up an important philosophical question: just exactly ...
| | Don Ho Greatest Hits CD (1969)
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| | Lawrence Welk World's Greatest Polkas CD (1986)
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| | Fabulous Wailers CD (1959)
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$12.59 
As any quick perusal of old Top 40 rock & roll station playlists will attest, singles were where the shakin' action was, as rock & roll albums were scarce as hen's teeth back in those pre-Beatle days. But when the record companies decided to issue one, it was usually an artifact of high rockin' value and some major influence. Naysayers to the contrary, this debut album by the Northwest's first great rock & roll combo is just such an artifact. The Wailers dispensed crude, greasy, largely instrumental rock & roll music for those who came to shake it up and shake it down, and it's all on fine, rhythmic, open display here. This album is amazing in its own simplistic, nuthin'-special way, its crudity almost palpable. There's only one vocal aboard, Kent Morrill's "Dirty Robber," later covered and torched by ...
| | Hanggai Introducing CD (2008)
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| | Dolly Parton: All American Country CDs (1997)
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| | Elvis Presley Elvis In Concert CD (1977)
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| | Richard Cannon Wait For The Lord CD (2005)
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Richard Cannon, a local Michigan artist, recently released his debut CD album Wait for the Lord. "This CD is offered as a gift from a 'wounded healer' to other travelers on the road of healing and recovery. It is for those who need to know they are loved unconditionally, and those who long for God to reveal their deepest selves." These closing lines of Richard Cannon's personal testimony are tucked away in the jacket of his CD ...
| | Complete Motown Singles, Vol. 3: 1963 CDs (2005) Box Set
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$85.49
Like most independent record moguls of the early '60s, Berry Gordy, Jr. had grand plans but unlike many of his peers, he was more than ready to enact them. Crafting an R&B crossover was part of the plan but he wasn't limited to that: he had other markets in mind, markets that held cash and credit. Gordy tried everything -- folk, country, gospel, jazz, supper club crooning -- seemingly opening up a new subsidiary for every style, very rarely with much success. He dabbled in these digressions earlier in Motown's history but as the five-disc box The Complete Motown Singles, Vol. 3: 1963 shows, 1963 was the year Gordy went berserk with subsidiaries, pursuing Workshop Jazz for jazz and vocal recordings, Mel-O-Dy for folk, country, and comedy, and Divinity for gospel, all of these in addition to the Gordy and Tamla imprints that released R&B just like their flagship Motown. Several of these labels were launched the previous year, but in 1963 they were all going concerns with rarely a month passing without a new 45 from one of these subsidiaries. There were so many in 1963 that it's not surprising they dominate the flavor of this volume of The Complete Motown Singles; even if they produced neither hits nor forgotten gems, there are so many of them they leap out amidst what is the formation of the classic Motown sound.
Which isn't to say that these subsidiaries were bad -- some of them were, but not all of them. Johnny Griffith and George Bohannon served up some strong jazz, Howard Crockett was a good straight-ahead country singer pitched halfway between Johnny Cash and Johnny Horton, but much of this was simply generic, embodying a style without being distinctive. This can result in some fun listening -- depending on taste, either the Kingston Trio harmonies of the Chuck-A-Lucks or Paula Greer's jazzy vocal stylings or Liz Lands' earnest gospel sides are appealing -- but the sheer volume of these stylistic digressions steers 1963 toward the territory of mere pop archaeology. With the sudden changes in mood and preponderance ...
| | Eliana De Lima CD (2008) (Import) Import
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| | Slim Dusty Sittin On 80: 80 Aussie Truckin Classics CD (2009) (Import)
El Cantor De America songs
$32.49
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