| | Velvett Fogg Vinyl LP Record Velvett Fogg Discography of CDs
From the weird name, as well as song titles like "Yellow Cave Woman" and "Plastic Man," you'd expect something a little more interesting than routine late-'60s British psychedelia. However, that's what you get on this rarity, from a group which gave more prominence to heavy organ riffs than the typical outfit of the era. There's no gripping vision or focus -- "Yellow Cave Woman" is a basic riff and lyric that keeps on going for several interminable minutes without variation; "Come Away Melinda" is an odd hard rock cover of the anti-war folk tune; "Owed to the Dip" is a long formless organ instrumental; and "New York Mining Disaster 1941" a strange, pointless Bee Gees cover. The album meanders so directionlessly that it is kind of weird, but in a boring way. [The 2003 CD reissue has a bonus track, "Telstar '69."] ~ Richie Unterberger
A shroud of mystery surrounds this legendary Birmingham psych band, led by singer/guitarist Paul Eastment (later of Ghost) and organist Frank Wilson (founder of Warhorse). Despite the flattering liner notes written by John Peel, not much is known about t
Includes liner notes by David Wells.
Velvett Fogg: Paul Eastment (vocals, guitar); Frank Wilson (keyboards); Mick Pollard (bass); Graham Mullett (drums).
Mojo (Publisher) (3/03, p.124) - 4 stars out of 5 - "...State of the art 1960's prog-rock'n'soul..." Velvett Fogg Review
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Purchase Velvett Fogg CD To buy, Click on price to add to cart | Adam Lambert For Your Entertainment CD (2009)
Velvett Fogg album
 $11.18   
With Adam Lambert, American Idol finally got a finalist who was completely, utterly contemporary, aware of what's hip in music and culture and aware of how music is made and consumed in 2009, never seeming to try to follow fads or set trends, just embodying the time. Mercifully, he came in second to Kris Allen, for if he came in first he may have had to tame his self-styled glamazon ways. A second place finish allowed Lambert to come out of the closet and indulge in his penchant for theater on his debut, For Your Entertainment -- which isn't quite the same thing as camp, for if Adam Lambert is anything, he's earnest about his dress-up, never winking at the audience because he doesn't think there's much funny about his glitter and mascara: that's just what pop stars are supposed to do. He's learned that by listening to his stacks of Queen and Bowie records, from watching old MTV videos ...
| | Bon Jovi The Circle CDs (2009) With DVD
Velvett Fogg CD music
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| | Doors Live In New York CDs (2009) Box Set; Special Edition
Velvett Fogg music CDs
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Track Listing of songs: DISC 1: JANUARY 17, 1970 FIRST SHOW: Start Of Show; Roadhouse Blues; Ship Of Fools; Break On Through; Tuning/Breather; Peace Frog; Blue Sunday; Alabama Song; Back Door Man; Love Hides; Five To One; Tuning/Breather; Who Do You Love; Little Red Rooser; Money; Tuning/Breather; Light My Fire; More, More, More; Soul Kitchen; End Of Show; DISC 2: JANUARY 17, 1970 SECOND SHOW: Start Show 2; Jim "How Ya Doing?"; Roadhouse Blues; Break On Through (To The Other Side); Ship Of Fools; Crawling King Snake; ...
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| | Shadow Gallery Digital Ghosts CD (2009)
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| | Pulley Vinyl LP (1999)
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| | Oakley Hall Gypsum Strings Vinyl LP (2006)
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| | Pete Townshend Empty Glass Vinyl LP (2007) (Import) Japan
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Velvett Fogg music CDs
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| | Nine Inch Nails Ghosts I-IV Vinyl LP (2008)
Velvett Fogg songs
$38.25
Released independently for online download without any advanced notice in March 2008, GHOSTS I-IV is a 36-track instrumental album that reveals Nine Inch Nails at its most experimental and intriguing. Always adept at musical moods and textures, NIN mastermind Trent Reznor has been known to let his angst-ridden vocals and lyrics overshadow his songs, but on this generous collection, which follows YEAR ZERO by less than 12 months, his compositions are allowed to breath on their own, and the results are disarmingly diverse, though, naturally, never exceedingly sunny.
Working closely with co-producer/songwriter Atticus Ross and frequently calling upon guitarists Adrian Belew (King Crimson) and Alessandro Cortini, Reznor treats GHOSTS as a score to some dark imaginary David Lynch-like film (in fact, the two auteurs collaborated on LOST HIGHWAY). While some tracks trade ...
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