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Thirteen Senses - Invitation LP Cover Art
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Thirteen Senses Invitation Vinyl LP Record - Import

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Invitation Music


Detailed Invitation Music Information



Category Rock/Pop Albums, Vinyl LP Record CDs
Label Phantom
CD Universe Part number 7563165
Catalog number 1068974
Discs 1
Release Date Sep 28, 2004
Shipping Units 3
Thirteen Senses Invitation Songs


Thirteen Senses Invitation Album Track Listing



1.Into The Fire
2.Thru The Glass
3.Gone
4.Do No Wrong
5.The Salt Wound Routine
6.Saving
7.Lead Us
8.Last Forever
9.History
10.Undivided
11.Angels And Spies
12.Automatic
Invitation Music


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John Mayall & The Bluesbreakers: John Mayall (vocals, piano, organ, harmonica); Eric Clapton (vocals, guitar); John McVie (bass); Hughie Flint (drums). Includes original release liner notes by Neil Slaven & reissue liner notes by Paul Trynka. 1966's BLUESBREAKERS WITH ERIC CLAPTON is full of portent, as some of its participants would become superstars after its release. Future Cream guitarist Eric Clapton was highly rated enough in the UK blues-rock scene to score second billing, but it wasn't until this recording that he'd had the opportunity to truly stretch out in the studio and show off his awesome soloing skills. Clapton's earlier stint in the Yardbirds had found his ideas largely shouted down by pop-oriented producer/manager Giorgio Gomelsky, but here kindred spirit/producer Mike Vernon simply let Clapton play as he wished. The sympathetic rhythm section of Hughie Flint and ...
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie Johnson's production and mixing equalize everything at ten, making it feel like the disc is recorded live. The set opens with the pulsing bass throb of "Broke Down on the Brazos," just before Haynes and guest guitarist Billy Gibbons enter and let the tough, riff-laden blues snarl get in and slash it up a bit. The roar is wondrously deafening and the pace is fierce. Likewise, the slightly more tuneful "Steppin' Lightly" does anything but. With its funky big rock trio ...
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Jamey Johnson is a successful songwriter on Nashville's Music Row, who has authored hits by George Strait and Trace Adkins. THAT LONESOME SONG, Johnson's debut album as a performer, is a happy throwback to the outlaw country of the 1970s, with Johnson's gruff, character-filled vocals surrounded by a small, rocking combo including pedal steel, organ, and fiddles. Rather than the polished soft rock of so much contemporary Nashville product, THAT LONESOME SONG is a rough and ready honky-tonk ...
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Retreating to generally quieter territory after the somewhat splashy IT'S NOT BIG IT'S LARGE, Lyle Lovett also backs away from original tunes on NATURAL FORCES, choosing to devote the bulk of the 11-track album to other writers. Covers are common for Lovett, but not since 1998's STEP INSIDE THIS HOUSE has he spent so much time singing other's songs, and he revisits some of the same composers as before, picking tunes from Townes Van Zandt and Vince Bell, while co-writing "It's Rock and Roll" with Robert Earl Keen. As before, Lyle gravitates toward gentle, moody songs, with ...
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Subtitled "The Return of the Frozen Few," this final entry in this amazingly little vinyl collection shines the spotlight firmly on '60s teen bands from Minnesota, the home of the Trashmen and a place where the bird was always the word. While bands like the Unbelievable Uglies ("Get Straight"), the Deacons ("Empty Heart"), and the Yetti-Men (three tracks total, including the wild and noisy "Break Time") kicked up a bit of local noise, the majority of artists anthologized here definitely fall into the weekend warrior subspecies of bands that didn't roll their amps out of the driveway too often. Heading the latter list are crude efforts by Jeannie, Jim, Tom & Bill ("Silly Whim"), the Leaves Of Grass ("Crabs"), and the Peers ("Once Upon A Time"), proof positive that the local record scene had room for everybody. ...
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Porn Sword Tobacco Everything Is Music To The Ear Vinyl LP  (2009)

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On his 2009 album, Henrik Jonsson aka Porn Sword Tobacco creates a gently enjoyable flow of understated electronic compositions that might be his best work yet -- if an open tribute to the power of music as such, then there's nothing wrong with that. So the soft "En Ny Morgon," with its gentle but inspirational piano over a shuffling beat half early Kraftwerk and half late Boards of Canada, isn't too far removed from the demi-exotica of "Cave 4b-50 Clicks Northwest," all quiet slink and weird wigginess. Brief snippets and fragments scattered throughout the album keep things gently varied within the general feeling of piano-led contemplation, while the stylistic experiments often become their own reward. Thus "Havet ...
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