| | Donald Byrd Fuego Vinyl LP Record Donald Byrd Discography of CDs
Donald Byrd's FUEGO is one of the many fine hard-bop sets the trumpeter recorded for Blue Note throughout the late 1950s and '60s. Featuring all Byrd originals, from the driving pulse of the opening title track to the gospel-tinged "Amen," which closes out the album, FUEGO has much to recommend it. There are top-notch personnel (Jackie McLean lends his soulful sax work to the proceedings), strong compositions, and a relaxed, open feel throughout. And, of course, Rudy Van Gelder's pristine engineering is the icing on the cake.
"Funky Mama" is all sultry swing, a martial bounce gives way to bluesy groove in "Low Life," and the melancholic, mid-tempo "Lament" keeps things varied. The album as a whole, however, is unified in tone and mood, and it still sounds fresh and vital decades after its inception. And while record enthusiasts may stand by their vinyl, the Blue Note CD reissue--on which the original analog masters have been transferred to digital--improves what is already an exceptional recording.
Japanese limited edition RVG remastered reissue of 1959 album, pressed onto 180 gram vinyl. Blue Note. 2004.
Limited Japanese reissue.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on October 4, 1959. Includes liner notes by Leonard Feather.
Personnel: Donald Byrd (trumpet); Jackie McLean (alto saxophone); Duke Pearson (piano); Doug Watkins (bass); Lex Humphries (drums).
Record Collector (magazine) (p.106) - 4 stars out of 5 -- "Remarkably, it doesn't sound dated....It is a shining example of the art of hard bop." Donald Byrd Fuego Songs | 1. | Fuego | |
| 2. | Bup A Loup | |
| 3. | Funky Mama | |
| 4. | Low Life | |
| 5. | Lament | |
| 6. | Amen | |
| Fuego Review
GuidelinesRemember to focus your comments on Donald Byrd Fuego Vinyl LP Record. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Fuego CD To buy, Click on price to add to cart | Brian Culbertson Live From The Inside CDs (2009) With DVD
Fuego album
$18.34
| | Anouar Brahem The Astounding Eyes of Rita CD (2009)
Fuego CD music
$14.95
| | Peter White Good Day CD (2009)
Fuego music CDs
$14.95 Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing that jazz, for the most part, lost after World War II). Of course, one doesn't necessarily rule out the another; the late saxophonist Grover Washington, Jr. knew how to be commercial and adventurous at the same time, but most smooth jazz artists play it way too safe -- which is what White usually does on Good Day. This 2009 release is, on the whole, an album of pleasant but not very memorable background music; White usually sounds like he is yearning to let loose as an improviser but has to hold back because he dare not offend the smooth jazz/NAC stations that have been playing his recordings all these years. Nonetheless, Good Day has some noteworthy tracks ...
| | Tord Gustavsen Ground CD (2005)
Fuego songs
$14.05 In the proto-typical Scandinavian ECM style of modern jazz oriented music, pianist Tord Gustavsen follows the path of previous progenitors influenced by Bill Evans, forged by Keith Jarrett, and extended by the likes of Mike Nock. This is certainly late-night, nocturnal music, completely reserved and relaxing, ultra-melodic, calm, peaceful, and non-threatening. Rarely does a tempo move beyond medium, a dynamic merge above mezzo piano, and any mood goes farther than moderately cool. Well within this consistent timbre, Gustavsen and his trio show a modicum of diversity and influences. Fellow ECM labelmate Bobo Stenson's style and technique is most extant during the lilting "Edges of Happiness," "Twins" is spiritual, calm, and light but not somber, while "Token of Tango" is perfectly representative of its title. "Curtains Aside" mixes march rhythm in 6/8 with a regal light funk, the delicate waltz "Being There" is reminiscent of "The Shadow of Your Smile," while darker ballads "Colours of Mercy" and "Sentiment" sport undoubtedly religious overtones. Gustavsen, while playing ...
| | Michael Buble Kings Of Swing CD Import
Fuego album
$21.05 Probably one of the hottest acts on the Modern Swing scene at the moment, Michael Buble's early 2001 recordings for DRG Records have the same panache & excellence as his current Universal Recordings. This attractively packaged 14 track compilation features Michael Buble's ...
| | Diana Krall When I Look In Your Eyes CD (1998)
Fuego CD music
$11.15 WHEN I LOOK IN YOUR EYES won the 2000 Grammy Award for Best Jazz Vocal Performance and for Best Engineered Album, Non Classical. WHEN I LOOK IN YOUR EYES was nominated for the 2000 Grammy Award for Album Of The Year.
WHEN I LOOK IN YOUR EYES, a 1999 Verve release, heralds the return of the cool and groovy Latin-tinged jazz of the '60s. Upon hearing the opening track, a bossa-nova-fied version of Irving Berlin's "Let's Face The Music And Dance," one might think he had accidentally put on a Getz/Gilberto record. In fact, it's hard to avoid comparing Krall's breathy alto to that of Astrud Gilberto-particularly on the more samba-flavored numbers.
But Krall ultimately resists comparisons. Her simultaneously textured and smooth tone, warm timbre, and conversational phrasing mark her as unique. The set of standards here, including "Let's Fall In Love," "I've Got You Under My Skin," and "Pick Yourself Up" among others, is enhanced by fine session musicians and Johnny Mandel's tasteful arrangements. While Krall is more than comfortable with a sly swing (Michael Franks' "Popsicle Toes"), it is the stirring ...
| | Sam Cooke Vinyl LP (1958)
Fuego music CDs
$20.19 "Bumps" Blackwell's orchestra is featured on this collection of some of Cooke's best hits, starting with the 1957 breakthrough masterpiece "You Send Me." 180 gram vinyl.
Another repackaging of disparate material from Cooke's catalog with only nine ...
| | Tornadoes Bustin' Surfboards Vinyl LP (1963)
Fuego songs
$16.95 No, they're not the Tornadoes of "Telstar" fame, but that group's California counterparts. The U.S. Tornadoes mined the surf-rock ...
| | New Swing Sextet Monkey See Monkey Do Vinyl LP (2006) (Import)
Fuego album
$24.49
| | Wisdom Reggae Vinyl LP (2008) (Import)
Fuego CD music
$12.85
| | Liquid Tension Experiment Vinyl LP (1998)
Fuego music CDs
$25.35 This is the second of Magna Carta's one-time-only groupings and the second to feature bassist Tony Levin. Fortunately for all concerned, it's light years beyond Black Light Syndrome, which paired Levin with guitarist Steve Stevens and drummer Terry Bozzio in an ill-conceived and poorly executed set of improvisations. There is one such impromptu excursion here, the concluding 28-minute "Three Minute Warning," but even it holds up favorably ...
| | Blood, Sweat, and Tears Child Is Father To The Man Vinyl LP (1968)
Fuego songs
$15.45 Anyone who only knows BS&T from their early-'70s incarnation as a middle-of-the-road hit machine needs to hear this 1968 album. It's a masterpiece, the best thing the multi-talented Al Kooper has ever done, including his work with the Blues Project and the Rolling Stones, and that famous organ on Dylan's "Like a Rolling Stone." Kooper aimed for a band that could do it all, and for an album that would combine the best elements of rock, jazz, folk, classical, soul, R&B, and anything else he could think of, into one powerfully eclectic whole.
Astonishingly, he achieved both ends, and it's one of rock's great missed opportunities that internal dissension within the band led to Kooper's dismissal. Fortunately, this document remains, and decades later Kooper's originals such as "I Can't Quit Her" and "House in the Country," and his innovative arrangements of songs by Tim Buckley, Harry Nilsson, and Randy Newman, still sound as impressive and forward-thinking as ever.
Includes liner notes by Al Kooper.
Blood, Sweat & Tears: Steve Katz (vocals, acoustic ...
| | Killer Funk Disco Allstars Volume 1 Vinyl LP (2009) (Import)
$12.85 |
|
|