| | Art Brut Bang Bang Rock & Roll Vinyl LP Record Art Brut Discography of CDs
Art Brut combine the chaotic element of the Fall with the melody and immediacy of Arctic Monkeys. The four piece group's debut BANG BANG ROCK & ROLL earned the lauds of many a critic in 2006.
The songs on Art Brut's debut, BANG BANG ROCK & ROLL, sound like they were tossed off in ten minutes; of course, the band is the first to admit that fact, even reveling in it, and therein lies the record's appeal. Naïve, bratty, insouciant, and wild, Art Brut celebrate both the glory of rocking out and the disposable nature of the genre with tongues planted firmly in cheeks. The album's lead-off single, "Formed a Band," is a case in point, inviting listeners, with an air of faux amazement, to "look at us/ we formed a band," and the sludgy, riffalicious anthem "Modern Art" may be the lowest highbrow song ever written. In all, Art Brut manage to balance postmodern irony with something altogether genuine: the sheer human joy of making noise.
These are now the black vinyl copies. Contains a bonus track "These Animal Menswe@r". This fantastic debut album includes the UK top-50 singles "Emily Kane", "Formed A Band", and "Modern Art".Alternative Press (p.188) - "Depending on your worldview, Art Brut are either the most whimsical folks in Britrock or the most sardonic bastards you've ever worshiped via air guitar."
CMJ (p.4) - "Art Brut takes the story-telling crumble of Television Personalities and the ubiquitous Kinks charms-chug, and rocks it out blunt and funny." Bang Bang Rock & Roll Music Bang Bang Rock & Roll Music Bang Bang Rock & Roll Review
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Purchase Bang Bang Rock & Roll CD To buy, Click on price to add to cart | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
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| | Judas Priest Concert Classics CD (2009) Reissue
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There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas Priest re-invented heavy metal. The first band to use the twin-guitar ...
| | Rod Stewart Soulbook CD (2009)
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Continuing his stroll through pop's backpages, Rod Stewart moves on from "The Great Rock Classics of Our Time" and dives into the SOULBOOK, shorthand for all the great Motown and soul songs that still are in heavy rotation on oldies radio well into the new millennium. ...
| | Porcupine Tree The Incident CDs (2009)
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Porcupine Tree, have found a way to incorporate ...
| | Timothy B Schmit Expando CD (2009)
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Timothy B Schmit launched his solo career late - in 1984, after the Eagles disbanded and right in the thick of the era of shiny, synthesized production. Schmit released three solo albums, all big and glossy, between ...
| | Shakira She Wolf CD (2009)
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Shakira's brand new English album She Wolf is an uptempo pop album. It is all about synthesizers and electronic concepts, all mixed with the world sounds that we are used to from Shakira.. sounds from countries like India, the Middle East and her home country of Colombia. She Wolf features a predominantly English track list with a follow up album of new and unique repertoire in Spanish to come in 2010. The title track "She-Wolf " boasts the infectious and energizing sound that made Shakira a household name, with a slightly more dancey/ electronic beat (about 125 beats per minute). Though most tracks on the upcoming album will be in English, Shakira chose to service the Spanish version of the first single, "Loba", two weeks before the English single is launched.
Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover ...
| | Norah Jones Come Away With Me Vinyl LP (2002)
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements.
But the centerpiece is certainly the 22-year-old's confident-beyond-her-years ...
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| | 13 & God 13 & God Vinyl LP (2005)
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Though it looks somewhat better on paper than it sounds as a completed album, 13 & God is a compelling experiment of indie collaboration. Like so many projects of its nature, this self-titled album began with tapes and discs traded in the mail between artists. Eventually the two parties, Germany's glitchy electronic rockers the Notwist and U.S. left-field hip-hoppers Themselves, assembled together in Germany to recorded the finishing touches that would glue the fragments and puzzle pieces together. The finished piece is a decidedly dark and murky musical excursion into a realm of percolating electronics, moody jazz elements, bizarre raps, ethereal acoustic guitars, and sad pianos. As would be expected, some tracks sound untouched by one-half of the collaborators. "Men of Station" comes across like a Neon Golden B-side, and it's difficult to understand what Themselves could have added, because it contains every earmark of the Notwist but nothing more. Likewise, "Ghostwork" feels like a typical offering from Doseone and crew, with perhaps just a scattering of xylophone and a skittering sampler contributed by the Acher brothers. Thus, it's likely that fans of either band might appreciate only half of the album, as the artists' musical oeuvres are so different. But while some of the album feels like a compilation of the two bands, truly collaborative songs where ...
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