| | Tetes Raides Banco CD Tetes Raides Discography of CDs
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Our Price: $20.65 CDFor Sale Usually ships in 1-2 days (Only 2 available)
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Tetes Raides Banco Songs | 1. | Tam-Tam |
| 2. | Bougie |
| 3. | Expulsez-Moi |
| 4. | Banco |
| 5. | J'Ai Menti |
| 6. | Autres |
| 7. | Ici |
| 8. | Pleins |
| 9. | Plus Haut |
| 10. | Notre Besoin de Consolation Est Impossible à Rassasier |
| 11. | On S'Amarre |
| Banco Review
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| | Michael Buble It's Time CD (2005)
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$11.65 Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
Although it took more than a year of concerts and promotional appearances, Michael Bublé's 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé's upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank Sinatra. With his second studio disc, It's Time, Bublé builds upon the musical foundation he laid with his debut and demonstrates that he is much more that a flavor-of-the-month celebrity. Like his ...
| | Hugh Masekela Hope CD (1994)
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$13.19 In the `60s, the South African-born trumpeter, producer, and composer Hugh Masekela played a pivotal role in introducing African music to western audiences. His albums made explicit the connection between African folk forms and African-American musical idioms like blues, jazz and soul. HOPE is a live album that captures Masekela performing in D.C. with an accomplished, all-African band in 1993. On HOPE, Masekela revisits many of the highlights of his career, including his tribute to South Africa, "Uptownship," and the strident protest number, "Mandela."
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| | Los Indios Tabajaras Maria Elena/Always In My Heart CD (1997)
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| | Dead Can Dance Within The Realm Of A Dying Sun CD (1987) Reissue; Special Edition
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$11.99 WITHIN THE REALM OF A DYING SUN sees Dead Can Dance utilizing both string and brass instruments more than they had previously, which gives the music an organic feel. Though some synthesized effects are still present, the floating, ethereal effect that the tracks inspire is based almost entirely on the cavernous echoes that DCD incorporates into its music and on the vocals of Brendan Perry and Lisa Gerrard, who sings four songs to Perry's three (the other is a short instrumental).
On "Xavier," Perry's voice rises and falls amid a forest of strings, augmented by an occasional, distant trumpet. "Dawn of the Iconoclast" opens with a series of triumphal blasts and spare drum rolls, and soon settles into a sustained chord over which Lisa Gerrard's voice (tracked at least three times) weaves back and forth, before eventually ending on a swelling synthesized note. "Cantara" is arguably the best track here--built over a repeated hurdy-gurdy riff, at nearly the two-minute mark it introduces a percussive rhythm over which Gerrard intones what seem to be nonsense syllables--the whole ...
| | Beats Antique Collide CD (2008)
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$11.99 Beats Antique came together to make music for Miles Copeland's Bellydance Superstars extravaganzas. On Collide they expand their palette beyond the obvious sounds of Middle Eastern grooves to incorporate Balkan wedding music, flamenco, French Gypsy jazz, hip-hop, and dub reggae into their dark entrancing soundscapes. The measured funk of "Beauty Beats" opens the set with a catchy melodic hook played on the saz (Turkish lute) by David Satori, complemented by Sidecar Tommy's dark cello and a flurry of hand drums. "Dope Crunk" adds hip-hop and bent electro beats to the mix. The melody is picked up by a sax and clarinet that float over and around clay drums and computer percussion effects. "Sweet Demure" is a quiet desert tango marked by long sustained notes played on accordion and the subtle squawking of electro percussion. "Roustabout" sounds like Balkan circus hip-hop played by a reggae band; "Caterpillar" is a 9/8 groove borrowed from Romanian wedding music mixed with the rhythms of flamenco handclapping, French Gypsy jazz violin, and keyboard bass; while "Milieu" features a flurry of percussion played over a dark ambient drone accented by the tinkling of a toy piano. On two tracks, the horn section of the San Francisco Bay Area Balkan band Brass Menazeri adds uncontained mayhem to the mix. "Nesatovo" opens with the brass in full flight, riding an Arab hip-hop beat and backed by a fat thumping reggae bassline. On the Balkan hip-hop jazz of "Borino," a trumpet leads the charge as Menazeri's horns clash with a booming electro bassline and spacy dub percussion. ~ j. poet
Beats Antique return with their brand new ...
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$17.09 Recorded at: MF Studios, Garden Grove, California; Rich Bitch Studios, Birmingham, England; Rumbo Recorders, ...
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