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Comasoft Impulsive CD

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Impulsive is Comasoft new EP. Pounding drums and synths are now mixed with guitars in a more rock structure.
Impulsive Music


Detailed Impulsive Music Information



Category Rock Albums, Electronica CDs
Label Moth In Flame
CD Universe Part number 7571663
Discs 1
Release Date Oct 02, 2007
Comasoft Impulsive Songs


Comasoft Impulsive Album Track Listing



1.Collide
2.Can't Stop
3.Take Me With You
4.Forget Slowly
5.By The Way
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Adiitional personnel includes: Veit Renn (conductor, guitar); Tony Battaglia (guitar); Brian Snapp (saxophone); Don Rogozinski, Rex Wertz, Scott Bliege (horns); Gary Carolla (keyboards, drums); Peter Ries (keyboards, programming); Troy Antunes, Joey Argero (bass); Rob Dorsey, Frank Delour, Lou Appell (drums, percussion); Billy Ashbaugh (drums); Voices Of Praise (background vocals). The P.M. All Star Choir includes: ...
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Aquariums - a collection of ambitious and intense personal songs in an experimental/acoustic styleThis ambitious album of experimental ambient acoustic music comes from the heart of Music City USA and the body and soul of one man: Martin Schneider. I have been playing the guitar since I turned fourteen and in bands nearly as long. Aquariums, my first solo endeavor, started almost two years ago. Conceptual Realizations is a collection of songs written and recorded from January 2006 to July 2007. Some of them took over a full year to reach their final form contained herein. From the start I chose not to employ a defined genre in which to write. Instead I chose to focus on composing songs based around emotions and events that deeply affected me. So if stylistically the songs are not all congruent, there is a thread that ties all of them together: emotion.

I recorded the entirety in solitude at the various houses and apartments I have occupied in the past year and a half. The genesis of the collection, 'Aquariums', was written while reading The Aquariums of Pyongyang by Kang Chol-Hwan translated by Pierre Rigoulot. This haunting memoir details the tribulations of North Korean, Kang Chol-Hwan, and his family who were imprisoned in a hard labor camp in North Korea. Mr. Chol-Hwan languished there from the age of nine to eighteen. I wrote 'Aquariums' about his life prior to his family's imprisonment. Reading about the cruelty of the people that surrounded him, even the children, was very disturbing. 'Escape' takes place after his release from the labor camp, and is about his journey out of North Korea into China and eventually to South Korea. Reading this book kick-started the creative process and is where the name for the project originated. The remainder of the collection, written to capture different emotions that I have experienced in the past year in musical form, includes '1991', 'Lovely Mother', and 'Love of a Brother'.

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"BARCELONA"...January 2008*A review of Danny's debut solo album 'Barcelona' from London based mega music magazine Maverick...Feb. 2008 edition.

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The idea behind The New Digital Sound started around 1995 in dirty basements strewn throughout various Massachusetts suburbs by Copelinn. His D. I. Y. approach was a result of frustration with the then dead local band scene. Early NDS songs were recorded using no more than a multitude of guitar stomp boxes, outdated drum machines, and simple analog four track tape recorders. While the early recordings were crude and imperfect, they showed a glimmer as to what direction Copelinn and The New Digital Sound was going. It was around this time that Copelinn discovered artists such as Moby, DJ Shadow, Roni Size, Atari Teenage Riot, William Orbit, Underworld, The Pixies, The Clash, Tricky, Nine Inch Nails, Front 242, Joy Division, KMFDM, My Life With Thrill Kill Cult, Marilyn Manson and others. He found himself completely enamored with the idea of self-production and computer technology to achieve it. In 1999, amidst pre millennium hysteria, he befriended The Jack Bohlen Book Club brainchild Kevin Murphy while working a local record store. It was a result of this friendship that Copelinn then began his ever changing production style and D. I. Y. approach to musical creation: create the most dissonant music possible using technology. Armed with an HP Pavilion ...
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