Cleer Perfect Man CD

Perfect Man Music

Category	R&B Albums
Label	One Wood Productions, LLC
CD Universe Part number	7573581
Discs	1
Release Date	Oct 15, 2007

Perfect Man Review

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About Emancipation:Released on July 25th, 2006, the Green's critically acclaimed indie debut 'Emancipation' is a 15-song set featuring the award-winning single's 'Never Change' and 'The Kyoto Treaty', along with an array of electronic textures, from acid jazz to funk, dancehall and reggae vibes. Whisperin & Hollerin Review (UK)Rating: 9/10 StarsThe Green is different from many electronica acts in that it is actually a collective and not just a single DJ spinning grooves. Featuring Carlos Santiago (DJ/producer/guitars/dub vocals), Anne Noel (vocals/keyboards/dubs), and Chris Pantuso (Latin percussion/dubs), the Green invigorates the genre with a senses-shattering explosion of sound.

Reading about the Green is nowhere as thrilling as listening to them, especially on headphones when their otherworldly beats take on a druggy hypnotic effect. On "The Kyoto Treaty," disembodied female vocals float outside the mix, surfing on dreamy, pulsating synthesizers. Want to tune out of this world? "The Kyoto Treaty" will do the trick better ...

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Bianca Merkley Promise CD (2007)

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Bianca Merkley turned 16 and her dad gave her the option of buying a car or a new guitar for her birthday. Thankfully, she chose the latter- a decision she will never regret. Inspired by common life experiences such as love, sorrow, joy, jealousy and peace (yah, you all know the ones- those feelings that make us want to live or die) Bianca found that music was her outlet.

-THE CONNECTION-Early in Bianca's song writing days, she was playing her guitar and singing on the streets of Park City. As she finished her last song, a man who had briefly stopped to listen said to her, "In this moment, I have forgotten my problems." Realizing then a greater purpose before her, Bianca felt driven to share her music with others in hope that maybe they too would find respite. This and other experiences have led her to this point of recording her debut album, Promise.

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When first looking at Sinergy's Suicide by My Side, one would probably expect a bleak and gloomy exercise in minimalist hardcore metal. But no, Sinergy isn't going to suddenly change its sound, and this slab of power metal could be a potential shocker to depressed teenagers unfamiliar with the band. The album is most definitely aimed at potential suicide victims, a tactic that may be the first of its kind. Tracks like "I Spit on Your Grave" and "Violated" are actually inspirational anthems that emphasize self-reliance and rail against oppressors. However, there is still a bit of the old fantasy nonsense in the band, and this comes out at odd moments. For example, "The Sin Trade" is literally about traveling into the afterlife to bring a former lover back to life. How this fits into the suicide theme is up for debate, but the fact that it is even here is more than a little weird. And, after awhile, the album begins to take a pro-suicide bent, leading to "Suicide by My Side," a song that blatantly celebrates suicide and how it will benefit the lead character of the song. This could be viewed as irresponsible, but the arguments of "Suicide by My Side" might be balanced out by "Shadow Island," the immediately preceding song. This goofy, ridiculous track blends death metal, power metal, and opera, explaining that evil spirits are the reason why the lead character must commit suicide. How any of this makes any sense will be a mystery to most listeners; just understand that this song is a huge change of pace from the self-deprecating anthems that come before it. After the lead character's "death," listeners are treated to "Remembrance," a haunting piano track that is dedicated to the victims of the September 11th tragedy. It is a beautiful, sad song that finally steps over the line of good taste that Sinergy tries so hard to stay behind. How a tribute to the thousands of victims of that incident could be placed at the end of a pro-suicide concept album is mind-blowing. With all the goofy afterlife talk and yearning for death that come before the song, it seems more than a little hypocritical to tack on a piano instrumental as a tribute to all of those people who died. It may all be for show and they might not really mean all the suicide mumbo jumbo, but dragging in a very real incident like that is the last nail in the coffin of this album. The music is typical power metal pomposity, the lyrics are bleak and unhealthy, and the concept is absolutely ludicrous. Genre fans should stick to Helloween or Queensr˙che; this album is egotistical junk passed off as social commentary. ~ Bradley Torreano Japanese only SHM paper sleeve pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special ...

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