| | Ashford & Simpson Warner Bros. Years: Hits, Remixes & Rarities CD Ashford & Simpson Discography of CDs
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Songwriting and production team Ashford & Simpson are responsible for hits by soul superstars such as Ray Charles, Marvin Gaye, and Aretha Franklin, penning the classics "Ain't No Mountain High Enough," "Let's Go Get Stoned," and "Ain't Nothing Like the Real Thing," among others. But Ashford & Simpson were recording stars in their own right, with a discography that stretches from the early 1960s to the 2000s.
WARNER BROTHER YEARS collects the work the duo did for the label through the 1970s and into the early `80s, focusing on originals ("Everybody's Got to Give It Up"), 12-inch mixes (like the disco treatments of "Over and Over" and "Nobody Knows"), and contemporary remixes (such as Dim's Club Mix of "Stay Free"). The full stylistic range of the talented couple (yes, they're married) is on display as well, from classic `60s soul, to pulsing disco, to contemporary R&B.
2-CD Compilation Boasts Lush, Soulful Originals, Impossible To Find 12" Versions And Sensational Contemporary Remixes Of Signature Tracks From R&B's Most Enduring Duo!The phenomenal R&B performing and songwriting partnership of Nickolas Ashford and Valerie Simpson-better known as simply Ashford & Simpson-made their Warner Bros. recording debut with 1973's Billboard® Top 20 LP Gimme Something Real. Over the course of more than a decade with the label, the duo's legend grew with a string of chart hits and acclaimed albums, among them 1978's gold-selling Is It Still Good To Ya, which Stephen Holden described in Rolling Stone as, "music I find almost irresistibly ecstatic." That feeling comes across full-force on Rhino's new 2-CD compilation featuring unforgettable originals and 12" versions on Disc 1 followed by inspired contemporary remixes on Disc 2. As songwriters, Ashford & Simpson gave the world classics including "I'm Every Woman" and "Ain't Nothing Like The Real Thing." As performers they deliver sonic ecstasy, celebrated to the max on this innovative set.
Audio Remixers: Dimitri from Paris; John Morales; Tom Moulton; Tommy Musto.
Liner Note Authors: David Nathan; Nickolas Ashford; Valerie Simpson.
Recording information: Audiology; East Side Sounds, NY.
Author: Jimmy Simpson.
Editor: Dimitri from Paris.
Photographers: Ed Thrasher; Richard Aaron.
Personnel: José "Cochi" Claussell (bongos, percussion); Willie Martinez (percussion).
Audio Mixer: Jimmy Simpson.
Warner Bros. Years: Hits, Remixes & Rarities Music Ashford & Simpson Warner Bros. Years: Hits, Remixes & Rarities Songs Warner Bros. Years: Hits, Remixes & Rarities Music Review Purchase Warner Bros. Years: Hits, Remixes & Rarities CD To buy, Click on price to add to cart | Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2006) (Import) United Kingdom
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| | Willy Porter Dog Eared Dream CD (1995)
Warner Bros. Years: Hits, Remixes & Rarities songs
$9.55 Patty Larkin is a good female comparison to Willy Porter. Both are awesome guitarists and humorous storytellers who write and sing songs that cross genre borders, generally landing somewhere between folk, rock, pop, and blues, with the occasional soulful tinge. Dog Eared Dream was originally released independently in 1994, being reissued in 1995 by Private Music thanks to a buzz built by Porter's relentless touring and adult alternative radio's crush on him. "Angry Words" was the catalyst for the attention, and rightfully so. It's a catchy little ditty detailing the cathartic moment when you realize your broken heart might finally be mended. Here and elsewhere, Porter seems to be a bit of a romantic, an earnest man, and a trusted friend. His sensitivity glistens in songs like "Watercolor," "Cold Wind," and "Boab Tree." The first is a full-on love song, tender, sweet, and lovely. "Cold Wind" is a quiet, touching tribute to a friend with HIV, and "Boab Tree" paints a peaceful scene of Australian Aborigines performing a ritual on a dark, rainy night as he observes from a passing train. Using the more subtle dynamics of his voice and acoustic guitar, Porter shines brightest on these poignant tracks. (Although his bouncy tale of an 18-wheel savior in "Jesus on the Grille" is pretty catchy, too.) With all this going for it, ...
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