| | Extreme Klezmer Makeover Raising The Roof CD Extreme Klezmer Makeover Discography of CDs
Extreme Klezmer Makeover is a quintet of Los Angeles based musicians that blend traditional Jewish wedding dance music from pre-1917 Eastern Europe with an original progressive Klezmer style. The word "Klezmer", loosely translated, means "an instrument of song". Each of our members sings the "music of Klezmer" through their own unique musical background. Klezmer has always been a melding together of the melodies and modes of Jewish Cantorial Music, Eastern European Folk Music, Gypsy, Greek, Turkish and Persian Music. Extreme Klezmer Makeover carries on this rich multi-cultural tradition by incorporating the diverse musical styles of its members into the traditional Klezmer repertoire. This CD has Klezmer Classics as well as new origianl tunes which have been influenced by Jazz, American Folk, Blues, R&B, Bluegrass and Middle Eastern genres. Extreme Klezmer Makeover continues the tradition of melding and blending, in other words, "making-over", the music of our Eastern European predecessors. Our goal, like theirs, is to bring joy, celebrate life, document life, and uplife life through song. Extreme Klezmer Makeover Raising The Roof Songs | 1. | Ton O'Tabouli |
| 2. | The Bride's Dream/The Groom's Nightmare |
| 3. | Dancing With Turendot |
| 4. | Itamar's Aliya |
| 5. | Khassene Tanz |
| 6. | Isaacs Lament |
| 7. | Blue Suede Schmooze |
| 8. | Terk In Amerika |
| 9. | Distant Cousins |
| 10. | Grandpa Benny's Chicken Market |
| 11. | Freitog Noch'n Tsimmis |
| Raising The Roof Review
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$25.35 If you want to learn how a rhythm looks on paper, hear many variations and embellishments of the rhythm, and play along as you learn, this book and CD set is for you! The notation is written in a linear spatially metered method that both trained and untrained musicians can handle. All of the rhythms have some ideas on ways to embellish, situations when I might choose to play it, and other thoughts that have helped students in the past. For an example of the notation and page format used please scroll down to the links section on this page and click on the "More Book Info" link.The book comes complete with two CD's. The first is basic, slow and simple and includes the different variations listed in the book. Its a good reference tool for increasing your understanding of the rhythms and can be used to help work through dance choreography. Dancers can also use this CD to help communicate their musical wants and needs to troupe musicians. The second CD has all the rhythms played at more of a performance level with tempo changes and different levels of fill. I also introduce more advanced playing techniques into the rhythms. The last three tracks on the CD are improvised drum solos similar to what I often play for performance. Each solo shows different ways of stringing together different rhythms and a couple of ways that I like to start and stop solos. NOTE: I am the only percussionist on these CDs, and each track was recorded in one take using one darbuka (drum) and I used the same drum for the whole project. There is no overdubbing, looping, or special effects used in recording or mastering this project. I did this in response to frustrated drummers who don't want to take apart the recordings of their favorite musicians to learn intermediate techniques and some of the different rhythms that the dancers like. I also heard a lot of complaints about JUST figuring out the pattern and then the recording would change tempo or get too fancy or the track would end and they would have to go back to square one. It is my hope that this book and the CDs will help you learn and appreciate different rhythms and give you a solid drumming skill base that you can build on!Please let me know if this project has helped you, and if you have specific ideas on how it could be more helpful! About MeAs long as I can remember I have been pulled to music and rhythm, be it through Classical music, Swing, Latin, Pop, New Age, or the musical traditions of the world. I started drumming in the Society for Creative Anachronism in 1994 when a friend handed me a doumbek one evening at a drum circle and asked, "you know how to drum don't you?" I told him no but said I would give it a shot. I learned the basics that night and proceeded to teach myself through CDs and web sites and made it a point to watch the hands of any drummer I could see at a drum circle. I learn best through mimicking hand movements and taking apart recordings for ideas on fill combinations. I practiced Tai Chi when I was a child and learned to mimic others well and ...
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