| | Bob Story Lazar Silence Of Perez De Cuellar EP CD - Import Bob Story Lazar Discography of CDs
The Silence of Perez de Cuellar is the new 6 track EP fromThe Bob Lazar Story, 22 minutes of twisty, bendy tunes full of invention and riff-mongery, perfect for lovers of music that is hard to pigeonhole.Highlights include the melodic and heavy hitting Wheat Hat , the angular and unpredictable There’s No Trolley, the genre-defying Meat Whores/Glass-Eyed and Frankly ft Crazy Legs, and the acoustic virtuosity of Foodstool 82.Musicians featured include Matt Deacon (guitars), Mike Fudakowski (8 string bass), and Simon Fox (drums).If you like it heavy, tuneful and full of surprises, look no further.This is the second release form The Bob Lazar Story, following on from last years critically acclaimed CD titled "(sic)"."Its an impressive collection of instrumental music so diverse it’s hard to categorise, driven by an irreverent Frank Zappa-like humour that obviously extends to their written words too. Six relatively short tracks traverse funk, rock, folk, electro, lounge and jazz, often within just one song. Thinking I’d heard three distinct tracks, I was but halfway through opener Wheat Hat, a prog rock brick that morphs into a space-porn soundtrack with electro beats, funky plucked bass and fluffy keys. Same for the title track, where dirty ‘70s rock duels with a slow lounge jam before some abstract jazz weighs in with a punch before the issue is settled by a rock roundhouse. Wonderfully schizophrenic" Phil Reed, Real Groove Silence Of Perez De Cuellar EP Music Bob Story Lazar Silence Of Perez De Cuellar EP Songs | 1. | Wheat Hat |
| 2. | There's No Trolley |
| 3. | My Hand Looks Like A Brontosaurus |
| 4. | The Silence Of Perez De Cuellar |
| 5. | Meat Whores/Glass-Eyed And Frankly Ft. Crazy Legs |
| 6. | Foodstool 82 |
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Silence Of Perez De Cuellar EP Review
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Raphael Veronese was born on March 5, 1974 in the Nova Friburgo State of Rio de Janeiro, Brazil, the third son of Jose Carlos Veronese and Katia Ferreira. His interest in music began at an early age. His grandfather, Jose Felix Veronese, who was a lawyer and also served as inspector of the Santa Doroteia College of Philosophy in Nova Friburgo, was a lover of classical music but did not have the opportunity to study it in his childhood. So he encouraged Veronese’s father to do so instead.Veronese’s father became a lawyer and an amateur pianist who played classical music. As a child Veronese heard his father playing and showed amazing talent when he tried to imitate him. At age seven he participated in his first concert, playing Valsa do Contentamento (Waltz of Happiness) by G. Martins. At twelve he and his brother participated in the Anchieta School Festival on October 31, 1986. There the first song he had composed, “Fleuma,” was played. He subsequently won third place at the festival. He recalls, “I remember it as if it had happened yesterday, when we were called to the stage to receive the trophy and to play the song again. That was the best day of my life, I discovered my talent.” As a child Veronese was only acquainted with classical music, but the same year as the festival, he began to be interested in other genres. The interest was generated when he heard the band Camel’s I Can See Your House From Here. From that point on his respect grew for non-classical genres, such as rock. He also came to know new age music, and identified with artists such as Vangelis, Yanni, Kitaro, Enya, Andreas Vollenweider, who later had a strong influence on his career as a composer.Raphael Veronese went on to study at the Brazilian Conservatory of Music in Nova Friburgo. At eighteen years of age, Veronese began working with the bands Flor da Jamaica (Jamaica Flower) and Lady 57 (at times playing on both bands at the same time). Later he played with Asa de Luz (Light Wing). He did not particularly enjoy working for Flor da Jamaica: it was Afro-Brazilian music and that was not his style. Fortunately it was just a temporary job. He did, however, enjoy his work with Lady 57, which played the rock of bands such as Dire Straits, Van Halen, Simple Red, Pink Floyd, A-ha, etc. During this time, Veronese was faced with a challenge: recording two compact discs with Asa de Luz. One of these recordings was made with the ...
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