| | Maya Traisman See Me CD Maya Traisman Discography of CDs
Hi! I'm Maya Traisman, I'm seventeen years old and have been singing ever since I can remember. I wrote my first song when I was eight years old, in 1998, and soon after picked up guitar. From 1997 to 1999 I took voice lessons to fix a speech impediment I developed as a child, and my musical capabilities have been growing ever since. I continued to sing for several different choirs well into my early teenage years, as well as attended the Rock 'n Roll Camp for Girls where I became the lead singer for the band Mother May I. We opened for bands like Sleater Kinney and helped raise money and publicity for the camp. Now, after recently finishing recording my second set of songs onto a demo CD, the first one to be sent out into the industry, I´m ready to go solo. My hope is to be signed by a record label as soon as possible. See Me Music | List Price | $7.97 (You save $0.52) | | Category | Rock/Pop Albums, Pop CDs | | Label | CD Baby | | CD Universe Part number | 7579069 | | Catalog number | 156247 | | Discs | 1 | | Release Date | Oct 30, 2007 |
Maya Traisman See Me Songs | 1. | Bloody Battle |
| 2. | Lucy |
| 3. | See Me |
| 4. | Runaway |
| 5. | Hiding Away |
| 6. | Dry |
| 7. | Made Me Love |
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See Me Review
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album becoming ponderous either as the economical tracklist and ...
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age--a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing--and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit--is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard. ...
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The Dan Walker Band was created in the summer of 2005 with the collective efforts of bassist, Luke Crawley, and drummer Roy Wallace. With over a decade of experience working together on different musical projects, the trio toured across the country with emphasis in the Rocky Mts. As they gained a tighter grip on their progressively acoustic blues/rock jam, the DWB was inspired to take some of what they were performing night after ...
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