| | Horace Silver Live At Newport '58 CD Horace Silver Discography of CDs
The set opens with "Tippin'," a hard swinger, then segues to "The Outlaw," a composition in the classic Silver mode, incorporating exotic rhythms, complex melodic leads, and deep grooves. "Senor Blues," a cool-toned blues, and "Cool Eyes," a frenetic bop workout, are equally impressive. The tunes are extended, and feature plenty of top-flight improvisation from the musicians, making for a memorable live date worth picking up.
Composer and pianist Horace Silver was one of the leading lights of the post-bop movement, and LIVE AT NEWPORT '58 captures him in his prime. Leading a crack quintet (which includes trumpeter Louis Smith and saxophonist Junior Cook) through four slinking, swinging tunes, Silver turns in a wonderful set.
Personnel: Horace Silver (piano); Junior Cook (tenor saxophone); Louis Smith (trumpet); Gene Taylor (acoustic bass); Louis Hayes (drums).
Rolling Stone (p.58) - "[A] surprise from Silver's early prime....[With] Silver leading a quintet in dynamic expansions of four tunes, including the cool brass glide and staccato-piano bite of 'Senor Blues.'" Uncut (p.93) - 4 stars out of 5 -- "This exquisitely recorded set from the 1958 Newport Jazz Festival documents the founding father of funky hard bop inventing a genre as he goes along..." Down Beat (p.86) - 4 stars out of 5 -- "[A] consistent level of quality is evident throughout....It's a road band with tight ensemble work, vigorous solos, a cohesive rhythm section and a driving sound." Mojo (Publisher) (p.119) - 4 stars out of 5 -- "Silver and his confreres are in tip-top form, delivering sizzling renditions of 'Tippin'' and the classic 'Senor Blues'." Live At Newport '58 Music Horace Silver Live At Newport '58 Songs Live At Newport '58 Review
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Buy Live At Newport '58 CD Purchase Live At Newport '58 CD To buy, Click on price to add to cart | Dizzy Gillespie Town Hall, New York City, June 22, 1945 CD (2005)
Live At Newport '58 album
$16.65 The historic live Town Hall sessions by Dizzy Gillespie and Charlie Parker from 1945 have been discovered on an acetate pressing, and are transferred with digital enhancement to CD. Why this concert was not issued initially is understandable, but Ira Gitler's informative and insightful liner notes suggest they likely were misplaced. What Gitler's essential writing also reveals is that these dates were approximate by only weeks to the original studio recordings of these classics, and there was no small amount of controversy surrounding ...
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$18.99 'Anj's songs are portraits set to music that touch the soul. Her introspective, thoughtful music is a manifestation of true talent and self-expression.' - Steve Angelucci, Atlantic CityWeekly. She is bold. She is heartfelt. She is quirky. She is a powerful force when behind a piano, and she has a voice that makes the human soul stir with life. What she ISN'T is a cookie-cutter songwriter. She is unmistakingly Anj. Since her debut album in 2004, this young songstress has been gathering a lot of attention from the press in the South Jersey area. Her first recording effort, 'Coin and a Half Girls', which was released in the Fall of 2004, garnished her favorable press from critics of the Philadelphia Inquirer, the Courier Post, The Philadelphia City Paper, Atlantic City Weekly, The Ocean City Sentinel, The Egg Harbor Township Current, National Entertainment, and more. This, her second album "When Grey Blushes" is Anj's first approach at putting instrumentation behind her music. ...
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$11.39 Product DescriptionExcerpted from the album liner notes by Wilfrid Sheed. Towards the end of this exhilarating album, Chris Gillespie breaks into Bart Howard s classic, Fly Me to the Moon, and one realizes with a shock that we ve already been there. Because, ... Gillespie has taken us on the whole love-trip, to the moon and back, as artfully as it can be done. Under Bobby (Short), the Carlyle became the big leagues of cabaret, the equivalent of playing the Palace and vaudeville. And under Gillespie it still is. ... he plays and sings in a contemplative style that makes the American standards sound like newfound treasure and a passport to paradise. ... and incidentally the best evening of cabaret that I have ever spent entirely at home.Wilfrid Sheed, noted author of The House That George Built (the golden age of the American Songbook), literary critic and novelist, won a 1987 Grammy Award for Best Album Notes on Frank Sinatra's The Voice . Chris Gillespie is accompanied by Vito Leszcak on drums; Keith Loftis(toured with Ray Charles)on Sax; and Frank Tate (who was Bobby Short's Bass player for 10 years) on Bass. Chris Gillespie Live At The CarlyleIf you are of a certain age, odds are good that you saw Bobby Short sing at the Carlyle Hotel. I did. It was a necessary part of my New York education, signifying that I was no longer Craven Youth, with the beer and the pot and the hippie hair. Showing up at The Carlyle bar --- in regulation blazer and tie, my date more familiar with Calvin than Couture --- testified that I knew how to open a door for a woman, order a grown-up drink, plot a seduction that ruffled no feathers along the way. And how simple it was to do that: Just join the out-of-towners, the December lovers, the tragic drunks and the devotees of the Great American Songbook as they paid homage to Bobby Short, the master of the sophisticated song. Since Short's death in 2005, Chris Gillespie has filled much of the gap. Tall, suave and exotic --- his father is Dutch, his mother Tasmanian --- he was born and raised in Munich, where he was classically trained. And then he made the fateful decision to cast his lot with Cole Porter, the Gershwins, Irving Berlin, Jimmy van Heusen, Howard Dietz and Arthur Schwartz. On the surface, Chris Gillespie is the Terminator of saloon singers. He's got a decisive piano style; long ago, he seemed, he banished all offensive unnecessary touches. His voice is smoother than the most expensive liquor at the Carlyle bar. If this live CD is any indication, patter is --- mercifully --- not his thing. And he has exquisite taste in sidemen: Vito Lesczak (drums), Keith Loftis (sax) and, on bass, Frank Tate, who accompanied Bobby Short for a decade. Which is not to say that Chris Gillespie is channeling Short --- or anyone. He's far ...
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