| | Thomas Weelkes: Anthems CD Hill, David / Weelkes / Winchester Cathedral Choir CDS
| Category | Classical, Chamber Music/Recitals, Renaissance Period, Sacred Music, Medieval Period, Anthem, Pavane, Madrigal, Magnificat, Gloria, Voluntary |
Thomas Weelkes: Anthems Music | List Price | $11.97 (You save $2.12) | | Label | Hyperion | | Orig Year | 1/8/2008 | | All Time Sales Rank |  48590  | | CD Universe Part number | 7583271 | | Catalog number | 55259 | | Discs | 1 | | Release Date | Jan 08, 2008 | | Recording Time | 1 5 |
Thomas Weelkes: Anthems Review
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Thomas Weelkes: Anthems Songs 1. Voluntaries (2) for keyboard: No. 1 (2:13)  Windows Media  Real Audio | | Common Name | Voluntaries For Keyboard | | Composer | Thomas Weelkes (1575 - 1623) | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 2. Alleluia, I heard a voice, anthem for 5 voices & organ (2:41) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 3. All laud and praise, anthem for 4 voices & organ (5:56) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 4. Laboravi in gemitu meo, anthem for 6 voices (incomplete) (3:42) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 5. Give the king thy judgements, anthem for 6 voices & organ (5:07) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 6. Pavane for keyboard (3:02) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 7. O Lord, arise, anthem for 7 voices (3:11) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 8. Service for Trebles (Fourth Service), for chorus & organ (incomplete): Magnificat (5:26) Windows Media Real Audio | | Common Name | Magnificat, Service For Trebles | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 9. Service for Trebles (Fourth Service), for chorus & organ (incomplete): Nunc dimittis (4:19) Windows Media Real Audio | | Common Name | Nunc Dimittis, Service For Trebles | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 10. Give ear, O Lord, anthem for 5 voices & organ (5:18) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 11. Voluntaries (2) for keyboard: No. 2 (2:04) Windows Media Real Audio | | Common Name | Voluntaries For Keyboard | | Composer | Thomas Weelkes (1575 - 1623) | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 12. If King Manasses, anthem for 6 voices & organ (6:47) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 13. When David heard (O my son Absalom), sacred madrigal in 2 sections for 6 voices (4:39) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Madrigal / Renaissance Period | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 14. O how amiable, anthem for 5 voices (2:54) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 15. Gloria in excelsis Deo, Sing, my soul, to God, anthem for 6 voices (3:12) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 16. O Jonathan, woe is me, sacred madrigal for 6 voices (2:47) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Madrigal / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) | | 17. Hosanna To the Son of David, anthem for 6 voices (2:04) Windows Media Real Audio | | Composer | Thomas Weelkes (1575 - 1623) | | Conductor | David Hill [Conductor] | | Performer | Timothy Byram-Wigfield (Organ) | | Genre | Anthem / Renaissance Period / Sacred Music | | Period | Renaissance | | Country | England | | Venue | Winchester Cathedral, London, England | | Notes | Winchester Cathedral, London, England (01/21/1991-01/24/1991) |
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The debut release by this ensemble, drawing together four players with a wide variety of performance credentials under their belt, ranging from Paul Schütze and Jah Wobble to Marc Ribot and Melt Banana, is an enjoyable rather than a remarkable exploration into experimental improvisation, though with enough moments to recommend at least an initial listen. The six untitled tracks, apparently drawn from a larger number recorded, range from the lengthy to the short, the explosive to the slow burn; at their best they do readily show how the quartet members are well attuned to one another's performances. The opening "Untitled 9" allows the four to put their best collective foot forward; it's the longest piece and easily the most dramatic overall. It takes a little while for the four to fully lock into a huge building swirl, but when they do, with Raoul Björkenheim kicking up a hell of a noise on his guitar, it's a stellar performance, leading into a calmer section that sounds like a lost flute player in hell (even though it's more likely Björkenheim's viola) before a final skronking jam. If the rest of Studio 1 doesn't quite live up to that excellent start, there are still some fine moments, ranging from the fun and quick "Untitled 7," further demented heavy noise run wild, to the slow groove out of "Untitled 12," a good contrast in its building way to the opening song. ~ Ned Raggett
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