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Bim CD

 Bim Discography of CDs

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Born of love and inspiration in the Spring of 2007, ' bim ' has captured the creative energies of singer/performer Rebecca Rosier and composer/producer Tim Davis. Think trip-hop, pop and electronica mixed intelligently with that little extra something. This is ' bim '!
Bim Music


Detailed Bim Music Information



Category Electronica Albums
Label Bim
CD Universe Part number 7584659
Discs 1
Release Date Oct 25, 2007
Bim Songs


Bim Album Track Listing



1.The Battle
2.Ready To Love
3.I Dream This World
4.Call It A Monday
5.Stay In My Memory
6.The Magic Of Us
Bim Review


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Múm's first album for Fat Cat -- by no coincidence, the label that also broke fellow Icelanders Sigur Rós -- has all the majestic synths, crackly drum machine percussion, sampled silence, and crystalline vocals you'd expect from the country that produced Björk and Sigur Rós, though with less focus on digital sound than the former and less reliance on drama than the latter. Múm is very interested in the music of sound, but Finally We Are No One never sounds like a difficult record; if it's not the instruments sounding naïve or folksy (in good ways), the lisping, childlike vocals are bound to prompt adjectives like adorable and precious. "Green Grass of Tunnel" has the sweet melancholia, coloring-book hip-hop, and slowly shifting chords of poptronica producers like isan or Boards of Canada, and also trades on the wide-eyed fairy-tale qualities of Björk. Apart from the hefty title, "Don't Be Afraid, You Have Just Got Your Eyes Closed" approaches mainstream appeal -- ...
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PLAY was nominated for the 2000 Grammy Award for Best Alternative Music Performance. "Bodyrock" was nominated for the 2000 Grammy Award for Best Rock Instrumental Performance. "Natural Blues" was nominated for the 2001 Grammy Award for Best Dance Recording. The Limited Edition packaging of PLAY: THE B-SIDES includes new essays, photos and drawings from Moby. A marked departure from the sound of his groundbreaking EVERYTHING IS WRONG and his subsequent hard-edged output, PLAY finds Moby charting new territory. Abandoning the breakneck drive of techno punk for looser, groovier structures entrenched in dance-oriented hip-hop brings a whole new feeling to Moby's vast and varied sonic canvas. Several songs, including the hit single "Honey," are distinguished by the appearance of early American field recordings, looped bits of African American spirituals and folk songs culled from the Alan Lomax catalogue. Moby's penchant for complex composition is in evidence here, as layer after layer of keyboard ornamentation, percussive effects, guitar, vocals (Moby sings and also plays all the instruments), and pulsing, echoing beats create a rich, deeply textured tapestry. PLAY shows that Moby's sophisticated sense of sound collage hasn't dulled, and the combination of these wide-ranging sonic experiments with unique historical samples and rootsier, more accessible beats indicates his ever-changing vision as an ...
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"The new Jimpster album is in heavy rotation, with "Secret Sun" and "Distant Light" being my favorites at the moment. I love this guy's lush electronic-dub-house sound." - Jason Bentley, KCRW Los Angeles"Perfect in many ways" - Record Collector Amour provides a snapshot of where Freerange has ended up after a solid decade of musical milestones, with the man that started it all taking charge into decade number two. - BPM Magazine "future soul kingpin and bittersweet house don" - Ben Watt (Buzzin Fly, EBTG) Amour is Jimpster's 3rd official artist LP and his first since 2003's Domestic Science. Kajmere Sound is proud to partner with the UK label Freerange Recordings for the U.S. release of this future-classic. For Jimpster's (AKA Jamie Odell) debut LP on Freerange, he's chosen to push in a more home listening, song based direction which highlights his versatility as a producer. In Jamie's own words: "it's taken three years to finish, trying to create a real listening album rather than a collection of tracks. I wanted something that can really be enjoyed at home rather than just made for the dancefloor." From downtempo, instrumental hiphop grooves through to abstract minimal techno through to deep, clicky house and way beyond, this LP will reawaken even the most jaded of listeners. This could be because of Jamie's early decision to bring in featured vocalists to bring a different spin to his usual, instrumental styles. Each vocalist on this album has a unique approach and background which helps to bring ...
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Debut album from Britain's new pop princess (aka 24 year old Blackpool native Victoria Hesketh). 12 tracks A good year on from catching ears and sparking potentially damaging levels of next-big-thing hype with her first single, "Stuck on Repeat" -- a sleek, buzzy, self-fulfilling prophecy of "metaphor pop" with obvious debts to Kylie Minogue and Giorgio Moroder, and a writing/production assist from Hot Chip's Joe Goddard -- Little Boots (aka U.K. popstress Victoria Hesketh) finally showed her Hands. When it arrived, her full-length debut amply justified the hype even while slightly disappointing some of her faithful. It's true that only a handful of Hands' cuts can stack up against the stunning "Stuck" in terms of sonic distinctiveness and sheer hooky inevitability, and realistically, despite some clear mainstream potential, it's unlikely to achieve the sort of massive crossover success that some may have envisioned -- certainly not in America, where the album's street date was pushed back considerably beyond its June 2009 U.K. release. Frankly, Little Boots isn't doing anything especially musically innovative -- as she well ...
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Immanuel Won't
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HERE'S HOW IT ALL STARTED:From: David BashwinerSubject: Open Music ThursdaysTo:Justin Modica[...]Rachel Auer[...]Richard Whaling[..]hey y'all, just to fill you in, some of you know about this and some of you don't.

thursday nights, any and all (except a week from today when I'll be out of town) my apartment will be hosting "open music thursdays." don't let the name throw you. i know it's not a creative name. if it helps, for the "band" I'm thinking of the name "Immanuel Won't," from my (not yet) famous poem that begins:Don't say Immanuel KantSay Immanuel won't...What happens on thursday nights at the house of Immanuel Won't?Anything! Sort of. As long as it's not so loud that I have to ask the neighbors' permission. I'm a big fan of the quiet school of rock (ask me about the Church fathers in 300 A.D.). Meaning listen for the lowest sound in the universe, and harmonize with that. Meaning why would we have cellos there (the billion dollar instrument) if we want to are going to drive right over them with 99-cent guitar distortion?The point is, it's regular (it comes every Thursday [except next!]), and it's musically sensitive, supple, [chose your own 'feminizing' adjective!]. But at the same time it's open (anyone can come, and no one has to), ...

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Lesson 1
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Songs For My Little Friends
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