Organ Wolf - I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) CD

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) buy CD music  

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) CD music This album was my first recording project. Armed with two cardioid microphones, a relatively sound proofed basement (mattresses against the windows), a guitar, synthesizer and upright bass, Kevin Fox and I recorded in what we deemed, "Two and Half Buck Studio." (Two and a Half Bucks being what we used to determine the distance I should stand from the microphone). I had a lot of fun recording this album with Fox. I think some of my favorite moments were the 4am session where we were so excited about the sound of the track we immediately burned a cd and took it out to the car to listen 3 or 4 times. (I Don't Try). Another peak was when all my friends were in town for a summer camp and we threw a party during which we recorded a live version of Voluptuous that includes a Brazilian toast many of us learned while we were on tour in Brazil earlier that summer, grand piano, guitar, beer bottle percussion and a raucous chorus of ex-choral geeks. The Techno song (Katie's a lady) results when you leave your friend alone with an acoustic track to go get a ham sandwich at 2am. I came back to what was too funny to disagree. (All the beats are manual and not programmed. Go, Fox!) For the first time at bat I think it's a great recording. In hind sight I should watch my language a little bit more, (Oh, Dyanna), but I think I just wanted to establish in the first album that I'm going to do whatever I want. Let's hope I can maintain the independence!sorry, mom.

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) buy CD music Artsy-Pop-Grungy-Rockmantick From a ballet dancer background (Conservatory of Angouliªme) and as an actor (Florent Course, UCLA then Meisner Studio in Hollywood), Fannie Brett starts her artistic career in Los Angeles where she spends 8 years. Amoung the films she shot: (Titanic) with James Cameron, (le Divorce) with James Ivory (The mask of Dumas) with William Ritcher. In 2005, Fannie Brett decides to direct her career as a singer and in the album "Sofa" (arranged by Tristant Mendes-France) she confirms her talent as a songwriter and a performer. CEOz Prod discovers her in June 2006, the duet CEOz is born. From their collaboration came out a first Album "Not Your Ennemy". This album was released at the end of 2007 followed by the 4 tracks album "Artsy Pop" in October 2008. Members of CEOz are: Philip M. : music and arrangements Fannie Brett : Lyrics, Vocals. The next CEOz album is announced for February 2009. Discography : 2005 : Sofa2007 : Not Your Ennemy2008 : Artsy Pop (4 tracks preview) Music Video : 2008 : Smile On My Tears Concert :2008 (Dec,5th) Crossroads Concert at Divan du Monde in Paris2008 (Dec, 8th) Internet Live Concert

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) songs The Roxy was one of London's first and most influential punk clubs. Many bands not only cut their teeth at the venue but recorded seminal live sets there as well. 1977's LIVE AT THE ROXY is one of the earliest of these punk documents. Apparently recorded at more than one performance, the 12-track set contains a ragged but admirably snotty version of "Bored Teenagers." One of the most under-appreciated of all the original UK punk bands, the Adverts were also one of the most talented at turning their liabilities into assets. The self-description of the classic single "One-Chord Wonders" definitely fits. T.V. Smith's songs are like early Wire in their precision and economy. They also radiate a strange defiance similar to X-Ray Spex at its peak. Most live punk albums are close to worthless, but fans should check this one out.

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) album for sale Freddie Munoz is one of the brightest new additions to hit the latin music scene. Slowly growing into popularity, Freddie hits a positive note with everyone who crosses his musical path. His love for salsa/bachata and his sexy distinctive voice has made him an obvious interest in the latin music world and he's only just begun. Freddie was born in Catano, PR and was raised in the Bronx with a heightened sense music appreciation. His admiration for the childhood sounds of El Grand Combo, Marc Anthony, Frankie Ruiz, Hector Lavoe, etc. is evident. And now, evolved as a bachata artist Freddie Munoz will take his turn to bring you the best in new bachata baladas. Located in L.A. and NYC and presently recording in DR, Freddie is now laying the ground work of what is to be his dymamic debut. As he prepares to release the his new upcoming project, his promo video: AMIGA will be on air throughout both TV media as well as the internet this winter.

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) songs Norwegian act. Track Listing of songs: City Sounds; Jaguars; Rest Your Head; Let It In; Case #2; Glowing Faces; Vodka On Ice; Ready Or Not; Long Knife; Ralphie; Acid Guitars;

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) album for sale The Artist Mike McAnally grew up in Philadelphia in the 1950's &60's, a time when the Music Business was thriving with an abundance of local talent performing live music just about everywhere. Mike has performed in a variety of local bands to backing up acts such as "The Drifters, The Platters, Lee Andrew & the Hearts etc. " He also worked in recording with Tony Luisi (formally of NFL films late 1960's early 70's & producer of Electric Tommy with Joe Renzetti) also Frank Virtue Studios and Mike Nice Productions in the mid to late 1970's. In 1979 Mike was affiliated with the "The Philadelphia Jazz Ensemble" which performed his piece " The Village" at many public concerts throughout the Philadelphia region. He also performed regularly in Cape May NJ and on cable television stations for local charities benefit drives. During the 80's Mike managed to fulfill family obligations by working in a fortune 500 company along with composing, recording & teaching. During that time he produced two compositions for the University of the Arts Film and Animation department. In 1990 Mike return to full-time music by starting his own Studio business (McAnally Music Studio) He also studied with the late great legendary Dennis Sandole ( John Coltrane, Pat Martino etc. ) This association lead Mike into new realms in composition as well as many great contacts such as; producer George Small, the late Rufus Harley, Scott McGill and many other Philadelphia great talents) During this time and under the guidance of Dennis Sandole, Mike was able to circulate his projects from LA to Paris through great organizations like TAXI, BMI, AFM and The Burlington County Musical Society Local 336 AFM, where Mike worked with the finest musicians in the Tri-state region. To date Mike has produced three albums but with only one release (Jazz Impressions)He has also produced music for Muzak, Arrangement for song demo's for other local artists, background and themes for Historical Documentaries, Local cable TV projects, The Independent Film industry, and PBS as well as background music for High School Theatrical productions. Mike has secured many licensing agreements with Sound Libraries across the globe. Although, he may never be a household name he enjoys life on his own terms and sees himself and judges his work though his eyes only. Composition is his passion and the only reason he continues is based on the words of the late great Romeo Cascarino his first teacher at Combs College of Music, "The only reason we are in this, is because we love it. There can be no other reason."

I Didn't Come Here and I'm Not Leaving (So You Can Just Kiss My Ass That's What You Are) CD music Brian Rivera covers a myriad of musical styles on this CD and he handles them with panache and precisioned passion. Why the hell not? As Brian was once quoted as saying (actually screaming with raw hamburger meat under his arm pits): "You're gonna freakin' die someday so you might as well get used to it and make the best of it assholes!" This eclectic CD proves just that. Even when Queen Elizabeth or Uncle Charlie are complaining in the mix Brian is there still riding on top of it all, confident, collective and hungry, singing through some very memorable melodic dishes. Give this CD a run through. You'll see why Baby's Chief Distraction was number 1 on an Australian chart for over 200 weeks! Or hear the story of an unfortunate burn victim taking her losses and turning them in to a hip new dance step. Learn how to clean rabbits when that unexpected muffin boy comes to visit. It's all here waiting to infiltrate your memories. Let's face it. Brian Rivera knows all about you. So it's probably in your best interest to buy this CD and hear the ugly truth.