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The fourth album by singer-songwriter Josh Kelly refines the artist's streamlined, soul-inflected pop-rock sound. Drawing inspiration from sources as diverse as Otis Redding and James Taylor, with a dash of contemporary commercial rock (think Maroon 5) thrown in for flavor, Kelly's music is catchy and well-crafted enough to go down smooth. Whether it's the chill, old school soul vibe of a mid-tempo groover like "Unfair," or the head-bopping, piano-driven, Beatlesesque pop of "Katie" (a sweet ode to the singer's wife, actress and GREY'S ANATOMY star Katherine Heigl), SPECIAL COMPANY finds Kelly polishing his sound to a high shine. Special Company Music | List Price | $9.97 (You save $1.38) | | Category | Rock/Pop Albums, Rock CDs | | Label | DNK | | Orig Year | 2008 | | All Time Sales Rank | 163806  | | CD Universe Part number | 7588303 | | Catalog number | 5 | | Discs | 1 | | Release Date | Feb 05, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Digipak |
Josh Kelley Special Company Songs Special Company Review
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Purchase Special Company CD To buy, Click on price to add to cart | Eric Clapton No Reason To Cry CD (1976) Remastered
Special Company album
$7.25 In the spirit of all-star get-togethers endemic to that part of the '70s, 1976's NO REASON TO CRY became Eric Clapton's recorded version of the Rolling Thunder Tour. Joining Clapton in the studio were Bob Dylan, Ron Wood, Georgie Fame and Band-mates Robbie Robertson, Rick Danko & Richard Manuel ...
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Special Company CD music
$10.45 THE BEST OF THE MOODY BLUES contains vintage photographs and a conversation with Justin ...
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Special Company music CDs
$7.79 Digitally remastered by Dan Hersch and Bill Inglot (DigiPrep).
Rhino Records first attracted notice for its ability to assemble good, well-thought-out, best-of and greatest-hits compilations of acts who had enjoyed a chart placement (or two) without ever getting a proper hits package from their own labels; a little later Rhino started their "Very Best Of" series, which managed to be medium-weight but pretty thorough ...
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| | Billy Joel Storm Front CD (1989) Remastered; Enhanced CD
Special Company album
$6.89 This edition of STORM FRONT is an Enhanced CD containing both a full audio program as well as video clips for the songs "We Didn't Start The Fire," "The Downeaster Alexa" and "I Go To Extremes."
Also available in a 3-pack with THE BRIDGE and THE NYLON CURTAIN.
Digitally remastered by Ted Jensen (Sterling Sound, New York, New York).
STORM FRONT is easily the best of Billy Joel's later albums. Upon reaching the early stages of middle age, Joel became more than just a pop song writer. By focusing his entire life's experiences into his compositions, Joel could write with much ...
| | Tony Redhouse Journey To The Four Winds CD (2006)
Special Company CD music
$12.79  Indigenous people have used music to communicate their deepest hopes and beliefs to each other, and to the forces in the universe. The most ancient and natural forms of musical expression were the voice, the drum and the flute. These timeless channels of healing and meditation can also summon us to reflect on our own personal season of life in the "Journey to the Four Winds". For Native Americans, traditional music usually recounted their experiences with all relationships in the world around them. Ideally, there existed no separation between our daily life, and the supernatural world, so our music was sacred. In the Circle of Life, the Four winds can be guides for us to forgive our yesterdays, hope for a healthy today, see more clearly with our hearts, and to humbly share with others what we've learned.In my music, I utilize unique indigenous instruments from around the world with their own colors and rhythms, to create harmonious offerings to the Four Winds of the Universe. Each of our lives is a valuable and beautiful part of the Universal Circle of which we are connected to. Our diverse cultures, age, gender, and experiences bring balance to the Circle, so that it continues to revolve smoothly. It is my hope that we can all be united by the pulse of the drum, soaring higher and higher with the melody of the voice and flute in this "Journey to the Four Winds". Tony Redhouse, a member of the Navajo Nation of Arizona, is an accomplished artist, dancer, musician and recording artist. For over 30 years Tony has performed for corporations, resorts, art festivals, schools, television and numerous public functions. Mr. Redhouse's dance performances, which include the Hoop dance, Eagle dance, Traditional War and various social dances, provide cultural awareness and fast-paced entertainment to audiences of all ages. ...
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| | Old 97's Blame It On Gravity CD (2008) Digipak
Special Company album
$12.95 Coming nearly four years after 2004's rough-edged DRAG IT UP, BLAME IT ON GRAVITY is slightly smoother-sounding, but still nowhere near slick. Rhett Miller and company, as always, are blending country twang and a rock-&-roll heart on their seventh album, but overall these 13 tracks lean a bit more towards the latter. The straightforward pop of "Rise" sits comfortably alongside the Latin-tinged shuffles of "She Loves the Sunset" and "Dance With Me," and the rollicking gallop of "Early Morning" is a nice balance to the winsome jangle pop of "This Beautiful Thing." Other highlights include the lengthy pure -country ballad "The Color of a Lonely Heart Is Blue" and the sparkling pop of the anthemic "My Two Feet."
Rewind the clock to the early 1990s, when the Old 97's were not old in the least and their charismatic, pinup-worthy frontman -- a struggling musician sharing an apartment with Clark Vogeler of the Toadies -- had yet to reconcile his dueling adoration for pop music and vintage country songs. As the band rose to prominence, first in their native Dallas and then in alt country circles nationwide, they displayed a twangy vigor that fueled their early efforts. That vitality never quite left, but it became tempered over the years -- tempered by the band's hasty exit from Elektra Records in 2001, by Rhett Miller's subsequent solo career, by the onset of fatherhood, by the steady encroachment of middle age. Cutting back to 2008, however, the Old 97's sound youthful and newly energized, having returned to Dallas and relocated that beloved crossroads between twangy country rock and tight, economic power pop. Blame It on Gravity is a homecoming of sorts, a revisit to the sonic sweet spot that made Too Far to Care the ideal pop album for people in cowboy boots, or the perfect country album for those who'd never heard of Lyle Lovett and Gram Parsons. The album's timing is impeccable, arriving during the same spring that saw the last published issue of No Depression (which, incidentally, featured a story on the band), and a nostalgic, souped-up re-release of Whiskeytown's Stranger's Almanac. Both are bittersweet reminders that alt country's golden days have faded into twilight, but the Old 97's remain stubbornly relevant, having weathered their audience's changing tastes and the record industry's changing priorities without losing a ...
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