| | Carmen Lundy Good Morning Kiss -Limited Edition Reissue- CD Carmen Lundy Discography of CDs
Carmen Lundy's debut album was so strong that it's surprising a follow-up was not released domestically for another six years. This excellent effort for the soon-defunct Black Hawk label uses a variety of personnel, including several horn players ... Good Morning Kiss -Limited Edition Reissue- Music Carmen Lundy Good Morning Kiss -Limited Edition Reissue- Songs Good Morning Kiss -Limited Edition Reissue- Review
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Purchase Good Morning Kiss -Limited Edition Reissue- CD To buy, Click on price to add to cart | Ultra Chilled 01 CDs (2001)
Good Morning Kiss -Limited Edition Reissue- album
$15.95
| | Global Underground: Locations CD (2002)
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$13.85
| | Ultra Chilled 02 CDs (2002)
Good Morning Kiss -Limited Edition Reissue- music CDs
$16.59
| | Ultra Chilled 03 CDs (2002)
Good Morning Kiss -Limited Edition Reissue- songs
$15.85
| | Willy Chirino Son Del Alma CD (2004) Bonus Track
Good Morning Kiss -Limited Edition Reissue- album
$10.55
| | Il Divo Ancora CD (2005) (Import) Germany
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$17.09
| | Jimmy Sturr Polka! All Night Long CD (1996)
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$13.89
| | Kingtide Scared New World CD (2007) (Import)
Good Morning Kiss -Limited Edition Reissue- songs
$26.29
| | Deborah Shulman 2 For The Road CD (2007)
Good Morning Kiss -Limited Edition Reissue- album
$16.45
| | Thelonious Monk Unique CD (2008) (Import) Japan; Mini LP Sleeve
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$27.69
| | Ketil Bjornstad Life In Leipzig CD (2008)
Good Morning Kiss -Limited Edition Reissue- music CDs
$14.65
| | Supersonic Future Best Of The Worst CD (2008) (Import) Import
$17.09 | | Shining III Angst CD (2008)
Good Morning Kiss -Limited Edition Reissue- songs
$10.65
| | Milk & Honey Band Dog Eared Moonlight CD (2009) (Import)
Good Morning Kiss -Limited Edition Reissue- album
$28.89
| | Not To Reason Why Would You Hug Fire? CD (2009)
Good Morning Kiss -Limited Edition Reissue- CD music
$10.15 "Would You Hug Fire" is the second studio album release from the North Bay quartet Not to Reason Why. An incredibly ambitious endeavor from a group with a rather pretentious sounding name that has the audacity to play in a genre titled post-rock. While it is true that most bands operating in this genre really do believe they have moved beyond the bounds of this aged and inferior genre, this album, however, seems to seek the original embrace of that music that drives our parents crazy. Granted there are moments, for instance on their epic "Aurora", where the group indulges in that deliciously lush instrumental texturing that draws the inevitable comparison to bands like Explosions in the Sky. The majority of the music, however, makes you consider that it’s just kick ass rock and roll.Fans of drumming are likely to be wowed by the splashy and in your face stylings of Mr. Paul Haile. In his capable hands, the drums become a lead instrument, begging for attention. Lauren Haile is really doing most of the heavy rythmic lifting on piano, creating a heartbeat for the other instruments to follow. Through the almost one hour long experience, you can feel the band really pushing and stretching their boundaries. From guitarist Ian Simpson mixing in Top Gun styled riffs on "Bodes", to the band collectively creating soundtrack ready jams like "Zeitgeist" and "Her", the expanse and scope of the project is at once fearsome and beautiful.As if to remind you that it is not safe to take home to mom, the album finishes with a menacing note. Grimy and unyielding, "Ancients" ends the record with the menacing presence of baritone guitar and a brutally angry bass tone, created by Navid Manoochehri. This track is a little like taking on the school bully at lunch, getting your teeth kicked in and, with the song ending in a most angelic albeit slightly creepy fashion, ultimately realizing that through it all you’ve somehow managed to gain respect from your peers. Through it all "Would you Hug Fire?" shows just how much rock post-rock can possibly handle.-Craig Tierney"At [The Silent Ballet], we review a lot of demos, debuts, and self-released discs. Everybody gets a shot. Our reactions to smaller productions tend to fall into one of three categories: 1) It’s not very good, but thanks for sharing; 2) It’s okay, but a lot needs to change; or 3) Well done, we expect the next will be even better. Holly Emblem’s 2008 review of Not to Reason Why’s Who Wants Flowers When They're Dead? is an example of the latter. All too often, artists fail to live up to expectations. Not to Reason Why is the exception, the sort of act that makes fans puff with proprietary pride: “Yes, well I was listening to them last year.” But even more importantly, Not to Reason Why is a band to wonder at, to cheer for, and to congratulate, because Would You Hug Fire? turns out to be one of the year’s stronger post-rock ...
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