| | Throwing Muses Real Ramona CD - Import Throwing Muses Discography of CDs
Real Ramona Music | List Price | $32.98 (You save $5.79) | | Category | Rock/Pop Albums, Rock CDs | | CD Universe Part number | 7599973 | | Catalog number | 20018 | | Discs | 1 | | Release Date | Feb 20, 2008 | | Additional Info | Japan |
Throwing Muses Real Ramona Songs | 1. | Counting Backwards | |
| 2. | Him Dancing | |
| 3. | Red Shoes | |
| 4. | Graffiti | |
| 5. | Golden Thing | |
| 6. | Ellen West | |
| 7. | Dylan | |
| 8. | Hook In Her Head | |
| 9. | Not Too Soon  | |
| 10. | Honeychain  | |
| 11. | Say Goodbye | |
| 12. | Two Step | |
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$15.19 An icon of the Boston scene, rocker and songstress Jennifer Matthews has been compared to the likes of PJ Harvey, Radiohead and Ben Harper to name a few.Her songs are missions from the frontlines of life and have been described as melodic, infectious and haunting. Matthews studied vocal performance at the University of Colorado in Boulder and at Denver's School of Music. While in Colorado, she established herself as a solo artist, performing in local bars and coffeehouses. During this period she developed her unique vocal style and her songs gained recognition, leading to several awards from the Rocky Mountain Music Association. After a three-month tour through Japan, Korea and Hawaii, Matthews relocated to New York where she formed the five-piece band Beautiful Mud. After a highly acclaimed debut release and performing for several years in New York City clubs, the band separated. Jennifer moved to Boston to embark on a solo career. She has cultivated a sophisticated blend of rock with hints of mood & blues on her electric Baritone guitar. While maintaining her strong background in rootsy rock, she slings her blue Martin, combining both instruments equally into her distinctive style. Built from her three previous releases (Treehouse Studios - NY City, Shot To The Wind – Boston and Blue In Blue Out - Tremolo Lounge, Worcester), her compilation album Best of 96-01 featured three unreleased songs: "Falling Star", "Heaven To Me" and "..45 Warren Street." The album released by Marc Mathys is an eclectic collection and shows her depth and diversity as a songwriter as well as a guitarist. Blue In Blue Out out was produced by Marc Copely.In 2003, Jennifer was nominated for a poetry award by the Cambridge Arts Council for her book of poetry released under Somerville's Ibbetson Street Press, "Fairy Tales and Misdemeanors". In May of 2004 Jennifer teamed up with her current manager Rose Gardina and went on to record "The Wheel" which was released in May of 2005 on Thundamoon Records (Independent).Produced by Brian Brown and Jennifer they took the songs to new levels by adding some electronica and loops to her roots rock sound. She followed up with a West Coast tour including performing at the San Diego Indie Music Festival. In August of 2005, Metronome Music Magazine featured Jennifer as their cover story with a full interview. Shaun McNamara writes "...Matthews and artists like Ann Wilson, Pat Benatar, Doro Pesch and Liz Phair are dissimilar in music style and sound but they all embody an ability to be recognized as straight out rockers. Not female rockers, not rock chicks, and certainly not advocates for ...
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$10.09 BIOGRAPHYWho's Kurt Ribak? Kurt Ribak (pronounced REE-bok, like the shoes) grew up in Berkeley, CA. He's the band's bassist, the leader of the trio and composed all the tunes on the CD. Early musical experiences included singing in the San Francisco Boys Chorus. In grade school Kurt began studying the cello. Kurt later studied with several major cellists, including Bonnie Hampton, Susie Napper, and Elisabeth LeGuin. While a student at UC Berkeley Kurt began playing electric bass, buying his first good bass with money made working as a janitor. At Cal he continued to play classical music and studied jazz under Neal Heidler and Jeremy Cohen while playing in the UC Jazz Ensembles. Kurt also studied West African drumming with C.K. Ladzekpo and spent summers teaching at Cazadero Music Camp, where he played with trombonist Julian Priester, guitarist / composer Paul Dresher, and steel drummer Andy Narell, as well as working in the local early music scene. Tendinitis temporarily stalled Kurt's career, but he subsequently earned a scholarship to Berklee College of Music. He graduated with top honors, studying bass with Whit Browne, Bruce Gertz, and John Repucci. Kurt spent many hours transcribing and absorbing the styles of bassists Paul Chambers, Ray Brown, and Charles Mingus, but also spent hours dissecting the compositions and arrangements of African ...
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