Natalie Grant Relentless CD

Personnel: Natalie Grant (background vocals); Jason Hoard (guitar, electric guitar); William Owsley III, Paul Moak, Chris Graffagnino, Rob Hawkins (guitar); Trevor Morgan (acoustic guitar, background vocals); Kenny Greenberg (electric guitar); John Catchings (cello, strings); Nashville String Machine, Barry Green, Anthony LaMarchina, Mary Kathryn Vanosdale, Pamela Sixfin, David Davidson , Monisa Angell, David Angell, Gary VanOsdale (strings); Roman Dudok (tenor saxophone, baritone saxophone); Phillip Lassiter (trumpet, horns); Ryan Sharp (trumpet); Shaun Shakel (piano, keyboards, programming); Bernie Herms (piano, keyboards); Jamie Kenney (keyboards); Scott Williamson, Dan Needham, Shannon Forrest (drums); Jeremy Bose (programming); Thomas Flora, Melinda Doolittle (background vocals).
Audio Mixers: David Schober; David Zaffiro; F. Reid Shippen; Jacquire King ; Justin Niebank.
Recording information: Bletchley Park; Bletchley Park, Nashville, TN; Bobby Sparks Enterprises; Little Big Studio; paragon Studios; SOund Kitchen, Franklin, TN; The Lealand House, Nashville, TN; The Sound Kitchen, Franklin, TN; Wildwood Studio.
Photographer: Dominick Guillemot.
Arrangers: Bernie Herms; Shaun Shakel.
On RELENTLESS, Natalie Grant's first studio outing since becoming a mother in 2007, the popular Christian singer presents a dynamic set of faith-minded tunes. While some tracks are surprisingly rocked-out (see the urgent opener, "I Will Not Be Moved"), gentle ballads such as "Back at My Heart" showcase Grant's warm, thoughtful side, resulting in an accessible but never predictable album.
God bless Natalie Grant. After surviving two label shutdowns and constant trial-and-error, the powerhouse vocalist finally hit it big with 2005's Awaken, her best-selling fifth studio album. Before that, it was false start after false start -- the singer with the big voice and even bigger Christian pop dreams couldn't seem to get her break. But Awaken was different. For the first time, Grant was finally taking the reins of her career, forging a vision of her own, handling a larger share of the songwriting duties, and opting for a more mature, pop/rock-inflected adult contemporary sound. With Relentless, Grant continues this maturation process, displaying even more artistic autonomy, aggression, and adventurousness than before. For a Christian pop diva, she's certainly taking a lot of risks here, parlaying her potent vocals with fierce pop/rock elements, plus the occasional synth effects, urban-pop affectations, and even a horn section or two. The terrific "Make It Matter" makes use of all of these components, and the result is a glorious pop song -- more interesting and offbeat than a lot of today's Top 40. At times Grant is a little too indiscreet in her attempts at novelty, like on the soulful, sassy "So Long," which sounds too much like KT Tunstall's "Black Horse & a Cherry Tree" to be credited entirely to Grant. Outside of that, she appears most comfortable at delivering substantive, highly polished pop/rock ("I Will Not Be Moved," "Perfect People"), plus enough doses of Grant's own proven, signature pop balladry ("In Better Hands," "Back at My Heart") to satisfy those who fell in love with her beloved hit "Held." As a reference point, you could think of Relentless as the follow-up to Breakaway that Kelly Clarkson failed to deliver after the smash success of that album, except in a Christian pop context. Yes, it's that catchy -- perhaps calculatedly so -- but it's never banal or contrived, like a lot the radio-geared material being produced in the CCM market. ~ Andree Farias