World Of Italo Pop Hits CD

World Of Italo Pop Hits Music

List Price	$8.97 (You save $0.52)
Category	International Albums
Label	ZYX
CD Universe Part number	7601311
Catalog number	11424
Discs	1
Release Date	Jan 15, 2008

World Of Italo Pop Hits Review

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Hussein brings cosmic twang from Addis Ababa to Lansing Written by Lawrence Cosentino for Lansing's City Pulse Wednesday, 11 April 2007 Pinching tiny leather strips and moving them up or down a straw’s breadth, Temesgen Hussein changes the way the world vibrates. It’s a big responsibility, and the Ethiopian-born musician bears it with grave delight.“I can move these all night long,” he says softly. “You can always find a better place, but not the best place.” The straps, barely an eighth of an inch wide, add a cosmic box-spring twang to the begena, a 10-stringed instrument used to play sacred music in Ethiopia for at least half a millennium. Bread of life: Ethiopian-born Temesgen Hussein plays devotional and secular Ethiopian music at Altu’s restaurant in East Lansing on Saturday. (Lawrence Cosentino/City Pulse)Without the scraps of leather, carefully wedged between strings and soundbox, the begena would be a pleasant but anemic-sounding antique lyre with a few extra right angles. As it is, Hussein’s 3-year-old son, Ariah, calls his dad’s ancient axe the “boom-boom,” and he’s not exaggerating.Imagine the electric guitar intro of every James Bond movie ever made, played not quite simultaneously, on a mountaintop more than a mile away. Such is the distant-sounding jangle set in motion when the begena’s vibrations are just right.On the first Saturday of each month, Hussein sets up solitary shop and plays this rare instrument for patrons of Altu’s Ethiopian restaurant. Devotional and philosophical songs, all centuries old, buzz through a full house of diners Saturday night, penetrating yet respecting the hum of happy conversation.Somewhere in Hussein’s insistent thrumming lurks a dark thread of melody, easily heard when he sings along, much less obvious when he is not. A dark lace of decorative notes drapes the naked song, and that’s the part of Hussein’s art that intrigues him most.“The fingers go through the strings very fast and the melodic notes are hidden in all the fingers running through the strings,” Hussein explains. “The melody is ‘da, da, da, da,’ but you hear ‘drrdra, drrdrdra.’ What I like is adding enough ornamentation so it sounds like water flowing, and the melodic notes are just in there.”The traditional melodies Hussein plays are written down, not as musical notes, but as numbers that only tell the player which string to pluck. The lack of specificity opens more opportunities for self-expression. “There is no telling how long you stay for a note,” he says. “No eighth notes, quarter notes, stuff like that.”Hussein and other members of the world’s dwindling band of begena players believe their instrument to be the Biblical harp of King David. Latter-day enthusiasts like Hussein, a computer assisted design consultant, hope to keep this ancient sound in the air for another millennium or two. Hussein is thinking of starting a begena school, with online sound files replacing the human teachers of old.A lesser cousin to the begena, the banjo-like krar, is also in Hussein’s arsenal. Unlike the begena, with its Biblical pedigree, the krar often ...