| | Jackie McLean 4 5 & 6 CD - Import Jackie McLean Discography of CDs
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Our Price: $34.95 CDFor Sale Usually ships in 1-2 days (Only 2 available)
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Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2008. 4 5 & 6 Music | List Price | $40.98 (You save $6.03) | | Category | Rock/Pop Albums, Jazz CDs | | Label | Universal Japan | | CD Universe Part number | 7606811 | | Catalog number | UCCO9238 | | Discs | 1 | | Release Date | Apr 22, 2008 | | Additional Info | Japan; Mini LP Sleeve |
Jackie McLean 4 5 & 6 Songs | 1. | Sentimental Journey | $0.99 | |
| 2. | Why Was I Born?  | $0.99 | |
| 3. | Contour | $0.99 | |
| 4. | Confirmation | $0.99 | |
| 5. | When I Fall in Love | $0.99 | |
| 6. | Abstraction | $0.99 | |
| 4 5 & 6 Review
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Purchase 4 5 & 6 CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
4 5 & 6
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these ...
| | Egberto Gismonti: Saudacoes CDs (2009)
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| | Everette Harp First Love CD (2009)
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$15.09 On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check his ...
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$5.95 Though few people have ever heard the name Raymond Scott, almost everyone knows his music. In the 1940s the musical director of Warner Brothers Studios, a man named Carl Stalling, began using adaptations of Scott's wildly inventive compositions to season Looney Toons and Merrie Melodies animated shorts. Many of Scott's pieces, therefore, such as "Powerhouse" and "New Year's Eve In A Haunted House," immediately bring to mind visions of Bugs and Daffy. To relegate this man's brilliant work to mere "cartoon music" however, is gravely unjust.
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| | John Cooper Baecker Jazz Worship Service CD (2008)
4 5 & 6
$18.99 The John Cooper Jazz Orchestra John Cooper (composer/conductor)Roger Ingram, David Hoffman, Art Davis, Brian Coyle Kenny Partyka, Russ Miller, Gunnar Mossblad Chris Collins, Mark BergerRick Simerly, John Mose, Tom Garling, Mike PasheneeMatt Traeger ("Communion" only) Matt Michaels, Jeff Halsey, David Taylor Reverend DaNita Bell LINER NOTESFirst things first! Thank you for purchasing this recording. We have made every effort to relay a performance that conveys the enthusiasm brought to the music by these incredible musicians and wish you many happy hours of listening.This music was the result of a direct request to write a jazz worship piece by Garth Baecker. Mr. Baecker approached me and discussed the idea of a new piece several years ago. The Western and Eastern associations of the Illinois Conference of the United Church of Christ scheduled a celebration of the 50th Anniversary of the denomination for April of 2007, and Garth commissioned me to compose a work for the event. At the time, I assumed this would mean a single movement composition, but a meeting with event organizers revealed that they wished to have an entire worship service written! Through the course of the meeting, a few guidelines emerged. The church wished the piece to reflect their theme for the year which was light, and more specifically, This Little Light of Mine. Also, they requested writing a New Orleans sounding piece for the Offertory. I suggested utilizing music in all the traditional places within the service: Prelude, Gospel, Hymn, Offertory, Communion, and a piece for closing. Everyone at the meeting agreed and the only addition was a reharmonization of the traditional Doxology that follows the Offertory.The Offertory, composed first, presents a groovy New Orleans strut over an asymmetrical formal design. As composer, I wanted to reach way back into the jazz tradition and write a work that would feature the drummer, who creates this “2nd line feel.” Throughout the course of the piece, the band interacts with the drummer who serves as the glue that holds the work together. You can hear the band become downright snotty and childlike in how upsettingly playful they try to be while interacting with the drummer. In the end, the will of the drummer prevails, the band gets onboard, and the movement finishes never having compromised the groovy feel. Stunning solos are delivered by trumpeter Art Davis, trombonist John Mose, and bassist Jeff Halsey. The two big heros in the performance of this movement are our drummer David Taylor and our lead trumpet player, Roger Ingram who both give, without reservation, true offerings of musical greatness. The next piece I wrote was St. Anthony’s Light. The composition is a hardbop contrafact written over the tune of This Little Light of Mine. I wanted to set This Little Light in 5/4 time, and just before I began writing, decided to compose ...
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