| | Audio Physic:Second Turtle Records Sa Super-Audio CD
(SACD-HYBRID) Second sampler Turtle Records, released together with Audio Physic, an audiophile loudspeaker manufacturer from Germany. Featuring music by Turtle Recording Artists such as Buzz Bros. Band, Yoram Ish-Hurwitz, Sandrine Cantoreggi ...... **Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players. Audio Physic:Second Turtle Records Sa Music Audio Physic:Second Turtle Records Sa Review
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Every Grain of Sand is a breathtaking revelation on several fronts. First, Barb Jungr treats Bob Dylan as one of the great tunesmiths of the American popular tradition. Not merely as rock & roll's preeminent songwriter, the direction from which virtually all others have approached his canon, but as a sophisticated composer the equal of the Gershwins, Irving Berlin, Jerome Kern, or Cole Porter. Jungr dramatically re-reads that canon and she fearlessly reshapes it in the process. To cite the most radical instances, she turns "Things Have Changed" into an Eastern European jig and "Tangled up in Blue" into a jaunty, jazzy western, while "Born in Time" is a marvel full of Baroque voicings. One may quibble -- and Dylan fanatics, known to be provincial on occasion, certainly will, perhaps vociferously -- with an arrangement here or a lyrical interpretation or subtle shading there without -- and here is the magic of the album -- in the least invalidating the singer's choices. Indeed, part of the sublime beauty of Every Grain of Sand is that it inspires, even challenges, one to make personal revisions and reinterpretations. Ultimately, Jungr is one of the few artists who has managed to not only come out on the other side of this songbook unscathed, but to actually come out having enhanced its gravity, significance, and unvarnished beauty as well as her own. She is not merely singing, but telling stories. She opens up a window of vulnerability ...
| | Barb Jungr Love Me Tender (2005)
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Another exquisite, at times astonishing, album from Miss Jungr. Unlike Bob Dylan, whose songbook the singer had so expressively reimagined on Every Grain of Sand, Elvis Presley was never himself a composer, depending instead entirely on professional publishers for his material, much of it originally chosen for its commercial prospects; however, even at its worst -- the soundtracks to the crap cookie-cutter movies the King made in the '60s usually come to mind here -- his recorded output had a certain consistency to it. On reflection that is primarily because, even at their qualitative best, his songs were as much about the sensual, muscular, bel canto performances and tied to the superstar singer's outsize, magnetic personality as they were about the merits of the tunes themselves. In other words, you are listening to Elvis sing those songs more than you are listening to the songs he is singing. In a way, that makes Jungr's Love Me Tender all the more remarkable: you do not hear the King at all here except in faint echoes and traces, like barely remembered fairy tales you were told as a child as you were drifting off to sleep. This isn't an exercise in dress-up, as it very easily might have been. Instead you are treated to a phenomenally responsive singer finding her way into and breathing the oxygen of forgotten stories, while, in the process, refitting them to say something real and useful, something personal about your world and about the one long past. In a sense, you are hearing these songs -- many of them now considered classics (pop/rock standards, if such things exist) -- for the first time. Worlds of passion and pain, discovery and dislocation exist in these songs. They are so entirely reinvented by Jungr, her brilliant arrangers Adrian York and Jonathan Cooper, and producer Calum Malcolm that the prevailing mood of the album is transformed into a mosaic, a complex map of one woman's fully lived life, from the dizzy, tender love letters of expectation to the lonesome heartbreak hotels that litter the highways of life, and all the attendant reveries, roadblocks, and realizations along the way, until she arrives at the ...
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From the opening bars of DOOLITTLE, the Pixies' brilliant duality comes into focus. Chiming guitar streaks waft over an AOR-ready riff, while vocals bark out references to a deliberately obscure ...
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