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Gondwana Voices - Deep Sea Dreaming CD Cover Art
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Deep Sea Dreaming CD

 Gondwana Voices CDS

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Category Classical, Renaissance Period, Carol
Deep Sea Dreaming Music


Detailed Deep Sea Dreaming Music Information



List Price $38.99 (You save $6.40)
Label Abc Classics
Orig Year 1/16/2006
CD Universe Part number 7609447
Catalog number 4769093
Discs 1
Release Date Jan 16, 2006
Recording Time 1 6
Deep Sea Dreaming Review


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CD $9.39  4.2 stars Top 100 Audio Samples
CHRISTMAS COLLECTION is also available with a bonus disc in the limited edition IL DIVO GIFT PACK. Quickly following up the success of its 2005 self-titled debut, the international pop/opera quartet Il Divo unveiled its first Christmas album later that year. Vocalists David Miller (US), Sebastien Izambard (France), Urs Buhler (Switzerland), and Carlos Marin (Spain) stick to a mostly English-language set of Christmas classics, with their resonant, emotive voices lifting every track on this lovely holiday album. Audio Mixer: Ren Swan. Recording information: Rokstone Studios, London, England (2004); Whitfield Street Studios, London, England (2004). Photographer: Walter Chin.
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BEETHOVEN'S LAST NIGHT is a rock opera conceived by Paul O'Neill. Recorded at Soundtracks, Stellar Productions & Studio 900, New York, New York. Includes liner notes by Paul O'Neill. Personnel includes: Jon Oliva (vocals, piano, keyboards, bass); Patti Russo, Jody Ashworth, Guy Lemmonnier, Jamie Torcellini, Sylvia Tosun, Zak Stevens, Dave Diamond, Doug Thoms (vocals); Paul O'Neill (acoustic & electric guitars); Dave Wittman (guitar, bass, drums); Al Pitrelli (guitar, bass); Chris Caffery (guitar); Todd Reynolds, Paul Reynolds, Paul Woodiel, Mary Rowell, Laura Seaton-Finn, Denise ...
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Music composed by Andrew Lloyd Webber. Lyrics by Charles Hart. It's a testament to Andrew Lloyd Webber's crowd-pleasing compositional skills that the original cast recording of THE PHANTOM OF THE OPERA went on to become the biggest-selling cast album ever. So when the time came to adapt his music for the film version of the monumentally successful theatrical work, Webber enlisted the aid of longtime collaborators Nigel Wright and Simon Lee. They produced an expanded orchestral version of the score, grander and more sumptuous than the original, and assembled a 100-member ensemble to do it justice. However, the tragic story of the disfigured Phantom and Christine, the beautiful object of his desire, cannot be told without powerful performances of those roles. Gerard Butler and Emmy Rossum quickly dispel any concerns regarding the adequacy of their portrayals. Butler's full-blooded renditions of "The Music of the Night" and the title song are tinged with a dark eroticism, while Rossum's account of "Wishing You Were Somehow Here Again" skillfully conveys her character's vulnerability and conflicted feelings. The soundtrack also features a newly penned song by Webber, the poignant "Learn to Be Lonely," sung by Minnie Driver, who appears in the role of Carlotta in the film. All tracks have been digitally remastered. Emmy Rossum,Patrick Wilson, Minnie Driver. Recorded at EMI Studios & Audio International, London, England. Includes liner notes by Andrew Lloyd Webber. Principal cast: Michael Crawford (The Phantom ...
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Track Listing of songs: Piano Sonata in F minor ("L'invocation"), Op. 77 (C. 259); Piano Sonata ...
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Track Listing of songs: Woodbury Fanfare, for 4 trumpets; A Harvard Festival, concert overture for orchestra; Forgotten Dreams, for orchestra; Whistling Kettle, for student orchestra; Horse & Buggy, for orchestra; The Waltzing Cat, for orchestra; Home Stretch, for orchestra; The Girl in Satin, for orchestra; March of the Two Left Feet, for orchestra; Waltz Around the Scale, for orchestra; Lullaby of the Drums, ...
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American Journey
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This recording consists entirely of pieces by living American composers, and provides a diverse sampling of contemporary American music. China Gates was composed in 1977, and (along with its larger-scale companion Phrygian Gates) constitutes a sort of “Opus One” for composer John Adams, being one of his first representative works. The use of the word “gates” depicts the moments in the music when the patterns shift suddenly and unexpectedly. The Sonata No. 3 by Emma Lou Diemer was written in the late 1990s and premiered in 2001. The first movement, entitled Serenade/Toccata, is alternately lyrical and driving, and demonstrates wonderfully idiomatic piano writing. The second movement, Interlude, is just that: a brief meditative link between the outer movements. The third movement, Tango Fantastique, was inspired in part by a trip to Argentina. Tango rhythms and percussive chords appear throughout the piece, interspersed with lyrical sections and string-dampened ostinatos.Agu was written for pianist Andrew Russo in 2004. Each movement is inspired by a poem by Ioana Ieronim, and the piece can alternately be performed with text spoken by the pianist while playing. Audio, the first movement, begins with high bell-like sounds, which give way to warmer, darker sonorities. The second movement, The Triumph of the Water Witch, is an intense, rhythmic study of repeated chords. This is followed by the third movement, entitled You’re a Fake, which is a tender, lyrical statement of musical reflection. Lori Laitman’s Nocturne was composed in 1992 as a birthday gift for her son, James Rosenblum. This lovely little piece is melody-driven and tonal. Earl Wild’s set of Seven Etudes on songs by Gershwin are at once a tribute to and transformation of the original tunes. The Etude No. 6, based on Gershwin’s I Got Rhythm, combines imaginative use of texture with formidable virtuosity. fathom, by Bonnie Miksch, is the only piece on this recording written for prepared piano. It emulates the sounds and timbres of gamelan music, and also incorporates the use of many extended techniques. It was written in 2001 for Roger McVey.Wichita Vortex Sutra was composed by Phillip Glass in ...
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