| | Allman Brothers Band Where It All Begins CD Allman Brothers Band Discography of CDs
 (2 Customer Reviews)
This live-in-the-studio set isn't the Allman's best album of the '90s--that honor goes to the groundbreaking SEVEN TURNS--but it is a thoroughly solid effort with some inspired moments that play off the band's traditional strengths. Among the highpoints: "No One to Run With," which plays its all-my-rowdy-friends-have-settled-down theme against a ferocious Bo Diddley beat; the title song, which features the most inspired dual-guitar work on the album; and "What's Done is Done," a straight-ahead blues shuffle (harking back to the band's first album) featuring one of Gregg Allman's most assured vocals.
Recorded at BR Ranch Studios, Jupiter, Florida.
The Allman Brothers Band: Gregg Allman (vocals, piano, Hammond B-3 organ); Dickey Betts (vocals, acoustic & electric guitars); Warren Haynes (vocals, guitar, slide guitar); Allen Woody (bass, fretless & 6-string bass, background vocals); Butch Trucks, Jaimoe (drums, percussion, background vocals); Marc Quinones (congas, percussion).
Rolling Stone (7/14/94, p.104) - 3 Stars - Good - "...Twin leads, two drummers, an impossibly soulful vocalist--no American band ever emerged with the sheer power of the Allmans..."
Q (10/94, p.105) - 3 Stars - Good - "...an outfit capable of turning out lively, fresh sounding Southern boogie..." Where It All Begins Music | List Price | $6.99 (You save $1.04) | | Category | Rock/Pop Albums, Hard Rock CDs, Southern Rock, Rock | | Label | Epic | | Orig Year | 1994 | | All Time Sales Rank |  62455  | | CD Universe Part number | 7610007 | | Catalog number | 723294 | | Discs | 1 | | Release Date | Feb 01, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Tom Dowd | | Engineer | Jay Mark | | Personnel | Warren Haynes - vocals, guitar, slide guitar
Gregg Allman - vocals, piano, Hammond B-3 organ
Dickey Betts - vocals, acoustic & electric guitars
Butch Trucks
Jaimoe Johnson - drums, percussion, background vocals
Allen Woody - bass, fretless & 6-string bass, background vocals
Marc Qui±ones - congas, percussion
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Where It All Begins Music Review Buy Where It All Begins CD Purchase Where It All Begins CD To buy, Click on price to add to cart | Blackfoot Siogo CD (1983)
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| | Blackfoot Highway Song Live CD (1982)
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Like their Native American ancestors before them, the members of Blackfoot must have known what it felt like to be exiled from their homeland. Only, rather than being forced into an Indian reservation, the world's first ...
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Although they'd managed to become bona fide second-division stars in England, where their incomparably heavy brand of Southern rock and devastating live performances had thrilled nostalgic Skynyrd disciples and open-minded metalheads alike, Blackfoot had made dispiritingly ...
| | Henry Paul Feel The Heat CD (1980)
Where It All Begins songs
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Whatever happened to Henry Paul between the release of his band's debut album in 1979 and Feel the Heat in 1980 wasn't healthy. Whereas Grey Ghost was a record full of influences ranging from the Eagles to the Byrds to the Allmans and Lynyrd Skynrd tossed into a Southern-fried salad with Paul's own country, rock, and folk sensibilities, Feel the Heat feels like jarhead, ...
| | Henry Paul Grey Ghost CD (1979)
Where It All Begins album
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Henry Paul was a rhythm guitarist and vocalist for the Outlaws. He left the group in 1977 after its third album. He formed ...
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Cult-status space-rockers Bark Psychosis get a well-earned retrospective with this disc, which includes live tracks, b-sides and demos.
The sum of Bark Psychosis' non-Hex studio work, originally released between 1988 and 1996, clocks in short of 100 minutes. Third Stone could've compiled all of it on a two-disc set, with an hour's worth of space left for some sock-drawer draining -- some bootleg-quality live material, perhaps. Instead, the label has dragged out the process across three separate releases. 1994's Independency was an ideal way to start this process, since it compiled the most essential moments from the band's 12" releases. Three years later, Game Over was released; rather than tie up all the loose ends for completists, only a handful of previously hard-to-find tracks -- "Blue," "Murder City," an alternate edit of "A Street Scene," a live version of "Pendulum Man," and a cover of Wire's "Three Girl Rhumba" that sounded nothing like Elastica's "Connection" -- were provided, plus five recycled tracks. Longtime fans will be pleased but ultimately insulted that the remainder of nonalbum tracks are finally available on this third set -- who wants to obtain material that appeared on two other sets, just to get another handful of songs? Leading off the disc is "Clawhammer," a curiosity notable for unveiling the band's short-lived indebtedness to Napalm Death. Hex-era B-side "Reserve Shot Gunman" is a forcefully percussive instrumental suited for a chase scene, framed around rumbling drums and late-arriving squeals of noise. "Hex" itself would've been woefully out of place on the album of the same name, beginning with four minutes of battering noise that might as well be a skipping Big Black record. "Big Shot (Alice's Cheshire Cat Mix)" is an unsurprisingly A.R. Kane/Insides-like remix executed by A.R. Kane's own Rudi Tambala. The bootleg-quality live material that ends the disc is taken from a 1991 performance at a church -- the same gig spawned the version of "Pendulum Man" tacked at the end of Game Over. Naturally, "Pendulum Man" makes a return appearance, along with a version of "The Loom" that is drastically different from the final version heard on Hex. The playing is spectacular; the sound quality isn't. ~ Andy Kellman
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| | Questionnaires Arctic Circles CD (2002)
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Cool, elegant, beautiful sophisto-pop with an 80s ambience. The Questionnaires just want to express a few shared feelings long held about politics, relationships and the human condition. After receiving superlative reviews and attracting major label interest in the late 1980s, personal circumstances and the inability to find an empathetic backing band drove Jane Wade and Steve Hall their separate ways. They re-formed in 2002 and produced their debut album, Arctic Circles. It was released independently in early 2003, and was re-released by independent label Salient Recordings on September 16th. On Arctic Circles, The Questionnaires combine soul, jazz and funk, a sort of Portishead-type artiness and lyrics that transcend the norm in a totally unique way. Those with the confidence to ignore the corporate fads need look no further for cool, intelligent, timeless songs, great musicianship and one of the best female voices in the business.The Questionnaires nucleus is Jane Wade and Steve Hall. They're interesting characters.Jane is a renowned singer in her home city of Newcastle upon Tyne, known as Northern England's leading interpreter of the songs of Kurt Weill. She has performed one-woman shows at Live Theatre about Alma Cogan and Lotte Lenya, and Tina Turner's guitarist Jon Miles wrote a show specially for her - she's that good! Her latest hit show in 2005 was 'Lush Life', in which she sang the songs of Ella Fitzgerald with great style.One of Steve Hall's early bands, the Eastside Torpedoes, was produced by ex-Jimi Hendrix manager Chas Chandler, and they opened for Ray Charles, Robert Cray, Freddie Hubbard, Herbie Hancock and many others. Steve was a 'musician's musician' on the North-East music scene for many years, constantly in demand. He is now an internationally-known social philosopher, with work published alongside Jean Baudrillard, Georges Bataille and Slavoj Zizek. What they're saying about Arctic Circles:"Every so often you get an album that you want to play over and over again ... far and away the best album to come out of our corner of the planet in many years ... songwriting of the highest quality, and I mean the highest quality ... ...
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Seventeen years after their benchmark album, Gibson & Camp at the Gate of Horn—purportedly folk music\'s first gold record—Bob Gibson and Hamilton Camp are reunited on this, their only studio recording. It was created in 1978 in the home studio of old friend and musical colleague, Dick Rosmini.“Jimmie Rodgers” is Shel Silverstein\'s salute to daydreaming ...
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