| | Blue Floyd Begins CD Blue Floyd Discography of CDs
 (1 Customer Review)
Personnel: Slick Aguilar (vocals, guitar); Berry Oakley Jr., Johnny Neel, Marc Ford , Matt Abts, Allen Woody.
Blue Floyd: Marc Ford (vocals, guitar); Allen Woody (vocals, 12-string guitar, steel guitar, mandolin, bass guitar); Johnny Neal (vocals, harp, keyboards); Berry Oakley Jr. (vocals, bass guitar); Matt Abts (drums, percussion).
Begins Music | List Price | $19.97 (You save $3.78) | | Category | Rock/Pop Albums, Blues CDs, Hard Rock, Rock | | Label | Airline | | Orig Year | 2008 | | All Time Sales Rank |  29831  | | CD Universe Part number | 7610029 | | Catalog number | 200 | | Discs | 2 | | Release Date | Mar 04, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Michael Gaiman | | Personnel | Matt Abts - drums, percussion
Marc Ford - vocals, guitar
Allen Woody - vocals, 12-string guitar, steel guitar, mandolin, bass guitar
Johnny Neel
Slick Aguilar - vocals, guitar
Berry Oakley Jr. - vocals, bass guitar
| | Additional Info | Slim |
Purchase Begins CD To buy, Click on price to add to cart | Joe Bonamassa Blues Deluxe CD (2003)
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Chris Duarte's name is nearly always mentioned alongside those of the late, great guitar gods Stevie Ray Vaughan and Jimi Hendrix. There is some validity to the comparison, as Duarte does specialize in that high-octane, lightning-bright, raw but intelligent brand of playing that Hendrix and Vaughan had so definitively put their names on, and he does quite often favor their tones and draw on their trademark licks. But those comparisons were only partially true even when Duarte emerged from Austin in the mid-'90s as a promising craftsman, and they're approaching irrelevancy now that he's working his way toward seasoned vet. Duarte has painstakingly absorbed his influences to develop his own signature style and gained his own coterie of fans, and Blue Velocity, Duarte's first release since 2003's Romp, is where it all comes together. With Dustin Sargent on bass and Damien Lewis pounding drums, Duarte emerges here as more of a total artist than in the past -- the guitar brilliance serves the songs, rather than the other way around. From the thudding, crunching opener "Amy Lee" to the lengthy, melodic mid-tempo showcase "Something Wicked" (OK, he does owe Hendrix big-time for the approach on that one) to the punky screamer ...
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Jack Bruce must have enjoyed his 2005 get-together with Cream so much that, when Clapton and Baker were unwilling to continue the collaboration, he rang up Robin Trower to renew the brief power trio fling they had in the mid-'80s. The Trower-Bruce pairing had released only two albums, B.L.T. and Truce, and was dormant since 1982, so this 2007 reunion was somewhat of a continuation of the project, albeit one separated by a quarter century. The results impressively continue where Truce left off, as Bruce brings his distinctive croon/moan to bluesy, riff-oriented tunes dominated by Trower's silvery guitar runs. Gary Husband fills the drum slot adequately if inconspicuously, but his contributions are mixed so far under Bruce's vocals and Trower's guitar that they are secondary. The previous two releases called in Trower's old Procol Harum lyricist Keith Reid and Bruce collaborator Peter Brown ...
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Mixing the sort of booming double-drummer rhythms Gary Glitter had popularized years before with a certain post-postpunk cynicism and a remarkable flair for self-mythology, Adam Ant (born Stuart Goddard) and his cohorts, led by ex-Banshees guitarist Marco Pirroni and producer/drummer ...
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By the time Loggins & Messina released a follow-up to their biggest record yet, 1973's FULL SAIL, there was some pressure on the pair to repeat their success. They hadn't stumbled yet, but one can sense from their grim expressions in the cover photo that the mood has taken a turn for the darker.
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A decade ago, I ventured forth to Los Angeles to pursue a career in music and movies. I got lucky, got a job producing a big budget film with an acclaimed director. I was on the verge of Hollywood success and yet it wasn't enough. I was living in the fast lane, dancing with the devil, and going down fast.My health began to suffer, and as a result, my hands became severely infected. In my final hours of desperation, my tired body and soul found itself at the footsteps of a church. On my knees, I cried for those that were lost such as I, and prayed to God to forgive me. For several days I could sense evil spirits and demons around me and yet I felt protected. The Holy Spirit was doing ...
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