| | Goldfrapp Seventh Tree CD Goldfrapp Discography of CDs
The fourth album from Goldfrapp establishes a new direction for the electronica duo. While their previous releases BLACK CHERRY and SUPERNATURE were steeped in dance and club music, SEVENTH TREE is dominated by acoustic textures, downtempo rhythms, and swirling ambient soundscapes. Where previous efforts were seemingly tailored for dancefloors, SEVENTH TREE is a late-night headphone album.
The album's first single, "A & E," for example, has singer Alison Goldfrapp employing her light, airy soprano in a relaxed, almost conversational style while trackmaker Will Gregory layers subtle synth lines and effects in a way that's warm and inviting. The lullaby-like "Little Bird" is equally lilting, opening into an expansive, ethereal passage reminiscent of the Cocteau Twins, while the delicate acoustic "Eat Yourself" is possibly the album's most heartbreaking and lovely moment. With SEVENTH TREE Goldfrapp proves itself capable of pushing into new, emotionally effecting musical directions without losing any of its much valued sonic breadth.
Audio Mixers: Tony Hoffer; Billy Mims.
Photographer: Serge Leblon.
Goldfrapp: Allison Goldfrapp, Will Gregory.
Personnel: Alex Lee (guitar, acoustic guitar, electric guitar); Chris Goulstone, Richard Evans (guitar); Kit Morgan, Steve Evans (acoustic guitar); Chris Tombling, Pigott Smith, Tom, Mark Berrow, Ann Morfee, Christopher Clad, Dermot Crehan, Stephen Morris, Patrick Kiernan, Boguslaw Kostecki, Everton Nelson, Johnathan Rees, Sonia Slany, Cathy Thompson, Jackie Shave (violin); Jon Thorne, Kate Wilkinson, Peter Lale (viola); Melissa Phelps, Cathy Giles, Robin Firman, David Jack Daniels , Paul Kegg, Chris Worsey (cello); Aidan Love (keyboards, programming); Paddy Lannigan, Mary Scully (double bass); Damon Reece (drums, percussion); Denny Weston, Jr. (drums); Nick Batt (drum programming).
Additional personnel: Steve Evans (guitar); Chris Goulstone (acoustic guitar, sampler); Andrew Murphy (acoustic guitar); Flood (keyboards); Tony Hoffer, Charlie Jones (electric bass); Denny Weston, Jr., Aidan Love, Richard Evans , Alex Lee, Damon Reece.
Rolling Stone (p.59) - 3 stars out of 5 -- "[S]mart arrangements abound: 'A & E' rides a bittersweet, Feist-style chorus, and on 'Little Bird,' Goldfrapp sings eerie minor-key melodies over a bed of swirling keyboards and trip-hop drums." Entertainment Weekly (p.61) - "[D]ialed-down....Very lovely..." -- Grade: B+ Uncut (p.100) - 4 stars out of 5 -- "SEVENTH TREE is Goldfrapp unplugged. It is a digital folk album. It is hand-knitted synth pop played around a campfire on dulcimers and autoharps and harmoniums." CMJ - "It's an introspective piece, and also their most sedate record to date, soothing listeners with flawless female vocals waltzing over dreamy melodies." Q (Magazine) (p.103) - "'Caravan Girl' is bright, summery pop, 'Cologne Cerrone Houdini' has a languid, Serge Gainsbourg feel..." Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[A] very English pastoral work, a lush and trippy affair with shades of Edward Lear-like surrealism and John Winston Lennon amid strawberry fields." Mojo (Publisher) (p.67) - Ranked #38 in Mojo's "The 50 Best Albums Of 2008" -- "[A] tune-rich texture-fest that moistened eyes and tingled toes." Blender (Magazine) (p.98) - 3.5 stars out of 5 -- "Goldrapp's voice remains extraordinary, as witchily sensual as Kate Bush's, as otherworldly as a theremin." Harp (magazine) (p.102) - "[T]his new recording finds her in superb voice. More organic/simple instrumentation and lush cinematic soundscapes dominate here." Paste (magazine) (p.76) - 4 stars out of 5 -- "Imagine Feist with more reserve than Canadian heartiness, and more interested in pristine sound beds than bubbly effusions." The Word (magazine) (p.94) - "The opening 'Clowns' is an undeniably beautiful merengue, the likes of which you won't have heard since Scott Walker's 'Plastic Palace People'....SEVENTH TREE is mostly strings, gentle guitars and all thing bucolic." Record Collector (magazine) (p.88) - 3 stars out of 5 -- "SEVENTH TREE is a grower; it's more pastel-tinted than the riotous neon of BLACK CHERRY or SUPERNATURE, but no less gorgeous." Goldfrapp Seventh Tree Songs Seventh Tree Review
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Purchase Seventh Tree CD To buy, Click on price to add to cart | Goldfrapp Felt Mountain CD (2000)
Seventh Tree album
$9.99 Disc Two is an Enhanced CD, which contains both regular audio tracks as well as multimedia computer files.
When Goldfrapp's debut, FELT MOUNTAIN, appeared in 2000, no one was quite sure how to categorize the music, but that didn't stop fans and critics alike from gushing about it. A collaboration between singer-keyboardist-songwriter Allison Goldfrapp and composer/producer Will Gregory, Goldfrapp is rooted in the heavy-lidded, ambient soundscapes of trip-hop, yet exhibits an equal interest in various other styles ranging from jazz to cabaret to film music.
On FELT MOUNTAIN, Goldfrapp sometimes sounds ...
| | Muddy Waters Folk Singer CD (1964) Remastered
Seventh Tree CD music
$8.49 Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released.
The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American folk revival, but this is pure acoustic blues. Muddy began his career as a Robert Johnson-style solo acoustic performer, and the tunes on FOLK SINGER hark back to those days. He's accompanied sparsely by Willie Dixon, drummer Clifton James and a young Buddy Guy, who provide a stark, deliberate backdrop for Muddy's rich vocal and expressive bottleneck guitar work. The richness of Muddy's baritone is showcased ...
| | Goldfrapp Black Cherry CD (2003)
Seventh Tree music CDs
$9.95 A striking departure from Goldfrapp's well-received, cinematically atmospheric debut, FELT MOUNTAIN, 2003's BLACK CHERRY finds the British electronica duo cutting loose with a more energetic and dynamic set. The approach allows vocalist Alison Goldfrapp to indulge her inner Debbie Harry, while multi-instrumentalist Will Gregory playfully nods to 1980s synth-pop on saucy, percolating tunes such as "Crystalline Green" and "Train." Though many of BLACK CHERRY's tracks are geared toward the dance floor, particularly the glam-tinged "Strict Machine," the record still has relaxed moments, including the gorgeously swooning title track and the wonderfully dreamy ...
| | Philipp Fankhauser Talk To Me CD (2004)
Seventh Tree songs
$12.65 Talk To Me is the title of the latest album from Philipp Fankhauser, the highly regarded blues artist based in Thun, Switzerland, and his first for Memphis International Records. Fankhauser is well known to European audiences but he is also familiar to North Americans as a result of his role as guest vocalist with the band of the late blues great Johnny "Clyde" Copeland. While the bulk of Talk To Me is comprised of l Fankhauser originals it does include two Johnny Copeland compositions and Shemekia Copeland, Johnny's daughter and a renowned star in her own right, penned the liner notes. "Philipp will always be very special to the Copeland family; his music is special for just about everyone," she wrote.The album includes a version of "Members Only," a song that was an R&B hit for Bobby Bland in the 1980s and produced for Fankhauser by Dennis Walker (Robert Cray, B.B. King, Maria Muldaur) with an appearance by the Memphis Horns. Bobby Bland finally met Fankhauser in the '90s and expressed great admiration ...
| | Deuter Koyasan CD (2006)
Seventh Tree album
$13.15 Composer: Deuter.
| | Danny Kirwan Second Chapter CD (1975) With Book; Limited Edition; Digipak
Seventh Tree CD music
$19.79 The first solo album from Fleetwood Mac singer/songwriter Daniel David Kirwan has the future producer for Human League and Buzzcocks, Martin Rushent, utilizing those skills here, as well as engineering. The sound is crystal clear, and a feather in the cap for Rushent as well as Kirwan. It starts off with an uncharacteristic "Ram Jam City," which has more ...
| | Godewind Mien Leevste Musik CD (1993) (Import) Germany
Seventh Tree music CDs
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| | Isan Meet Next Life CD (2004)
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$10.09 Isan: Anthony Ryan, Robin Saville.
| | George Melly & The Feetwarmers Nuts / Sons Of Nuts CD (2008)
Seventh Tree album
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| | Santana Blues For Salvador CD (1987)
Seventh Tree CD music
$5.95 BLUES FOR SALVADOR, while not generally hailed among Santana's classics, happens to contain some of Carlos Santana's most riveting guitar playing of the '80s. "'Trane" is a fast-driving rock tribute to the late jazz giant John Coltrane. The unstoppable hands and feet at the drum kit belong to none other than Tony Williams, who pushes the brief guitar ...
| | John Denver Some Days Are Diamonds CD (1981)
Seventh Tree music CDs
$5.95 This is a very lush and processed sounding recording that includes some of John Denver's later work. Mostly covers and songs written by other polished songwriters, the material doesn't tread on any magical grounds. The tune "San Francisco Mabel Joy," a story of a 21-year-old Waycross, GA, a farm boy, a jail, and finding refuge and comfort in a California girl, is probably ...
| | Exodus Impact Is Imminent CD (1990) Limited Edition; Mini LP Sleeve
Seventh Tree songs
$11.65 The boys in Exodus followed 1989's Fabulous Disaster with Impact Is Imminent, in which the band pummels through riff upon endless riff. The bright spots are "Only Death Decides" and "Within the Walls of Chaos." ~ Eduardo Rivadavia
The boys in Exodus had ...
| | Christian Parker Through The Darkness CD (2009)
Seventh Tree album
$12.65 Up in Northern NY where the winters are cold and summers are short, it's a good idea to find a hobbie to pass the time. Born in 1968, Christian Parker has been writing and recording his own music since the early age of 15. He released his first album on vinyl in 1986 which was a local success and introduced him to the public. After high school, when others were seeking higher education, Christian traveled to NY City to pitch his music to record companies. A hard business to break into and a changing music scene in the late 1980's helped develop a strong live musical performance. By 1990, Parker released his second album of songs, collaborating with Peter Pendras, a guitar player with ...
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