| | Miles Davis Water Babies CD Miles Davis Discography of CDs
This studio LP was first released almost a decade after it was recorded. The first half features the 1967 Quintet (with Wayne Shorter on tenor and soprano, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams) performing three otherwise unknown Shorter compositions. The flip side finds Davis in 1968 leading the same group (with possibly Chick Corea and Dave Holland replacing Hancock and Carter) on two early fusion jams that look a bit toward Bitches Brew. Although not an essential set, this album fills in some gaps during Davis's transitional period from adventurous acoustic playing to early electric performances. ~ Scott Yanow
All tracks have been digitally remastered.
Recorded at Columbia Studios, New York, New York between June 7, 1967 & November 12, 1968. Originally released on Columbia (34396). Includes liner notes by James Isaacs.
Personnel: Miles Davis (trumpet); Wayne Shorter (tenor saxophone); Herbie Hancock (piano, electric piano); Chick Corea (electric piano); Dave Holland, Ron Carter (bass); Tony Williams (drums).
Miles Davis Water Babies Songs | 1. | Water Babies | $0.99 | |
| 2. | Capricorn | $0.99 | |
| 3. | Sweet Pea | $0.99 | |
| 4. | Two Faced | $0.99 | |
| 5. | Dual Mr. Anthony Tillmon Williams Process | $0.99 | |
| 6. | Splash | $0.99 | |
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Water Babies Review
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Purchase Water Babies CD To buy, Click on price to add to cart | Miles Davis Filles De Kilimanjaro CD (1968) Bonus Track; Remastered; Deluxe Edition
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FILLES DE KILIMANJARO is one of the most singular, compelling works in the entire Miles Davis discography. It marks the continental divide between the trumpeter's classic '60s quintet, and the furious period of experimentation which led to BITCHES BREW, ON THE CORNER and AGARTHA.
By 1968, Miles was feeling creatively restless, and stalwarts Herbie Hancock and Ron Carter were preparing to leave (to be replaced by Chick Corea and Dave Holland). So FILLES DE KILIMANJARO is a transitional work, suffused in the heady abstraction of the '60s, but with an ear out for the blues tonalities, electronic textures, and dancing rhythms of the jazz-rock epoch to come. Nevertheless, FILLES is neither avant-garde jazz nor fusion; it occupies a space of its own aural design--a magnificent new direction in music.
Miles' fascination with the Fender/Rhodes electric piano, and its potential for new chordal voicings, is at the heart of FILLES DE KILIMANJARO. Herbie Hancock treats it percussively on the relentlessly driving "Frelon Brun," and with bell-like elan on the winsome title tune. ...
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the sartorially splendid cool jazz trumpeter accompanied by the Boston Symphony and a collection of celebrity vocalists. Also available as a DVD, the concert delivers an overview of popular music, with jazz standards like "I've Got You Under My Skin" right alongside "Ave Maria" and Sting's "If I Ever Lose My Faith in You." Whether featuring rocker Steven Tyler, AMERICAN IDOL chanteuse Katharine McPhee, or pop-opera superstar Josh Groban, all the tunes are presented in Botti's inimitable, Chet Baker-influenced uber-smooth style.
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Composer, producer and saxophonist Bill Shreeve's debut release, 'Feel This'Nominated for Best Jazz Album 2008 by the San Diego Music Academy & San Diego Music AwardsBill Shreeve molds his extensive influences in jazz, funk, and Latin genres to create a soulfully cohesive, melodically satisfying contemporary jazz release, 'Feel This' featuring guitar wizard Peter Sprague (Chick Corea, David Benoit, Eric Marienthal), Fattburger's smooth jazz masters Kevin Koch (drums) and Evan Marks (guitar). Other fine musicians include Dave Scott (trombone), Steve Smith and Lynn Willard (keys), Vince Clementson (guitar), Justin Grinnell and Nathan Brown (bass). The CD features a beautifully harmonious lead line blend of sax and trombone happily reminiscent of the Crusaders early sound. Bill makes skillful use of hypnotic and driving funk grooves and Latin rhythms as a backdrop to his solid and evolving melodic lines. His beautifully soulful tone, extensive range and jazz chops are on display throughout the album whether he is playing soprano, alto or tenor sax. This nine-song collection of Bill's original material is a strong testament to the depth and diversity of his composing and arranging skills.Bill ...
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