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Gentle Giant Three Friends CD

 Gentle Giant Discography of CDs

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All songs written by Phil Shulman, Ray Shulman, Derek Shulman and Kerry Minnear.

More influential than successful, the U.K. prog-rock act Gentle Giant was always overshadowed by 1970s contemporaries such as Jethro Tull, King Crimson, and Yes. However, 1974's THREE FRIENDS reveals that, musically, the group, which featured brothers Derek, Phil, and Ray Schulman, was on par with the aforementioned bands, both in establishing mood (see the wonderfully dreamy passages of "Schooldays") and crafting complex, memorable tunes (the jaunty "Working All Day"). While later recordings found Gentle Giant taking a slightly more straight-ahead approach, THREE FRIENDS presents the ensemble at what is perhaps its adventurous best.Record Collector (magazine) (p.87) - 4 stars out of 5 -- "Weird harmonies, weirder time signatures....Listening to it again after two decades or so, it's possible to discern an affinity with the Canterbury school....A classic."
Three Friends Music


Detailed Three Friends Music Information



List Price $6.99 (You save $1.04)
Category Rock/Pop Albums, Progressive CDs, Art Rock, Rock
Label Columbia
Orig Year 1972
All Time Sales Rank   57749  
CD Universe Part number 7610975
Catalog number 723975
Discs 1
Release Date Feb 01, 2008
Studio/Live Studio
Mono/Stereo Stereo
Producer Gentle Giant
Engineer Martin Rushent
Gentle Giant Three Friends Songs


Gentle Giant Three Friends Album Track Listing



1.Prologue$0.99
2.Schooldays$0.99
3.Working All Day$0.99
4.Peel the Paint$0.99
5.Mister Class and Quality?
6.Three Friends$0.99
Three Friends Music


Three Friends Other Versions



Gentle Giant
Three Friends  (1972) Remastered; Digipak
CD$23.29
Gentle Giant
Three Friends  Import
CD$49.89
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On its debut album, Kansas leavened its progressive rock complexity, with relatively concise hard-rock tunes. The follow-up, SONG FOR AMERICA, finds both elements still in play, but prog rock definitely dominates. Like its predecessor, SONG FOR AMERICA opens up with a simple, heavy rocker, but then wastes no time leaping into the Yes-influenced breach with the 10-minute epic title track. Aside from the anomalous "The Devil Game," which sounds like a Bad Company outtake, the rest of the album finds Kansas headed straight for art-rock glory, as tricky syncopation, swirling synthesizers, and fiery fiddle dart in and out of willfully dense arrangements, often following classical-inspired structure. The album's final song (followed here by a couple of bonus cuts) is one of Kansas's most accomplished pieces, a strikingly complicated suite endearingly titled "Incomudro - Hymn to the Atman" that sounds pretty European for a bunch of boys from Midwestern farm country. Probably the most prog of Kansas albums, this one spotlights long, orchestrated songs and unusual time signatures. There is an extended 9/8 instrumental break in the middle of the title track. "Lamplight Symphony" offers long, orchestrated passages. When the energy is there, it is intense energy, such as "Down the Road" and "The Devil Game." The longer songs unfortunately can lose a passive listener but, all in all, this is a good (if not adolescent) recording for ...
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Like their contemporaries Styx and (early) Journey, Kansas combined the influence of British prog bands Yes and King Crimson with a more straightforward pop-rock sensibility. Those seemingly disparate elements were never more sharply juxtaposed for Kansas than on their self-titled 1974 debut. The album leads off with two short, punchy rockers ("Can I Tell You," "Bringing It Back") that could have come off a James Gang album. The violin-and-piano-led power ballad ("Lonely Wind") is the transition point, after which Kansas leaps fully into the prog-rock breach. It's hard to imagine more prog-sounding titles than "Journey from Mariabronn" and "Death of Mother Nature Suite," and the tracks live up to their names, with daunting time signatures, dazzling solos, complex counterpoint, and flashy synth, guitar, and violin riffs darting to and fro like the American Midwest's answer ...
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Joe Ferraro has been playin' and singin' the blues since the summer of love. A cofounder of The High Desert Blues Society and leader of The Fat City Blues Band, Joe has been performing in Southern California clubs his entire adult life. Notable venues include The Anahiem Convention Center, Buffalo Bill's Casino, BB King's Blues Club, Lake Alice Trading Co.

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