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Toto Turn Back CD

 Toto Discography of CDs

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Toto's third album, Turn Back, was a bit of a disappointment. The group's ability to turn out highly competent studio rock was not translating into an individual sound, and since Turn Back had few memorable songs on it, one was left with little but those famous chops that Toto possessed in abundance. ~ William Ruhlmann

Toto went from disappointment to disaster with its third album, the generic Turn Back. The group's ability to turn out highly competent studio rock was not translating into an individual sound, and since Turn Back had no memorable songs on it, one was left with nothing more than those famous chops that Toto possessed in abundance. The group would rally from this retreat, but for the moment a better title would have been Fall Back, as in, the bandmembers always had their studio jobs to fall back on. ~ William Ruhlmann
Turn Back Music


Detailed Turn Back Music Information



List Price $6.99 (You save $1.04)
Category Rock/Pop Albums, Rock CDs
Label Columbia
Orig Year 1981
All Time Sales Rank   62221  
CD Universe Part number 7611059
Catalog number 724947
Discs 1
Release Date Mar 01, 2008
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 37 minutes
Toto Turn Back Songs


Toto Turn Back Album Track Listing



1.Gift With a Golden Gun  $0.99
2.English Eyes  $0.99
3.Live For Today$0.99
4.Million Miles Away, A  
5.Goodbye Elenore  $0.99
6.I Think I Could Stand You Forever  $0.99
7.Turn Back
8.If It's the Last Night  $0.99
Turn Back Music


Turn Back Other Versions



Toto
Turn Back  Japan; Remastered5 stars
CD$28.89
Turn Back Review


Turn Back Music Reviews



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CD $8.05  5 stars Top 500 Audio Samples
Interestingly, Horn rarely takes a solo, but repeats the songs over and over, slightly changing the phrasing and continuously building on the piano to change the emphasis. Every cut is a masterpiece, but the stand out is the title cut. Drummer Steve Williams sets up a strange, repetitive quarter note pattern which sounds like a ticking clock over which Miles Davis' muted trumpet floats and soars as Horn sings and plays piano. The track is especially ...
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I REMEMBER MILES won the 1999 Grammy Award for Best Jazz Vocal Performance. This stunning album is Shirley Horn's loving tribute to her friend and colleague, the legendary late Miles Davis. Davis was so taken by Horn's first album EMBERS AND ASHES that he forced The Village Vanguard to let her virtually-unknown trio open for him during his 1961 run there. Their friendship and admiration for each other's music lasted through the years, and Shirley Horn's 1991 recording YOU WON'T FORGET ME, was one of the last recordings Miles Davis made. Horn selected mostly ballads from Davis' Columbia Records catalogue for her tribute because, as she explains in the liner notes, Davis liked her to sing ballads, and ballads are Horn's specialty. She can slow down time in a unique and spellbinding way. Her sultry and smoky vocals are intimate and conversational, relying on odd metered timing and silence, rather than volume, to make an emotional point. This album's knock out punch is the epic (over 10 minutes long) "My Man's Gone Now" performed in an uncharacteristically (for Horn) abstract style with a double rhythm section and Roy Hargrove wailing ...
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Music snobs love to deride Toto as exemplars of MOR, radio-ready commercial product, a criticism not entirely off the mark for a supergroup formed by high-profile studio musicians intent on mixing pop styles into a glossy, accessible package. But Toto weren't all chops and no substance, especially when it came to writing memorable pop songs, as one listen to their hugely successful 1978 self-titled debut will attest. Whether squeezing nursery rhymes into smooth grooves ("Georgy Porgy"), ...
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Having traded in lead singer Bobby Kimball for Fergie Frederiksen, a smooth tenor wailer in the tradition of Journey's Steve Perry, Toto proceeded to follow its power ballad smash Toto IV with a Journey clone album, minus the aching ballads that had made ...
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This is a Super Audio CD playable only on Super Audio CD players. If Toto's musical advantage was that, since its members continued to play on many of the successful records made in L.A., its own music was popular almost by definition, its disadvantage was that it made little attempt to seek an individual musical signature -- a particular style, say, or a distinctive singer (Bobby Kimball was not it) who could make its records immediately identifiable. "Hold the Line" had been a big hit, but who did it? Boston? Foreigner? As a result, Toto was less well positioned than most to come off a big debut album with the follow-up, and Hydra was unusually dependent on its leadoff single, "99." Maybe it was a tribute to the female lead on the old Get Smart TV show, but many listeners ...
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Principally recorded at Sunset Sound and Record One, Los Angeles, California. Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box. This is a multichannel Super Audio CD playable only on Super Audio CD players. Although Toto's second and third albums (HYDRA and TURN BACK, respectively) didn't fare well commercially, especially when compared to the group's self-titled debut, 1982's TOTO IV brought the band to a whole new level of success. The cadre of Los Angeles session players pooled their talents to create a potent form of market-savvy arena rock, which resulted in the inescapable smash singles "Rosanna" and "Africa." While those two tunes, both penned (at least in part) by keyboardist David Paich, easily outshine the rest of TOTO IV, the record does feature enjoyable, upbeat songs such ...
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Grateful Dead Live/Dead CD  (1969)

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CD $11.19  5 stars
Includes 2 untitled hidden tracks following "And We Bid You Goodnight." Recorded live at The Fillmore West and the Avalon Ballroom, San Francisco, California in 1969. Originally released on November 10, 1969. Among the finest of rock's live documents, LIVE DEAD is a snapshot of the Grateful Dead circa 1969, applying the free-jazz lessons of John Coltrane to their finely-tuned, manic, and flowing boogie. It was the first released piece of evidence that the live Dead were a wholly different, multi-headed animal than the one that recorded in the studio. LIVE DEAD was also the culmination of the group's evolution into what's now considered the vintage San Francisco sound--having perfected it, the Grateful Dead would soon leave it for fresher musical pastures. While each of LIVE DEAD's selections calls to mind a specific trick from up the band's sleeve, the opening four songs (later dubbed "the holy quartet" by Deadheads) best indicates the Dead's ...
Journey Through Time
Moody Blues Journey Through Time CD  (1990) Import

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Voodoo Devils Hellish Noise CD  (2005) Import

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Smuggle And Flow
Hollow Tip Smuggle And Flow CD  (2006)

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Masque
Kansas Masque CD  (1975)

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CD $5.95  3.5 stars Top 500
Kansas' third album, Masque, is a lyrically dark effort courtesy of guitarist/keyboardist Kerry Livgren's brooding songwriting. Musically, Masque foreshadows the tight melodies and instrumental interplay on the next two albums, Leftoverture and Point of Know Return, which together serve as the peak of Kansas' vision. The band deserves more respect than it gets for incorporating British hard rock and progressive rock to become the only U.S. progressive rock band of note during the genre's 1970s heyday. Robbie Steinhardt's violin work certainly helped give Kansas a distinctive sound. The liner notes indicate Masque is a "concept album" thanks to the title's definition: "A disguise of reality created through a theatrical or musical performance." Vocalist/keyboardist Steve Walsh's "It Takes a Woman's Love (To Make a Man)" is the leadoff track, and it's atypical of the rest of the album. The song is a fairly basic yet groovy pop/rock tune about musicians' ...
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Horna Pimeyden Hehku CD  (2007)

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Time Spy (New Ed.) Vol. 1
Time Spy New Ed Time Spy (New Ed.) Vol. 1 CD  (2008)

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CD $10.15
Ryan Shah was born in 1976 in Missouri, USA. He began learning drum set at age six and was performing by age twelve.In 1994 Ryan began studying Drum Set under Jeff Sipe "Apt. Q258" and in 1995 he attended Drummers Collective in New York City and studied under Fred Klatz, Mike Clark, Bobby Sanabria, Duduka da Fonseca, Pete Zeldman, Mike Lauren, Sandy Gennaro and Kim Plainfield.In 1996 he attended Berklee College of Music and studied under Skip Hadden and Kenwood Dennard.Ryan has done both live and studio work for local Rock and Jazz bands around the southeast and New England areas. He has recorded for classical composer David McNally. He also performed at the Georgia Dome for 80,000 people in the 1998 Fox 97 "Ultimate Oldies" Concert in Atlanta, Georgia, backing J.J. Jackson, Freda Payne, The Crystals, and Sonny Geraci.From August 1997 to January 1999, Ryan and two local Columbia musicians, Zack Jones and Franklin Caggiano, performed under the name of Medulla Peltor, fusing rock and jazz influences. (See www.MySpace.com/MedullaPeltor)While living in New York and Boston, Ryan attended many Indian classical music concerts and developed an intense love for the art. In 1997 Ryan began studying Tabla under Pralad Khutri in Charlotte, NC.In 1998 Ryan established Tusharjee Productions, an organization that arranged Indian classical music concerts in South Carolina and hosted concerts for Nandkishore Muley, Anupama Bhagwat, Ashwini Bhide-Deshpande, Ramesh Mishra, and Sabir Khan.In the summer of 1999 Ryan travelled to Calcutta to study Tabla under Sabir Khan of the Farrukhabad Gharana.On his second trip to Calcutta in 2001, Ryan formed a music group called Time Travil that fused elements of Classical Indian Music with Improvisational Jazz. Time Travil performed in Calcutta at Rabindra Sadan, St. Xavier's College, Royal Calcutta Golf Club and on the Tara Bangla TV show "On Date Special". Time Travil also performed in the US at The Knitting Factory in New York and in the Charleston Cultural Festival in South Carolina among other venues in the southeast US and New England.In the winter of 2004, Ryan played in Tanmoy Bose's fusion band Taal Tantra and performed at the following venues in Calcutta: Salt Lake stadium, Swabhumi, Calcutta Cricket and Football Club, Calcutta Club, Nazrul Manch (with The Violin Bros.) among others.Since 2003 Ryan has been composing music under the name of ...
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Byron Vannoy's Meridian CD  (2008)

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CD $11.39  Audio Samples
Drummer/Composer Byron Vannoy has become a notable artist on the west coast, working with local and international musicians in a variety of styles for over 15 years. His debut award-winning recording “Byron Vannoy’s Meridian” is a narrative adventure that takes the listener through Byron’s vision. ...
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