| | Mandy Moore Coverage CD Mandy Moore Discography of CDs
On the doorstep of 21, Moore's shift into adult-artist mode found her reinterpreting a wide array of classic pop songs from the '70s and '80s on the aptly titled COVERATE. From the opening jangle of XTC's "Sense Working Overtime," this New Hampshire native breezily digs into a wide range of material, from the delicate, introspective Cat Stevens nugget "Moonshadow" to Todd Rundgren's melancholy musical handshake "Can We Still Be Friends." Producer John Fields incorporates a slightly mechanized beat that compliments the majestic brass arrangements found in The Waterboys' "The Whole of the Moon" and the slightest hint of a synth wash in John Hiatt's "Have a Little Faith In Me." X drummer DJ Bonebrake's vibraphone playing adds a sophisticated sheen to Joe Jackson's "Breaking Us in Two." COVERAGE successfully transports Mandy Moore into the world of adult pop.
Personnel includes: Mandy Moore (vocals); John Fields (various instruments); Jimmy Coup, Evan Dando (acoustic guitar); Dirk Freymuth, Phil Solem (guitar); Eric Heywood (pedal steel); Ameena Khawaja (cello); Brian Gallagher (flute, saxophone); Kathy Jensen (tenor saxophone); Josh Meyers (baritone saxophone); Dave Jensen, Steve Strand (trumpet); Lauren Gold, Jeff Victor (piano); Tommy Barbarella (electric piano, synthesizer); Jim Anton, Ken Chastain (bass); Dorian Crozier (drums, percussion); Michael Bland (drums); Billy Hawn (percussion); Andy Strummer, Dan Wilson, Danny Wilde (background vocals).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Mandy Moore Coverage Songs Coverage Review
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Purchase Coverage CD To buy, Click on price to add to cart | John Mayer Battle Studies CD (2009)
Coverage album
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, Mayer is effortlessly seductive and somewhat irresistible, and it's easy to see why the ladies ...
| | Tom Petty Live Anthology CDs (2009)
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs -- a 1978 New Years Eve concert from Santa Monica, a documentary called 400 Days shot during the Wildflowers tour -- a Blu-Ray edition of all 62 tracks on the five-CD version, a vinyl copy of the ...
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By the time of this, its eighth album, in 1974, Procol Harum had weathered ...
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Lou Reed never struck anyone as one of the happiest guys in rock & roll, so some fans were taken aback when his 1984 album New Sensations kicked off with "I Love You, Suzanne," a catchy up-tempo rocker that sounded a lot like a pop tune. After reaffirming his status as one of rock's greatest poets with The Blue Mask and Legendary Hearts, what was Reed doing here? Lou was having a great time, and his pleasure was infectious -- New Sensations is a set of straight-ahead rock & roll that ranks with the most purely enjoyable albums of Lou's career. Reed opted not to work with guitarist Robert Quine this time out, instead overdubbing rhythm lines over his own leads, and if the guitars don't cut quite as deep, they're still wiry and in the pocket throughout, and the rhythm section of Fernando Saunders and Fred Maher rocks hard with a tough, sinewy groove. And while much of New Sensations finds Reed in a surprisingly optimistic mood, this isn't "Don't Worry, Be Happy" by any stretch of the imagination. On "Endlessly Jealous," "My Friend ...
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A project from longtime broken beat/drum'n'bass producer Domu and the Archive/Neroli label was inevitable, as a lot of Domu's recent success had been via Archive and Neroli. However, ...
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Liner Note Author: Bil Carpenter.
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