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Plain White T's All That We Needed CD

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All That We Needed Music


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List Price $23.98 (You save $5.89)
Category Rock/Pop Albums
Label Ada Global
CD Universe Part number 7611907
Catalog number 301042
Discs 1
Release Date Jan 13, 2008
Plain White T's All That We Needed Songs


Plain White T's All That We Needed Album Track Listing



1.All That We Needed  
2.Revenge
3.Take Me Away  
4.My Only One  
5.Sad Story  
6.Breakdown  
7.What More Do You Want?  
8.Lazy Day Afternoon  
9.Anything  
10.Sing My Best  
11.Faster  
12.Last Call  
13.Hey There Delilah  $0.99
All That We Needed Music


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Photographer: Ben Watts.
Buoyed by the popularity of the hit contemporary pop ballad "Home," singer Michael Bublé's 2005 album, IT'S TIME, clearly positioned the vocalist as the preeminent neo-crooner of his generation. Easily the singer's most stylistically wide-ranging album so far, 2009's CRAZY LOVE is also one of his brightest, poppiest, and most fun. Bublé kicks things off with the theatrical, epic ballad "Cry Me a River" and proceeds to milk the tune with burnished breath, eking out the drama line by line. It's over the top for sure, but Bublé takes you to the edge of the cliff, prepares to jump, and then gives you a knowing wink that says, not quite yet -- there's more fun to be had. And what fun it is with Bublé swinging through "All of Me," and killin' Van Morrison's classic "Crazy Love" with a light and yearning touch. And just as "Home" worked to showcase Bublé's own writing abilities, here we get the sunshine pop of "Haven't Met You Yet" -- a skippy, jaunty little song that brings to mind a mix of the Carpenters and Chicago. Throw in a rollicking and soulful duet with Sharon Jones & the Dap Kings on "Baby (You've ...

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Japanese pressing features the original 12 tracks plus a bonus track TBA. Cooking. 2005. CD contains 1 bonus track.
In 1998, after the release of his album The Last Dog and Pony Show, Bob Mould announced he was hanging up his electric guitar and exploring other musical avenues outside of rock & roll. More than a few fans expressed some trepidation about Mould's career choice, and that buzz became a roar after Mould released Modulate in 2002, which found him diving head first into electronic music. At least in America, the vast majority of rock fans have not been able to come to terms with the rise of electronica, and regardless of the album's virtues or flaws, few listeners were willing to look past the hard, kinetic surfaces of the music and give the songs a fair hearing. It would appear this prejudice did not escape Mould's notice, as 2005's Body of Song was widely hyped as Mould's return to rock, complete with electric guitars and a live rhythm section. But a spin of the album suggests the album isn't so much a step back to the sound he pioneered in Hüsker Dü and Sugar as an attempt to have things both ways. (The fact that Mould spins regularly at a dance club in Washington, D.C., suggests he hasn't lost interest in electronic music as a creative form.) Many of the cuts on Body of Song sound as if Mould is still thinking club music, but is filtering it through the framework of a three-piece rock band; "(Shine Your) Light Love Hope," "Always Tomorrow," and "I Am Vision, I Am Sound" are dominated by echoed textures, lockstep rhythms, and vocoder-processed vocals that wouldn't be out of place on a house track, but with a live drummer (Brendan Canty from Fugazi on most tracks, who is predictably excellent) and Mould adding a layer of guitar over the top. And while Mould frequently bellows his lyrics with an approximation of the fury of his best-known work, most of the songs on Body of Song deal with deeply problematic relationships and on paper speak more of sorrow, confusion, and misplaced hope than the rage suggested by the bitter wailing he uses to bring them across. Body of Song ultimately feels more like an attempt by Mould to please both his audience and himself than a coherent and confident effort; while it's hardly a failure, it lacks the courage of the admittedly flawed Modulate while falling short of the power of his masterpieces with Sugar and Hüsker Dü, existing in a strange middle ground that doesn't do this talented artist many favors, though there's enough emotional resonance in quieter tunes such as "High Fidelity" and "Gauze of Friendship" to remind you he still ...

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Producers includes: Dean Garcia, David Torn, Andy Wright, Apollo 440, Jeff Beck.
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"Plan B" won the 2004 Grammy Award for Best Rock Instrumental Performance.
Personnel: Nancy Sorrell, Beached Boys, Ronni Ancona, Baylen Leonard, Andy Wright , Saffron (vocals).
Audio Mixers: David Torn ; Dean Garcia; David Tom; Howard Gray; Jamie Maher; Jeff Beck; John Hudson; Michael Barbiero; Tony Hymas.
Recording information: Apollo Control, London, England; BFD Studios; FRS; Metropolis Studio, London, England.
Photographer: Greg Waterman.
Unknown Contributor Role: David Torn .
Arrangers: Jeff Beck; Andy Wright .
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cdu4asppid music 7611907 cdu4pidall cdu4pls7 ver231cdu cdu4all 11/27/2009 9:06:14 AM