| | Best Of MFSB: Love Is The Message CD MFSB Discography of CDs
(1 Customer Review)
THE BEST OF MFSB is a collection of instrumentals recorded by Philadelphia International Records' famed in-house backup band, Mother, Father, Sister, Brother--better known as MFSB.
Triangulate a midpoint somewhere between Philly soul, Space Age Bachelor Pad lounge sounds, and disco fever, and you've got MFSB (stands for Mother, Father, Sister, Brother). MFSB was made up of the session men who played on the bulk of the classic mid-'70s Philly soul tracks under the suzerainty of producers Gamble and Huff. After the instrumental track "TSOP (The Sound of Philadelphia)" became a hit, MFSB began turning out a host of lush-but-funky instrumentals, and the best of these are collected on BEST OF MFSB: LOVE IS THE MESSAGE. The groove-happy rhythm section that makes up the core of the band is augmented by sleek layers of horns and strings for a sonic widescreen effect on both original themes and instrumental versions of such R&B hits as "Back Stabbers" and "Freddie's Dead." A particular highlight is the title song, which was a pre-mainstream disco national anthem.
This is part of Legacy's Rhythm And Soul series.
Recorded at Sigma Sound Studios, Philadelphia, Pennsylvania in the mid-1970s. Includes liner notes by Richard Torres.
MFSB: Bobby Eli, Norman Harris, T.J. Tindall, Reginald Lucas, Roland Chambers (guitar); Tony Williams (flute, saxophone); Zach Zachary (alto saxophone); Eddie Green, Harold Williams (piano); Leon Huff (electric piano); Lenny Pakula (organ); Vince Montana (vibraphone); Ronnie Baker, Anthony Jackson (bass); Earl Young, Karl Chambers, Norman Farrington (drums); Larry Washington (congas, bongos).
Producers: Kenneth Gamble, Leon Huff, Vince Montana, Bobby Martin, Jack Faith.
Compilation producer: Leo Sacks.
Additional personnel: The Three Degrees (vocals); Don Renaldo And His String And Horn Sections. Best Of MFSB: Love Is The Message Music | List Price | $6.99 (You save $1.04) | | Category | Rock/Pop Albums, Pop CDs, Rap, Philly Soul, R&B, Greatest Hits Collections | | Label | Legacy | | Orig Year | 1995 | | All Time Sales Rank | 131245  | | CD Universe Part number | 7612158 | | Catalog number | 724104 | | Discs | 1 | | Release Date | Feb 01, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Joe Tarsia | | Personnel | Philadelphia, Bobby Martin, Leon Huff, Vince Montana, Don Renaldo, Jack Faith. Compilation producer: Leo Sacks. Recorded at Sigma Sound Studios, Pennsylvania in the mid-1970s |
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$14.79 "Is It Me?" - track #1 is in the Miramax motion picture "Doubt" starring Meryl Streep."That's When I'll Stop Loving You" - track #4 is in the Rob Zombie movie re-imagining of "Halloween" from Dimension films."L*A*S V*E*G*A*S" - track #9 was used in the NBA Celebrity All-Star game broadcast from Vegas, and the Wayne Newton episode of "Cribs" on MTV.Cinemasters provides master quality recordings of original songs and source music to the Film & Television industry. Producer Joel Evans has had over 300 song placements including numerous hit TV series episodes and more than 60 Motion Pictures.Dan Kimpel writes in Music Connection Magazine:Meet Joel Evans, a musician and bandleader from San Francisco whose extensive list of credits includes major Hollywood films, hip indie flicks, network shows and daytime dramas, over 60 big screen credits and 250 television episodes and counting, from Wedding Crashers to Desperate Housewives.  Evans has built his own catalog, and he has also worked extensively with companies that place songs: Position Music, PEN Music Group, TAXI and many other firms. His first big break in visual media came when he met Marc Ferrari of MasterSource at a pitch session sponsored by the West Coast Songwriters Association. As he recalls, “It turned out to be a bossa nova thing I played for Marc and he included it in his catalog.” When a composer disappeared from a project that needed tracks within a week, Ferrari enlisted Evans. “He sent me a few things to listen to and I got them down with five players, and they’ve since been used a number of times.” In configuring music, Evans will generally take live players into a studio, track the basics, then return to his home studio to edit, overdub vocals, guitars, piano and other instruments before returning to the original studio to give the tracks the requisite polish. He often e-mails MP3s back and forth with collaborators, and he also ...
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