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Another self-titled album, this time for CBS, finds Tom Rush continuing to mine the fertile vein of folk-rock songwriters the likes of James Taylor, Jackson Browne, and Canadian Murray McLaughlin. Standouts include David Wiffen's "Driving Wheel," McLaughlin's "Old Man's Song" and "Child's Song," and Browne's "Colors of the Sun." Also, there appears to be a hint of country sneaking into the arrangements. A very solid effort. ~ James Chrispell Tom Rush (1970) Songs | 1. | Driving Wheel | |
| 2. | Rainy Day Man | $0.99 | |
| 3. | Drop Down Mama | $0.99 | |
| 4. | Old Man's Song | $0.99 | |
| 5. | Lullaby | $0.99 | |
| 6. | These Days | $0.99 | |
| 7. | Wild Child | |
| 8. | Colors of the Sun  | $0.99 | |
| 9. | Livin' in the Country | $0.99 | |
| 10. | Child's Song | $0.99 | |
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Tom Rush (1970) Review
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NETRHYTHMS, fROOTS, Living Tradition - David KidmanNot a fez in sight, but there are plenty of fluffy rabbits adorning the sleeve of this enterprising new offering from the self-deprecating, self-styled "fat Greek" who makes himself so many friends "just like that!" wherever he performs. Album number six sees this big-hearted and enviably prolific (162 and still counting!) songsmith fast developing his craft, both in terms of writing and arranging. (And that's an objective judgement, falling outwith my duty to provide a disclaimer for the abundant generosity of the namecheck credit which George bestows on me within the booklet.) Spurred on no doubt by the folk scene's growing recognition of his talent, George is now audibly taking more chances with his material, embarking (carefully) on ever more ambitious musical settings and structures for his songs while retaining a credible continuity of thematic concept. Even so, each song is still recognisably, intrinsically (and quintessentially) George, with that comfortable sense of conception and residence within recognisable musical traditions (here, those both of folk and pop song - for George has always subscribed to the widest possible definitions of what is "folk") counterpointed by the desire to challenge our preconceptions and philosophical parameters. George bookends this new CD with examples of social commentary ancient and modern: the traditional A-Begging I Will Go - the album's sole non-original, and in that sense a new departure for George after five albums of entirely self-penned songs - balanced by End Of The ...
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