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Wispy synth chords ebb and flow as gentle, down-tempo breaks wander mysteriously through the mix. Fat analog tones disrupt the placid mood and bring a sinister edge. - Listen Founded in 1999, this expressive recording project combines elements of dark ambient, ethereal, and touches of atmospheric neo-classical to form a unique sound. Since founding the project, we have independently released two EP recordings and have arranged a variety of remixes for such artists as Attrition and Sero. Overdose. Seven years after the initial release, we now present our first full-length album on the Fractured Vision Media label. A Prison Of Oneself Music Displaced An Early Morning Letter A Prison Of Oneself Songs | 1. | Breathe |
| 2. | Condemnation |
| 3. | Not Unhopeful |
| 4. | Dissolution |
| 5. | So Crushed |
| 6. | Crimson Futility |
| 7. | A Shelter of Yesterdays |
| 8. | Amoung the Wreckage |
| 9. | Vacant |
| 10. | The Well |
| 11. | Hope of Escape |
| 12. | A Torn Visage |
| A Prison Of Oneself Review
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Purchase A Prison Of Oneself CD To buy, Click on price to add to cart | Ineffable Mysteries From Shpongleland CD (2009)
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$5.99 RAY OF LIGHT won the 1999 Grammy Award for Best Pop Album and for Best Recording Package, and was nominated for Album Of The Year. "Ray Of Light" won the 1999 Grammy for Best Dance Recording and Best Short Form Music Video, and was nominated for Record Of The Year.
Relentlessly contemporary, RAY OF LIGHT pairs Madonna with producer William Orbit, an electronics wizard who has worked with major R&B acts and even such modern rockers as Blur and Depeche Mode. Reportedly, Madonna tried to snare Liam Howlett of high-strung techno-rockers the Prodigy into the project--Howlett claims to have turned her down. But the more dextrous, less in-your-face Orbit was probably a better choice anyway. He provides a dizzying array of soundscapes, incorporating everything from psychedelic-rock guitar to dub-reggae echo and cold, cutting techno beats for what critics are calling Madonna's most committed performance in years.
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$9.65 Bibio's Stephen Wilkinson had a banner year in 2009. He rang it in with Vignetting the Compost, an album that seemed to beckon spring with its delicate, pastoral electronics, then took his music several steps forward with that summer's Ambivalence Avenue, which was as dazzling as it was eclectic. Wilkinson closed the year with The Apple and the Tooth's hybrid of new songs and remixes by similarly wide-ranging artists who found plenty of ways to push Ambivalence Avenue's tracks in even more far-flung directions. Some remixers hone in on the album's anything-goes feel: Clark, whose fearless sound clashes feel like a major influence on Bibio, ...
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$30.29 This 1998 release is a satisfying session of freebop, post-bop, and avant-garde sounds from Chicago-based Rich Corpolongo, educator, author, arranger, composer, and master reed player. Corpolongo, who has worked with Eddie Harris, Herbie Hancock, Gary Burton, and Oliver Nelson, is an incisive, precise, and articulate player, with a cohesive and imaginative flow to his improvisations. Heard here on alto and soprano saxes, clarinet, and piccolo, Corpolongo has a knack for making his often quite advanced pieces accessible. The CD offers lyrical, impressionistic works, contemporary blues-derived performances, and energetic straight-ahead playing. The influence of 20th century composers Arnold Schoenberg, Anton von Webern, and ...
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| | Blakey, Art & The Jazz Messengers Caravan CD (1962) SACD Hybrid
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$16.05 Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Freddie Hubbard (trumpet); Curtis Fuller (trombone); Cedar Walton (piano); Reggie Workman (bass).
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Yet another fabulous session by Art Blakey and his Jazz Messengers from the early '60s. CARAVAN was the Messengers' debut for Riverside during a time when they primarily recorded sessions for Alfred Lion's Blue Note label. This is the sextet version ...
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