| | Paul Rodgers Cut Loose: Silver 25th Anniversary CD Paul Rodgers Discography of CDs
(1 Customer Review)
After the disappointing 1982 release Rough Diamonds, Bad Company split up and vocalist Paul Rodgers focused on his solo album Cut Loose. It's a "solo" album in every sense of the word; Rodgers wrote, produced, sang, and played every single note. Yep, besides highlighting his miraculous voice, Cut Loose features Rodgers playing guitar, keyboards, bass guitar, and drums. It's a competent release and it features some good songs, but one wonders how much better it could have been if he had interacted with other musicians. In a way, Cut Loose is almost like a demo tape. Sometimes individual songs lack dynamics because Rodgers bases them on repeating guitar or piano lines, and his bass playing is effective, but his drumming is rudimentary. "Fragile" is a decent, midtempo rock & roll song. "Cut Loose" has an upbeat, funky feel with a guitar riff that doubles Rodgers' vocals. "Rising Sun" is the most sophisticated and impressive song on the album; its fast, dramatic piano lines and biting guitar solo stand out. The breezy "Morning After the Night Before" is based on clever lyrics about life on the road. (It's an interesting companion to Bad Company's "Movin' On," which was written by guitarist Mick Ralphs.) The haunting arrangement on "Northwinds" is also noteworthy. The piano and organ parts add depth to Rodgers' gut-wrenching vocals. Two songs on Cut Loose have interesting histories. "Superstar Woman" is a re-recorded version of a previously unreleased Bad Company tune. (It was finally issued on 1999's The 'Original' Bad Company Anthology.) Also, Rodgers and Led Zeppelin's Jimmy Page re-recorded "Live in Peace" for the Firm's 1986 album Mean Business. ~ Bret Adams
Liner Note Author: Joe Reagoso. Cut Loose: Silver 25th Anniversary Music | List Price | $13.98 (You save $1.79) | | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Friday Music | | Orig Year | 1983 | | All Time Sales Rank | 34959  | | CD Universe Part number | 7615942 | | Catalog number | 1061 | | Discs | 1 | | Release Date | Mar 04, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Paul Rodgers | | Recording Time | 40 minutes | | Additional Info | Remastered |
Paul Rodgers Cut Loose: Silver 25th Anniversary Songs | 1. | Fragile | |
| 2. | Cut Loose | |
| 3. | Live in Peace | |
| 4. | Sweet Sensation | |
| 5. | Rising Sun | |
| 6. | Boogie Mama | |
| 7. | Morning After the Night Before | |
| 8. | Northwinds | |
| 9. | Superstar Woman | |
| 10. | Talking Guitar Blues | |
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$12.79 We have seen premier jazz performers defined, whether for one album or 
an era, by a skillfully crafted reworking of a well-known pop song – the way Coltrane is synonymous with "My Favorite Things," and Louis Armstrong with "Wonderful World." It’s a case of the right instrument on the right song at the right time.Over the course of a thirty-year career, Gregory James has written most of his own material, and that is true again on his ninth album Samsara (Rogue 1080-5). But the track that may best define this rewarding release is his amazing, touching cover of the Beatles’ "And I Love Her." It is a simple and thoughtful rendition, unmistakably Gregory James with rich twists and turns from his flamenco-jazz-style guitar, colorful bass guitar work and daring woodwind play.
 The San Francisco guitarist, like his hometown, embodies the word "fusion." His previous two albums, the critically-acclaimed Come To Me and Reincarnation, are fully-produced electric world jazz albums with turntablists, spoken word, strings, horns and lots of studio know-how behind the leader’s acoustic guitar. Switching gears on Samsara, Gregory has come back to the basics with a quartet and very little, if any, studio effects. Raw tracks, real playing, and it’s captured with beautiful "invisible" production by Cookie Marenco.Ladies and gentlemen, this is Gregory James.Recorded at Marenco’s OTR Studios in the Bay area following an eight-day Pacific Northwest tour by Gregory's quartet in April of 2007, Samsara is reminiscent of ECM label jazz recordings – spacious, warm, and intensely honest. There's nowhere to hide.
The title track, "Samsara," introduces us to bassist Jonathan Herrera, the latest in a long line of premier bassists that have worked with Gregory (Kai Eckhardt, Benny Rietveld, Derek Jones, to name a few). Herrera’s bass ...
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$14.29 The history of jazz is full of ultra-gifted but self-destructive musicians who should have had very long careers, but instead died much too young (Charlie Parker, Fats Navarro, Bix Beiderbecke, among countless others). But that certainly isn't true of Lee Konitz, who turned 80 on October 13, 2007. ...
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