| | Miriam Aida My Kind Of World CD - Import Miriam Aida Discography of CDs
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Our Price: $20.99  CDFor Sale Usually ships in 1-2 days
(Only 2 available)
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Miriam Aida My Kind Of World Songs | 1. | Big city |
| 2. | I was doing all right |
| 3. | Intro - If I had you |
| 4. | If I had you |
| 5. | No more |
| 6. | What a difference a day made |
| 7. | To say goodbye |
| 8. | My kind of world |
| 9. | Thou swell |
| 10. | With you I'm born again |
| 11. | Yesterdays |
| 12. | Remember |
| 13. | What a little moonlight can do |
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My Kind Of World Review
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Purchase My Kind Of World CD To buy, Click on price to add to cart | Diana Krall Christmas Songs CD (2005)
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On 2005's CHRISTMAS SONGS, Diana Krall applies her sultry vocals and nuanced piano lines to a strong set of holiday classics. In addition to turning in a stirring performance of "The Christmas Song" that would make Nat "King" Cole proud, Krall eases into a swaying version of "Winter Wonderland" and a lush rendition of "Have Yourself a Merry Little ...
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. ...
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| | Incredible Jazz Guitar Of Wes Montgomery CD (1960) SACD Hybrid
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960.
The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar ...
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| | Chumbawamba Get On With It: Live CD (2007)
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Having fully settled into their stripped-down acoustic size, Chumbawamba document several months of touring with a live album. Interestingly, there aren't that many songs from their last disc; instead it's a skip through not only through their back catalog, but their traditions. Of much greater importance now are the harmonies they've honed over the years -- indeed, there's quite a bit of unaccompanied singing where they acquit themselves very ...
| | Hanne Hukkelberg Rykestrasse 68 CD (2007) (Import) Bonus Tracks; Enhanced CD; Netherlands
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Recorded after six months spent living in Berlin (and named for a street address there), the second album by Norwegian songstress Hanne Hukkelberg may be moodier and more mature than her endearingly light-hearted debut, but it's nearly as sweet and, in its way, just as playfully inventive. The occasional electronic elements of Little Things are absent, and the "noise" quotient is relatively subdued, but there's still plenty of atmospheric clutter and clatter: clinking bottles and kitchenware; a bouncing ball; "tea-strainer guitar"; an excellently played typewriter on "The Northwind"; Obelix the cat purring on his own ode (which can't help but recall likeminded noise imps -- and Hanne's former Leaf labelmates -- Psapp); and the Rykestraáe itself providing urban ambience on the languorous opener, "Berlin." This bevy of found-sound sources commingles seamlessly and invitingly with the array of "real" instruments -- piano, accordion, prominent double bass (both bowed and plucked), glockenspiel, bass clarinet, and so forth -- to create an impressionistic, Old World Continental vibe with echoes of cabaret jazz, sea shanties, and the fusty, haunted soundscapes of Tom Waits. The effect, though evocative, is kept understated, never overshadowing Hukkelberg's resonant voice, a magnificently versatile instrument that evokes the high lonesome clarity and playful warble of Jolie Holland or Regina Spektor as well as the intoxicating swoops of Billie Holiday, and contributes as much as anything to the richly imbued charm of this album. (Her voice itself creates some of its most memorably personable moments, including the layered speaking and self-harmonizing on the creaky, slightly spooky "Fourteen" and extemporized-sounding passages of wordless a cappella noodling on "Berlin.") Rykestraáe 68 is occasionally reminiscent of those artists musically and compositionally as well, blending as it does strands of folk, pop, and jazz, but a closer point of reference would be Fiona Apple's work with Jon Brion, particularly the defiantly idiosyncratic art pop of Extraordinary ...
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My Kind Of World album
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