| | Ike Quebec Blue And Sentimental CD Ike Quebec Discography of CDs
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Although not as well known as other big tenor men like John Coltrane, Hank Mobley, or Benny Golson, Ike Quebec was a major contributor to the classic era of jazz and this 1961 Blue Note date captures him in his prime. BLUE & SENTIMENTAL is indeed one of but a few discs that Quebec recorded for Blue Note, although he was involved with the legendary label as an A&R man and performed on many sessions by other artists. His huge, velvety tone and bluesy swagger are Quebec's signature as he lopes and swings through several classic tunes like Count Basie's lazy title track, the bouncing "That Old Black Magic," and Cole Porter's hauntingly melodic "It's Alright With Me." Filling out the quartet are no less than Grant Green, Paul Chambers, and Philly Joe Jones, Blue Note regulars all, who shine brightly as always. Other choice moments on this disc include Quebec and Green's tight interaction on Quebec's catchy "Minor Impulse," the smoky ballad "Don't Take Your Love From Me," and the easy-going closer "Count Every Star."
Personnel: Ike Quebec (tenor saxophone, piano); Grant Green (guitar); Paul Chambers (bass); Philly Joe Jones (drums).
Personnel: Ike Quebec (tenor saxophone, piano); Grant Green (guitar); Sonny Clark (piano); Paul Chambers (bass instrument, upright bass); Sam Jones (upright bass); Philly Joe Jones (drums).
Q (8/95, p.147) - 3 Stars - Good - "...his easy mastery of the blues and apparently effortless sense of swing are a source of uncomplicated pleasure." Blue And Sentimental Music Ike Quebec Blue And Sentimental Songs Blue And Sentimental Music Blue And Sentimental Review
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Purchase Blue And Sentimental CD To buy, Click on price to add to cart | Hank Mobley Another Workout: RVG Series CD (1961)
Blue And Sentimental album
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This is part of Blue Note's Collector's Choice series. These are limited-edition pressings of a few thousand copies.
This LP has material from 1961 that for no real reason went unreleased until 1985. One song, "Three Coins in a Fountain," is from the same session that resulted in tenor saxophonist Hank Mobley's famous Workout session with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. The other five numbers -- three obscure Mobley originals, plus "I Should Care" and "Hello Young Lovers" -- are from the previously unheard ...
| | Ike Quebec Might As Well Be Spring: RVG Series CD (1961)
Blue And Sentimental CD music
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Digitally remastered using 20-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur series.
Working with the same quartet that cut Heavy Soul -- organist Freddie Roach, bassist Milt Hinton and drummer Al Harewood -- Ike Quebec recorded another winning hard bop album with It Might As Well Be Spring. In many ways, the record is a companion piece to Heavy Soul. Since the two albums were recorded so close together, it's not surprising that there a number of stylistic similarities, but there are subtle differences to savor. The main distinction ...
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This two-LP set, which was released in 1979 as part of United Artists' Blue Note reissue series, brought back trumpeter Freddie Hubbard's early album Hub Cap, a sextet session with tenor-saxophonist Jimmy Heath, trombonist Julian Priester, ...
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Award winning singer-songwriter Wil Maring and her former multi-instrumentalist spouse Mark Stoffel were the core of their bluegrass/folk band Shady Mix, bridging the gaps between bluegrass, folk, and country. Much of the repertoire were bluegrass-tinged originals, complemented by uniquely arranged covers. Standards, old-time, and even old cowboy songs filled out their live show, with something to please almost everyone. Wil and Mark, with their band Shady Mix, spent almost a decade working professionally in Europe, and became one of the most accomplished acoustic bands on that side of the Atlantic. During their time together, Shady Mix released three band recordings. The unique Shady Mix sound is centered around Wil's clean, airy vocals and the smooth blend of harmonies. ...
| | Joe Monk Live At Club 40 CD (2004)
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Back in October of nineteen sixty two, John F. Kennedy was the president. The cold war was at its peak, the Beatles had not yet come to America, and Ray Gogarty needed a sub for his steady gig at Club Forty on Long Island.Ray knew Joe Monk, who was "a name" on Long Island and the top local jazz guitarist. "Joe was a very strong, powerful, deliberate player. He could do everything. Chords, single notes, double stops at fast tempos. I would just name the song, the key, and he would play it perfectly. Everything was O.K. with Joe," said Ray. When Joe agreed to do that night at Club Forty, Ray immediately borrowed an Ampex tape recorder that ran fifteen ips with a Neuimann microphone. "I really wanted to get him on tape because I felt he was such a good player, unusually good, and there was no one around at that time on Long Island who played like him. Joe could have been one of the biggest names on the guitar, but he didn't want that". Ray said. "He wanted to be home at night, teach guitar and be with his family". Ray and Joe Monk had never played together before or after, but the magic of that night is apparent. With great appreciation for Rays foresight and effort, Making this recording possible and enabling all who knew and loved Joe Monk to hear a great moment of jazz guitar, preserved for all time, we thank you. Joe was born January eighteenth nineteen thirty two in New York, leaving school in the ninth grade to help support his family and begin a life dedicated to music and teaching. Just talk to anyone who ever met Joe, and they will, undoubtedly, tell you a funny story or memory of their time with him. His personality, laughter, and honesty were unique, as was his completely humble view, and persona of himself. At one point in the late nineties, I started to bug Joe about going into the studio to record, but he always dismissed the idea saying, "I would have to really prepare something different, and really have something to say, and anyway I think I'm going to paint my house this summer". The next time I persued that topic with Joe he just said, "I'm done playing out, those days are over, I just want to teach, I enjoy the kids". Joe Monk never did go into the studio to record his music, to preserve his special talent, perfect touch on the guitar, and his endless study of the instrument that consumed his life. I remember years ago when we were kids, going to Joe's studio for lessons, andseeing the neon sign in the second floor window that read "Guitar Lessons". Walking up the dark dusty stairway, passed ...
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VINCE MIRACountry music's newest young star's rise to fame has captivated America. Born in Los Angles, California and raised in San Antonio, Texas the young singer/songwriter Vince Mira, was discovered by entertainment ...
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Music CareerA versatile vocalist, and an undiscovered treasure, Richard Thomas' career began in Philadelphia in 1960 when he had the opportunity, at fourteen, to open for B.B. King.Richard's current CD, Touch You With A Song, produced and arranged by pianist John di Martino, is a complement to his collection, which includes The Pleasure Of Your Company and Holiday Classics, both arranged by pianist Lynne Arriale. Richard's voice is especially suited to well-known classic standards. Richard ...
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