Mariah Carey - E=MCy MP3 Download

E=MCy buy CD music Although his first studio album in three years has been long-awaited and repeatedly delayed, Lil Wayne has been anything but absent. Since THA CARTER II, Weezy has left an impressive mass of recordings--from mixtapes (authorized and otherwise) to guest appearances--in his wake as he blusters through the rap industry. In the third installment of the THA CARTER series, Wayne shows he's earned the right to ego-trip as he lets his off-kilter flow, freak-out lyrics, and vocal acrobatics run wild over 16 tracks. Scaling the heights of hubris on "Dr. Carter," he plays an MC/doctor treating a certain music genre diagnosed as lifeless and closes with a quintessential Weezy snarl: "Welcome back hip-hop/I saved your life." Wayne then shifts to alien-mode for the E.T.-inspired "Phone Home." Later on, he details his sexual conquest of a female cop on "Ms. Officer." As expected, THA CARTER III is rife with big name producers (The Alchemist, Kanye West, Wyclef Jean, David Banner, Swizz Beatz, will.i.am) and guest artists (Jay-Z, Babyface, Busta Rhymes, Juelz Santana, Fabolous, T-Pain) from all coasts. Tha Carter III is the sixth studio album by rapper Lil Wayne and it is the final album in Tha Carter trilogy. Originally known as the youngest Hot Boy, Lil' Wayne has orchestrated a steady stream of hits. The New Orleans rapper began his long career with Cash Money as part of the Hot Boys, a popular late-'90s supergroup consisting of Juvenile, Turk, and B.G. Audio Mixers: Miguel Angel Mendoza Bermudez; Andrew Dawson; Edward Lido; Fabian Marasciullo. Recording information: Blue Jay Studios; CMR, Miami, FL; SouthBeat Studios, Miami, FL; The Record Room, N. Miami, FL; Tree Sound Studios, Atlanta, GA. Photographer: Jonathan Mannion. Personnel: Eddie Montilla (strings, keyboards); Ludas Charles (keyboards); Darius Harrison (drums). Additional personnel: Sha Ron Prescott (vocals, background vocals); Pro-Jay, Robin Thicke, Cool & Dre, Jim Jonsin.

E=MCy CD music The third full-length from contemporary R&B diva Alicia Keys is called AS I AM, a title that adequately reflects the album's straightforward, confessional soul-pop. Keys built her popularity making stylish, reflective, voice-and-piano music; AS I AM continues that trend, albeit in a poppier vein that balances neatly between neo-soul and adult contemporary. This is reflected in the midtempo grooves, songs of empowerment ("Superwoman"), and stirring ballads ("The Thing About Love"). Keys' collaborators on the album include songwriter Linda Perry, who co-wrote three of the album's tracks, and John Mayer, who twines voices with Keys on the sensual "Lesson Learned." Top-notch arrangements, which include gorgeous, retro-tinged flourishes via strings and horns, make the set shimmer, but it's the strength of the hook-heavy tunes and Keys' moving performances that make AS I AM stick. It's not the five-star album she's capable of, but it leaves little doubt that Keys is moving steadily in that direction. Audio Mixer: Manny Marroquin. Recording information: Glenwood Studios, LA; Oven Studios, NY. Photographer: Thierry Le Goues. Arrangers: Alicia Keys; Jack Splash. Personnel: Alicia Keys (vocals, piano, Fender Rhodes piano, harpsichord, Wurlitzer organ, Mellotron, bass synthesizer, Moog synthesizer, vocoder, background vocals); Alicia Keys (synthesizer, string synthesizer, programming); Jack Splash (various instruments, programming); John Salvatore Scaglione (guitar, guitars); John Mayer (guitar, background vocals); Ron Haney, Peter Thorn, Rony Henry, John Jubu Smith (guitar); Everette K. Harp (saxophone); Darryl Dixon , Darryl Dixon (alto saxophone); David Stout (trumpet); Mark Batson (piano, Clavinet, Hammond b-3 organ, Moog synthesizer, programming, drum programming); Damon Fox (Hammond b-3 organ, Mellotron, Moog synthesizer); Mark Robohm, Mark Robham (drums); L.C. Green, L. Green (background vocals); David Ryan Harris (guitar); Steve Mostyn (acoustic guitar, bass guitar); David Watson (tenor saxophone); Carl Maraghi (baritone saxophone); Duane Eubanks, Jumaane Smith (trumpet); Jason Sugata (French horn); Harry Kim (trombone); Michael Dease (tenor trombone, bass trombone); Ryan Keberle (tenor trombone); Linda Perry (piano, background vocals); Paul Ill, Sean Hurley (bass guitar); Trevor Lawrence (drums, percussion); Steve Jordan (drums); Kerry Brothers (drum programming); Alonzo "Novel" Stevenson, Harold Lilly (background vocals); Ann Mincieli. Additional personnel: John Mayer .

E=MCy songs It's no accident that Mary J. Blige is an icon on the urban contemporary scene, in large part because each new album--and 2007's GROWING PAINS is her eighth--finds her more self-assured as a singer, a lyricist, and a person. Like 2005's THE BREAKTHROUGH, GROWING PAINS delivers a mature Mary J., one who's faced down her demons and emerged triumphant. The tough-as-nails, confessional nature of her work is still what gives it its distinctive stamp, but Blige's sonic palette continues to grow as well. From the heavily hip-hop-tinged "Work That," to the 1980s-sounding pop of "Fade Away," to the swirling balladry of "Work In Progress (Growing Pains)," the album isn't afraid to hop genres. Blige's work has always had a wide appeal, but GROWING PAINS has tracks that move from the club to the bedroom to adult alternative radio while still sounding 100% the artist's own. Help from the likes of Ne-Yo, the Neptunes, Ludacris, Usher, and Jazze Pha, among others, gives the set star-quality, but this is Blige's show: her voice, her style, and her sense of personal conviction shine through loud and clear.

E=MCy album for sale The R&B singer, songwriter, producer, and all-around hit-making machine known as Ne-Yo works his magic yet again on YEAR OF THE GENTLEMAN. Different from your average R&B crooner of the day, Ne-Yo backs away from overt sexuality, instead aiming for subtle romantic ballads that vary from playful innocence to brooding melancholy. Lead single "Closer" is unique as Ne-Yo works his silky smooth voice over a poppy house track. Overall, YEAR OF THE GENTLEMAN is consistent in this respectfully seductive approach to the fairer sex. In "Nobody," an awed Ne-Yo sings the praises of his love interest--"Can't nobody strut like her/Can't nobody touch her"--and the second single, "Miss Independent" is as close to a feminist anthem as the R&B genre has come in years. Production work comes from Polow da Don, Stargate, Chuck Harmony, Stereotypes, and Ne-Yo himself. Recording information: Circle House Studios, Miami, FL; Roc The Mic Studios, New York, NY; The Carrington House, Atlanta, GA; The Studio, Philadelphia, PA; WEstlake Studios, Los Angeles, CA; ZAC Recording Studio, Atlanta, GA. Photographer: Chris Stanford. Arrangers: Chuck Harmony; Larry Gold. Personnel: Ne-Yo (vocals); Mikkel Storleer Eriksen, Tor Erik Hermanson, Shomari "Sho" Wilson, Syience (various instruments); Robert Taylor "R.T." (guitar, guitars); Bernt Rune Stray, Brandon Thomas , Jesse Bond (guitar); Charles Parker , Igor Szwec, Emma Kummrow, Rob Martin, Olga Konopelsky, Gregory Teperman (violin); Alexandra Leem, Davis A. Barnett (viola); Jennie Lorenzo (cello); Shea Taylor (strings, piano, synthesizer, bass instrument, drum programming); Micayle "the Mack" McKinney, Micayle McKinney (keyboards). Audio Mixers: Kevin "KD" Davis; Jaymz Hardy-Martin III; Phil Tan.

E=MCy CD music Following the nine-times platinum CONFESSIONS, Usher had a tall order to fulfill with 2008's HERE I STAND. To his credit, the R&B sensation didn't merely replicate CONFESSIONS, but instead moved into new thematic territory while still remaining true to his now-patented silky-smooth urban contemporary sound. Lyrically, HERE I STAND reflects Usher's commitments as a husband and father, with songs like "Before I Met You" and "Lifetime" replacing the wild narratives of his bachelor days. R&B's premiere player seems to have grown up. But even given Usher's maturity on this set, there's plenty to please the legions of fans used to his sensual, stylish music. Opener "Love in This Club" is a soaring, thumping anthem featuring a spot by Young Jeezy, while "Part II" boasts appearances by Beyonce and Lil Wayne. "Best Thing," featuring Jay Z, blends hip-hop with Usher's sweet soul. But the album's real highlights--moments like "Trading Places" and the old-school-sounding "Something Special"-- feature Usher's sexy, elastic voice unleashed to full effect, reminding listeners that just because Usher is settling down doesn't mean that he's getting stale.

E=MCy buy CD music Carey opens the album by exhibiting some of the most sincerely soulful vocals of her career on the one-two punch of the up-tempo "It's Like That" and the beautiful ballad "We Belong Together." Her able voice expertly complements both the hazy hip-hop of Snoop Dogg on "Say Somethin'" and the acrobatics of Twista on the dream-like "One and Only." In her early years, Carey would have adorned the latter track with vocal tricks to show off her five-octave voice, but she has wisely learned to rein in her frills. In fact, restraint is the key word on THE EMANCIPATION OF MIMI, a straightforward and satisfying pop-R&B collection. With the lofty title THE EMANCIPATION OF MIMI, it's clear that Mariah Carey wants listeners to know she's releasing an important record. Here she aims to reveal an aspect of herself that has previously been held back by career missteps and tabloid-worthy drama. It's refreshing, then, that 2005's EMANCIPATION returns the focus to Carey's remarkable voice, as the singer makes her most accomplished record in over a decade. Additional Tracks Personnel: Mariah Carey (vocals); Trey Lorenz (vocals); Nelly, Snoop Dogg, Twista (rap vocals); Chop Horns (horns); James "Big Jim" Wright (keyboards); Randy Jackson (bass instrument); Charles Drayton (drums); Fatman Scoop, Jermaine Dupri, Johnta Austin (background vocals).