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VDGG's second step on the mid-'70s comeback trail saw Peter Hammill attempting to meld the introspective and the cosmic throughout, though this did not stop him from taking a dead run at a grandiose concept or two -- the consequences of immortality on the title track, and the grand fate of humanity on the epic "Childlike Faith in Childhood's End." The theme of humane cooperation informs the opening "Pilgrims," while "La Rossa" is an epic tale of desire fulfilled (a story that would be concluded on Hammill's solo album, Over). The true highlight, however, is the beautiful, pensive "My Room (Waiting for Wonderland)," with its echoes of imagination and loss. Hammill did not achieve such a level of painful beauty again until "This Side of the Looking Glass" on Over. ~ Steven McDonald
Van der Graaf Generator: Peter Hammill (vocals, guitar); David Jackson (saxophone); Hugh Banton (keyboards); Guy Evans (drums).
Still Life Music | List Price | $14.98 (You save $4.29) | | Category | Rock/Pop Albums, Progressive CDs, Art Rock, Rock | | Label | Caroline | | Orig Year | 1976 | | All Time Sales Rank | 243584  | | CD Universe Part number | 7629642 | | Catalog number | 06556 | | Discs | 1 | | Release Date | May 27, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Van Der Graaf Generator | | Engineer | Pat Moran | | Additional Info | Limited Edition; Mini LP Sleeve |
Van Der Graaf Generator Still Life Songs | 1. | Pilgrims | |
| 2. | Still Life | |
| 3. | La Rossa | |
| 4. | My Room (Waiting For Wonderland) | |
| 5. | Childlike Faith in Childhood's End | |
| 6. | Gog [Live] - (live, bonus track) | |
| Still Life Review
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Purchase Still Life CD To buy, Click on price to add to cart | Opa Back Home CD (2003) (Import)
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$9.69 Van Der Graaf Generator's third album, Pawn Hearts was also its second most popular; at one time this record was a major King Crimson cult item due to the presence of Robert Fripp on guitar, but Pawn Hearts has more to offer than that. The opening track, "Lemmings," calls to mind early Gentle Giant, with its eerie vocal passages (including harmonies) set up against extended sax, keyboard, and guitar-driven instrumental passages, and also with its weird keyboard and percussion interlude, though this band is also much more contemporary in its focus than Gentle Giant. Peter Hammill vocalizes in a more traditional way on "Man-Erg," against shimmering organ swells and Guy Evans' very expressive drumming, before the song goes off on a tangent by way of David Jackson's saxes and some really weird time signatures -- plus some very pretty ...
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