| | Schiller Prologue CD Schiller Discography of CDs
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Our Price: $8.49 CDFor Sale Usually ships in 1-2 days
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Schiller Prologue Songs | 1. | Part I |
| 2. | Part Ii |
| 3. | Part Iii |
| 4. | Part Iv |
| 5. | Part V |
| 6. | Part Vi |
| 7. | Part Vii |
| Prologue Review
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Purchase Prologue CD To buy, Click on price to add to cart | Modern Romance Platinum Collection CD (2006) (Import) England
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| | Bananarama Wow! CD (1987) Bonus Tracks; England; Reissue; Remastered
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$8.79 Bananarama followed up their hit-laden True Confessions, which spawned their international chart-topping version of "Venus," with 1987's Wow! True Confessions witnessed the emerging role of Stock, Aitken & Waterman as the trio's producers -- Wow! was wholly assembled by the hitmaking team, which was also responsible for hits by Rick Astley, Kylie Minogue, Dead or Alive, Donna Summer, and countless others. This album is, therefore, a straightforward 1980s dance set, with several songs that went on to become international hits. The only track from this set to make the U.S. Top Ten was "I Heard a Rumour," a sassy, joyous single just as infectious today as when first released. Also included is the sleek, lip-smackin' disco hit "I Can't Help It," the engaging, European chart-topper "Love in the First Degree," the single "I Want You Back," and an extended mix of their version of the Supremes' "Nathan Jones." Some of the non-hits pale in comparison to the singles, among those the dated, 12" version of "Some Girls"; the 12" version of "Strike It Rich," which, at some points, resembles an inferior version of "I Can't Help It"; and "Bad for Me," which unintentionally highlights the trio's vocal limitations. Nonetheless, the singles were quite intoxicating, and this hard-to-find set is sure ...
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Digitally remastered by Joseph M. Palmaccio (Sony Music Studios, New York, New York).
This is a Super Audio CD playable only on Super Audio CD players.
In hindsight, Luther Vandross's debut should be viewed as one of the most important R&B records of the 1980s. With its balance of slick, buoyant, uptempo numbers and lush, mid-tempo tunes, both of which are distinguished by Vandross's inimitably smooth voice and delivery, '81's NEVER TOO MUCH ushered in a distinctive brand of satin-sheeted, romantic R&B that carried throughout the rest of the decade and into the '90s and 2000s.
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