9TH Wonder Formula CD

Personnel: Carlitta Durand, Formula Crew, Danny Boy, Beat Justice, Keisha Shontelle (vocals).
Audio Mixer: Ian Schreier.
Recording information: De Stu, North Carolina University, Durham, NC.
On their second collaboration album (after 2005's aptly-titled CHEMISTRY), the North Carolina-based superproducer and the general of the Boot Camp Clik maintain and elevate with THE FORMULA. A far cry from the murky, ominous feel of the Beatminerz tracks that used to back Buckshot, 9th Wonder's lofty, soul-rooted production style--rife with sped-up vocal samples--provides a fitting contrast to Buck's evenly delivered and understated lyrical violence. THE FORMULA features guest appearances by the Formula Crew, Carlitta Durand, Swan, Tyler Woods, Keisha Shontelle, Talib Kweli, Arafat Yates, and Big Chops of M1 Platoon.
The consistent high quality of 9th Wonder's beats is the sort of constant blessing that looks better from afar, or, taking cues from Jay-Z and Erykah Badu, as a sanguine respite from other producers' ideas. Front to back, though, an album of his lushly proficient work can be underwhelming. On The Formula he sounds best at his most sedate, as on "Only for You (Lou)," which drapes a lilting vocal sample over loose keyboard stilts. An album of such exquisite downtempo hip-hop might be something to behold. But even a pillow fight should thwack sometimes, and the 13 tracks here largely refuse to do so, nor do they bounce, bump, nod, shake, or even doze off blunted. "Hold It Down," for example, features typically dexterous but blithe Talib Kweli verses and a whole lot of aimless crooning, neither terribly meaningful nor matched to the other. 9th Wonder seems caught between hip-hop and R&B, unable to commit to either. For his part, Buckshot keeps an affable pace, but topically and tonally he strives to be little more than accompaniment to the beats; his rhymes are so soft-hearted that the harshest diss he gets in to his nebulous haters is "some of your LPs stand for long punishment." The same could not be the said for this entirely listenable affair, but little more could be said for it either. ~ Clayton Purdom