| | Galy Galiano 10 De Coleccion CD Galy Galiano Discography of CDs
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Before the Latin pop charts were inundated with the Ricky Martins and Cheyennes of the world, Galy Galiano was performing the light pop ballads that made the girls swoon and the men stand up and listen. 10 DE COLECCION includes a myriad of Latin pop styles fused with traditional Mexican mariachi ("Me Bebi Tu Recuerdo"), salsa ("Quien Entiende Este Amor"), and slow easy-on-the-ears boleros such as "Amor de Primavera," making it a must-have addition to Galiano loyalists. Galy Galiano 10 De Coleccion Songs 10 De Coleccion Review
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Purchase 10 De Coleccion CD To buy, Click on price to add to cart | Aventura K.O.B. (Kings Of Bachata) CDs (2006) With DVD
10 De Coleccion
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| | Grupo Niche Originales: 20 Exitos CD (2005)
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| | Oscar D'Leon Asi Soy CD (2004)
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There are few names in salsa that command as much respect as that of Oscar D'Leon. His first release with Sony International in a decade, Asi Soy reaffirms and even furthers that association. Seldom has D'Leon sounded so suave, or his band so tight. This Venezuelan native has established himself as one of the premier salsa acts operating today. This could be due to his unswerving commitment to quality and a traditional approach, avoiding any modern influence that might adulterate or pollute. For those D'Leon fans hoping to hear what this esteemed artist might do with a stylistically mixed palette, Asi ...
| | Greatest Salsa Classics On DVD DVD (2003)
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| | Marc Anthony - Hasta Ayer DVD (2006)
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Soundtrack English; Import
| | Xtreme CD (2005) Reissue
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| | Reggae Gold CD (1993)
10 De Coleccion
$13.39
REGGAE GOLD, a lengthy, 16-track compilation widely advertised on television at the time of its 1993 release, is a fine sampler of early '90s reggae. By the time-period covered on this disc, reggae had moved away from the experimental tendencies of the '70s and early '80s into a position similar to that occupied by its precursor, rock steady, in the ...
| | Natalie Howard CD (2006)
10 De Coleccion
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If there's one thing listeners should have learned by now about country music, it's that you don't have to be American to sing it. Shania Twain, Kasey Chambers, and Keith Urban have all hit it big singing pop songs with slightly twanged vocals, steel guitars, and fiddles, and Aussie newcomer Natalie Howard takes the same approach with her U.S. self-titled debut. Howard, however, is decidedly more pop than country. If it weren't for the pedal steel and the fiddle that make their way into some of the songs, that label would be all but indiscernible. Even the drawl that country music begs for can be confused with Howard's own Australian accent (although the decisively dialectically American "ain't" she occasionally throws in is most certainly not) and "I Can't" and "I Want to Get Out" are straight off an easy listening radio station. Like many albums in the genre, Natalie Howard has an extremely produced sound, but it's coupled with earnestness and sincerity in Howard's voice that can't be produced in the studio, and it brings a nice element to the record. Even if she sometimes seems like an overly dramatic teenage girl (in the breakup anthem "You Never Knew Me," for example), she has a few truly catchy hooks, and "Don't Be That Way Baby" could've come straight off a later Sheryl Crow album. Nashville should watch out: the Australians have arrived. ~ Marisa Brown
If there's one thing listeners should have learned by now about country music, it's that you don't have to be American to sing it. Shania Twain, Kasey Chambers, and Keith Urban have all hit it big singing pop songs with slightly twanged vocals, steel guitars, and fiddles, and Aussie newcomer Natalie Howard takes the same approach with her U.S. self-titled debut. Besides her foreign passport, there's not much to distinguish Howard from the rest of the pop-country bunch, except perhaps the fact that Howard is decidedly more pop than country, and if it weren't for the pedal steel and the fiddle that make their way into some of the songs, that label would be all but indiscernible. Even the drawl that country music begs for can be confused with Howard's own Australian accent (although the decisively dialectically American "ain't" she occasionally throws in is most certainly not), and "I Can't" and "I Want to Get Out" are straight off an easy listening radio station, and are both pretty unremarkable. Like many albums in the genre, Natalie Howard has an extremely produced sound, which, unfortunately, coupled with clichéd lovesick and/or heartbroken lyrics, makes the album sound almost devoid of personality or interest. This is a pity, because Howard has an earnestness and sincerity in her voice that can't be created in the studio, and even if she sometimes seems like an overly dramatic teenage girl (in the breakup anthem "You Never Knew Me," for example), she has a few truly catchy hooks, and "Don't Be That Way Baby" could've ...
| | Fania All Stars Latin Connection CD (1981)
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| | Hector Lavoe Tu Bien Los Sabes CD (2001)
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| | Matt Jennings Todavia CD (2008)
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| | Riverdales Phase 3 CD (2008)
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| | Thapsalmist2 Vol. 1-Razor Sharp Collabs CD (2008)
10 De Coleccion
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"Razor Sharp Collabs Vol. 1" has ThaPsalmist2 teamed up with some well known artists with mainstream releases such as Sivion and Playdough of Deepspace5, Sev Statik of Tunnel Rats, Theory Hazit of HipHopIsMusic & Scribbling Idiots, Sevin (founder of H.O.G.M.O.B.), and Specialist (formerly of Righteous Riders); not to mention a host of underground ...
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