| | Jazz Changes? CD - Import Changes Discography of CDs
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Our Price: $20.99  CDFor Sale Limited Availability
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Jazz Changes? Music | List Price | $22.99 (You save $2.00) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7634051 | | Catalog number | 758897 | | Discs | 1 | | Release Date | Mar 11, 2008 |
Jazz Changes? Songs | 1. | Hands Off The Wheel | |
| 2. | For Bobby | |
| 3. | Kastanie | |
| 4. | Changes | $0.99 | |
| 5. | One Bird, One Stone | |
| 6. | Ce qu'elle dit | |
| 7. | Out In The Fields | |
| 8. | Maulbeerbaumbeerblues | |
| 9. | Michael's Blues | |
| 10. | For You | |
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Jazz Changes? Review
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Purchase Jazz Changes? CD To buy, Click on price to add to cart | Egberto Gismonti: Saudacoes CDs (2009)
Jazz Changes? album
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Photographer: Milton Montenegro.
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar ...
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| | Keith Jarrett Testament: Paris/London CDs (2009)
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| | Chase/Ennea/Pure Music CDs (2008)
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This double-CD set is not only the best of Bill Chase's output but -- comprising all three of their albums -- virtually their complete finished studio work, before the plane crash that killed Chase and much of the group. The mastering on this Wounded Bird reissue is excellent, with a full solid bass sound topped by soaring highs on the brass and no compression to speak of. It's not as though this catalog has been overused, in terms of its master tape library -- apart from the hit "Get It On" -- ...
| | David Bromberg My Own House/You Should See The Rest Of The Band CD (1999)
Jazz Changes? CD music
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As of the late 1990s, guitarist and fiddler David Bromberg was in musical semi-retirement, supplementing his day job (making his living buying and selling American-made violins) with the odd club gig. But in the 1970s, he had a thriving career as both a bandleader and a sideman, having played on seminal recordings by Bob Dylan, the Eagles, and Jerry Jeff ...
| | DJ Digit Slipstream To The Divine CD (2002)
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| | 20 Best Of 90'S Hits CD (2006)
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| | Jaron Eames Sounds Good To Me! CD (1996)
Jazz Changes? album
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JaRon Eames literally came down to Earth to start his vocal career. He was employed by Japan Airlines and quit in 1977 to start his career as an entertainer. His objective was to revive the salon singer (the male counterpart to cabaret) style of entertainment. He has worked with Barry Harris, Dorothy Donegan, and a host of other prestigious jazz personalities. Sounds Good to Me! is the singer's second album, with a play list of 11 tunes designed to show his versatility. They also show his very supple and flexible set of vocal chords as he warbles and trills soul, the blues, funky R&B, and high-steppin' swing tunes. Eames sounds like Lou Rawls, if Rawls worked in a higher register. He also uses a slight vibrato to very good advantage on tunes such as "Guilty" and "Doggin Around." The kick-off tune brings funk to the fore buttressed by Michael Weisberger's Hal Singer-like tenor, which provides ...
| | Reel Big Fish Our Live Album Is Better Than Your Live Album CDs (2006)
Jazz Changes? CD music
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If any band were going to name its live record Our Live Album Is Better Than Your Live Album, well, it was bound to be ska-punk luminaries Reel Big Fish. And they're not just being audacious -- they're probably right. Two CDs worth of music plus a bonus DVD with an entire live set make this an essential part of any RBF fan's collection. The songs were recorded over the course of their early 2006 tour, and are so clearly captured that they might as well have been recorded in a studio. The sporadic ...
| | Pitbull El Mariel CD (2006) Edited
Jazz Changes? music CDs
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Miami's Pitbull brings together the sound of reggaeton, Miami bass, and Dirty South rap, delivering a hard-hitting style that appeals to a number of hip-hop factions. EL MARIEL (the title is a reference to a harbor in Miami famous for receiving Cuban immigrants) is Pitbull's sophomore release, and the artist represents for both Miami and his Cuban heritage with his unique mixture of styles. The two singles that preceded the album's release--"Bojangles" and "Ay Chico"--are fierce, club-ready bangers, and production and guest appearances from Lil Jon, Wyclef Jean, the Neptunes, the Ying ...
| | Christmas Collection-Memories CD (2007) (Import)
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| | Dance The Latin CD (2008) (Import)
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| | Double U Hibou Maccanique CD (2008)
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Our Town Could be Your Life: The Double UBY CARY CLARKE(Portland Mercury, From Oct 4 – Oct 10, 2007)Portland musicians tend to learn very quickly when out-of-state musicians with any kind of notoriety or reputation are planning to move to our city. The news is usually met, as in the case of, say, Chris Walla or Britt Daniel, with a mixture of excitement and canine territorial defensiveness.Whether this phenomenon is a vestige of the proudly provincial, quietly xenophobic, Tom McCall-era "Visit but don't stay" Oregonian mindset, or the product of the lingering insecurity we all feel about actually being Californians ourselves, word travels at the speed of gossip. But occasionally our early warning systems and border-patrolling Minutemen let us down when it really counts, because while we never fail to work ourselves into an elitist tizzy when we get wind that someone like Gerard Way of My Chemical Romance might be moving here, we somehow let a gem of a band like the Double U move to Portland to live and create in our midst for five years without really taking notice.The Double U play a clean-toned, jazzy, roller-rink-redolent, highly unpredictable brand of restrained indierock full of the muted menace found in David Lynch films and Ren and Stimpy cartoons. The fact that they play music this unusual makes their relative local obscurity unfortunate. But the fact that they do so with an impeccable independent music pedigree makes it surprising. The Double U were pioneering comrades-in-arms in San Francisco's mid- to late-'90s weird rock renaissance with better-known bands like Deerhoof, the Melvins and, especially, Thinking Fellers Union Local 282, with whom they sometimes lived and collaborated. Over the course of a decade in the Bay, the band's lineup changed several times, but husband-and-wife duo Matt Hall and Alex Behr remained constant, forming the core of the band with the former's technically rigorous guitar playing and unintelligible whisper-soft vocal growl, and the latter's punchy bass work and languid keyboards.The twosome moved to Portland from San Francisco in 2003 because, according to Behr, "It was getting too expensive down there, and Matt liked rain." Once here, they teamed up with a fellow transplant, drummer Geoff Soule—a card-carrying member of the Cool Club himself, as a member of San Franciscan indie outfit Fuck—played some shows, and booked a few sessions at Jackpot! Recording Studio with Larry Crane and Kendra Wright. ...
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